Barco FLM R22+ used, second hand

Used FLM R22+ 22000 ANSI/Lumens projector without lens.

Photos on request.

More details

3.02.235
Used

10,349.00 €

10,439.01 € per Piece

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About this product

FLM R22+

Barco's FLM-R22+ is an ultra-bright, durable projector with picture-in-picture capabilities. It is a perfect fit for any large venue that requires extra brightness to show clear, crisp images in a luminous environment.

Powerful projection for large venues

Thanks to its 22,000 lumens light output, the FLM-R22+ is able to display widescreen, high-contrast images of superior quality even in venues with lots of ambient light. Through its superior video processing and picture-in-picture capabilities, you can make your presentations more interactive and energizing without the need for extra peripherals.

Most silent projector in its class

The FLM-R22+'s liquid cooling technology cuts noise levels to a minimum, making it one of the most silent projectors in its class. The FLM is also equipped with a sealed optical engine that prevents dust, smoke or other environmental contamination from affecting its image quality.

Features
Ultra bright and stunning images
  • High contrast 3-chip DLP engine
  • True native SXGA+ resolution
  • 22,000 center lumens
  • Contrast ratio of 1,800:1
Low total cost of ownership
  • Sealed engine with constant image quality over time
  • Projector designed for high resistance against external contamination
  • Extended lamp warranty (750 hours)
  • Extremely good lamp maintenance (typical 1,000 hrs)
  • TLD+HD lens range that is fully compatible with Barco's HDX projector series
Built for demanding rental & staging applications 
  • Fully sealed optics
  • Easy to set up, install, service and transport
  • Removable lamp house, power supply & electronics
  • Low video delay (broadcast live events)
  • Universal lamp house for all FLM projectors
Fit for any widescreen & creative application
  • High brightness projection at 22,000 center lumens
  • “High-Contrast Mode” (2,400:1) feature enables you to make a trade-off between brightness and contrast, depending on your application.
  • Low video delay, very important when broadcasting live events
  • Ultimate solution for projection on multiple screens and special surfaces
Projector Toolset software

The FLM comes with standard “Projector Toolset” software, offering basic control, diagnostics and other features (e.g. a lens program). Additional software plug-ins can be offered as an option delivering added functionality for multi-screen applications, advanced settings control, etc. A user friendly GUI (Graphical User Interface) ensures easy control.

Used Barco

Barco, a global technology company, designs and develops networked visualization products for the Entertainment, Enterprise and Healthcare markets.
Barco has its own facilities for Sales & Marketing, Customer Support, R&D and Manufacturing in Europe, North America and APAC. Barco (NYSE Euronext Brussels: BAR) is active in more than 90 countries with 3,300 employees worldwide. Barco posted sales of 1.029 billion euro in 2015.

Anamorphic: Process that horizontally condenses (squeezes) a 16:9 image into a 4:3 space, preserving 25 percent more vertical resolution than letterboxing into the 4:3 space. For the signal to appear with correct geometry, the display must either horizontally expand or vertically squish the image. Used on about two or three promotional laser discs and many DVDs. Also called Enhanced for Widescreen or Enhanced for 16:9. Aspect Ratio: The ratio of image width to image height. Common motionpicture ratios are 1.85:1 and 2.35:1. Television screens are usually 1.33:1 (also known as 4:3), which is similar to the Academy standard for films in the '50s. HDTV is 1.78:1, or 16:9. When widescreen movies (films with aspect ratios wider than 1.33:1) are displayed on 1.33:1 televisions, the image must be letterboxed, anamorphically squeezed, or panned-andscanned to fit the screen. ATSC: Advanced Television Systems Committee. Government-directed committee that developed our digital television transmission system. Attenuate: To turn down, reduce, decrease the level of; the opposite of boost Black Level: Light level of the darker portions of a video image. A black level control sets the light level of the darkest portion of the video signal to match that of the display's black level capability. Black is, of course, the absence of light. Many displays, however, have as much difficulty shutting off the light in the black portions of an image as they do creating light in the brighter portions. CRT-based displays usually have better black levels than DLP, plasma, and LCD, which rank, generally, in that order. Brightness: For video, the overall light level of the entire image. A brightness control makes an image brighter; however, when it is combined with a contrast, or white level control, the brightness control is best used to define the black level of the image (see Black Level). For audio, something referred to as bright has too much treble or high frequency sound. B-roll: Supplementary video of scenes and interviews used to complement the primary video. Cathode Ray Tube: (CRT) Analog display device that generates an image on a layer of phosphors that are driven by an electron gun. Chrominance: (C) The color portion of a video signal. Coaxial: 1) A speaker typically with one driver in the middle of, and on the same axis as, another driver. 2) An audio or video cable with a single center pin that acts as the hot lead and an outer shield that acts as a ground. Codec: Mathematical algorithms used to compress large data signals into small spaces with minimal perceived loss of information Component Video: A signal that's recorded or transmitted in its separate components. Typically refers to Y/Pb/Pr, which consists of three 75-ohm channels: one for luminance information, and two for color. Compared with an S-video signal, a Y/Pb/Pr signal carries more color detail. HDTV, DVD, and DBS are component video sources, though most DBS material is transcoded to component from composite signals. Composite Video: A signal that contains both chrominance and luminance on the same 75-ohm cable. Used in nearly all consumer video devices. Chrominance is carried in a 3.58-mHz sideband and filtered out by the TV's notch or comb filter. Poor filtering can result in dot crawl, hanging dots, or other image artifacts. Contrast: Relative difference between the brightest and darkest parts of an image. A contrast control adjusts the peak white level of a display device DBS: Direct Broadcast Satellite. Term that replaced DSS to describe smalldish, digital satellite systems such as DirecTV and Network Digital Theater Systems: See DTS D-ILA: Direct Drive Image Light Amplifier. This Hughes/JVC technology uses a reflective LCD to create an image. A light source is then reflected off the reflective LCD and is directed through a lens to a screen Direct-View Television: Display whose image is created on the surface from which it is viewed. DLP: Digital Light Processing. A Texas Instruments process of projecting video images using a light source reflecting off of an array of tens of thousands of microscopic mirrors. Each mirror represents a pixel and reflects light toward the lens for white and away from it for black, modulating in between for various shades of gray. Three-chip versions use separate arrays for the red, green, and blue colors. Single-chip arrays use a color-filter wheel that alternates each filter color in front of the mirror array at appropriate intervals. DMD: Digital Micromirror Device. Texas Instruments engine that powers DLP projectors. Uses an array with tens of thousands of microscopic mirrors that reflect a light source toward or away from the lens, creating an image. Each mirror represents a pixel. Dot Crawl: An artifact of composite video signals that appears as a moving, zipper-like, vertical border between colors. DTV: Digital Television. Umbrella term used for the ATSC system that will eventually replace our NTSC system in 2006. HDTV is a subset of the DTV system. While the FCC does not recognize specific scan rates in the adopted DTV system, typically accepted rates include 480i, 480p, 720p, and 1080i. D-VHS: Digital VHS. Digital signals recorded onto magnetic tape. Greater capacity than typical VHS; can record compressed HDTV signals. See D- Theater. DVD: Officially known as the Digital Video Disc, though marketers unofficially refer to it as the Digital Versatile Disc. DVD uses a 5-inch disc with anywhere from 4.5 Gb (single layer, single-sided) to 17 Gb storage capacity (double-layer, double sided). It uses MPEG2 compression to encode 720:480p resolution, full-motion video and Dolby Digital to encode 5.1 channels of discrete audio. The disc can also contain PCM, DTS, and MPEG audio soundtracks and numerous other features. An audio-only version, DVD-A uses MLP to encode six channels of 24-bit/96-kHz audio. DVD-A: Digital Versatile Disc-Audio. Enhanced audio format with up to six channels of high-resolution, 24-bit/96-kHz audio encoded onto a DVD, usually using MLP lossless encoding. Requires a DVD-A player and a controller with 6-channel inputs (or a proprietary digital link) for full compatibility. DVD-R: A recordable DVD format similar to CD-R in that it is a write-once medium. Backed by Pioneer, Panasonic, Toshiba, and others. DVD-RW: A recordable DVD format similar to CD-RW in that it is rerecordable medium. Backed by Pioneer, Panasonic, Toshiba, and others. DVD+R: A recordable DVD format similar to CD-R in that it is a write-once medium. Backed by Sony, Philips, Yamaha, HP, and others. DVD+RW: A recordable DVD format similar to CD-RW in that it is rerecordable medium. Backed by Sony, Philips, Yamaha, HP, and others. DVD-RAM: A recordable DVD format similar to DVD-RW in that it is a rewriteable format. Unlike DVD-RW it is capable of being written to and erased over 100,000 times. Backed by Hitachi, Panasonic, Toshiba, and others. DVI: Digital Visual Interface. Connection standard developed by Intel for connecting computers to digital monitors such as flat panels and DLP projectors. A consumer electronics version, not necessarily compatible with the PC version, is used as a connection standard for HDTV tuners and displays. Transmits an uncompressed digital signal to the display. The latter version uses HDCP copy protection to prevent unauthorized copying. See also HDMI. Dynamic Range: The difference between the lowest and the highest levels; in audio, it's often expressed in decibels. In video, it's listed as the contrast ratio. Fade: A gradual increase in video, i.e. a fade-in, or a gradual decrease in video, i.e. a fadeout. Fast File: A video segment with entry and exit points but that is not interrupted by edited-in video clips. Fiber Optic Cable: Glass, plastic, or hybrid fiber cable that transmits digital signals as light pulses. First Person: A video told from the primary subject’s perspective. Firstperson videos most often include the word “I.” Front Screen Projection: This option allows an image to be projected onto a screen or sail from the front of the room. The unit itself is placed within or behind the audience. F/Stop: A rating often applied to scrims used in the film and video industries on their ability to dim light. This rating is directly related to a camera’s ability to allow for the admittance of light. Gray Scale: The ability for a video display to reproduce a neutral image color with a given input at various levels of intensity. Hanging Dots: An artifact of composite video signals that appears as a stationary, zipper-like, horizontal border between colors (HD, High-Def) High-Definition: An image that has a higher resolution and is clearer than other formats. It is widely accepted that 720p is the “bottom-end” on HD. HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals HDMI: HDTV connection format using a DVI interface that transfers uncompressed digital video with HDCP copy protection and multichannel audio. HDTV: High-Definition Television. The high-resolution subset of our DTV system. The FCC has no official definition for HDTV. The ATSC defines HDTV as a 16:9 image with twice the horizontal and vertical resolution of our existing system, accompanied by 5.1 channels of Dolby Digital audio. The CEA defines HDTV as an image with 720 progressive or 1080 interlaced active (top to bottom) scan lines. 1280:720p and 1920:1080i are typically accepted as high-definition scan rates.

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