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Christie Digital Systems LX1500 LCD Package Used, Second hand

Ref. code: 3.02.120

LX1500

Highest brightness, lowest operational cost

The Christie L X1500 is the world's brightest projec tor in its class delivering a stunning 15,000 ANSI lumens brightness from an advanced 4 -lamp, 3LCD optical engine. Designed for performance applications including houses of worship, staged events and medium sized auditoriums, the LX1500 combines native XGA resolution and 2000:1 contrast ratio with the latest 10-bit image processing for flawless image reproduction.
The LX1500 is compatible with digital and analog signal formats from XGA data to 1080i video, with a range of optional input modules including digital blending/warping, SDI and HD-SDI to further extend the signal compatibility. The available lens suite includes 11 lenses with throw ratios from 0.8:1 through 9.0:1 combined with horizontal and vertical lens shift for a broad range of installation options that enable you to position the projec tor almost anywhere. Staging partners can use lenses from the popular LX100 and LX120 models to maximize their assets.
The robust design includes long-life optical components, an innovative cooling system and a new air filtration system. The Christie L X1500 produces exceptional image performance with minimal maintenance which means increased reliability and worry-free presentations.The LX1500 offers reliability,dependability, flexibility and is compatible with a full array of video and data inputs.With a range of 11 high-performance fixed and zoom lenses to choose from, the LX1500 is a choice projector.

Technical Specifications
  • Image 15,000 ANSI lumens
  • Contrast ratio: 2000:1
  • Display technology & resolution 3 X 1.8" LCD
  • Native XGA 1024 x 768 resolution
  • Input signal compatibility VGA through UXGA
  • Accepts and displays all currently know DTV/HDTV formats (from 480i through 1080i plus SDI and HD-SDI using optional input module)10-bit image processing
  • Scan rates Horizontal: 15-120 kHz, Vertical: 50-120 Hz
  • Pixel clock 230 MHz
  • Inputs, control & networking
  • Input 1: HD15 and DVI-I
  • Input 2: RGBHV, Y,Pb,Pr, Y/C, s-video
  • Input 3 and 4: open slots
  • DB9 RS-232 in and out
  • USB
  • Wired remote jack
  • Dimensions
  • Weight: 80.3 lb (36.5 kg)
  • Size (L x W x H): 31.9 x 22.8 x 9.9"
  • Lamp 330W NSH
  • Lamp life: 2000 hrs (max brightness)
  • User replaceable
  • Optical system
  • Fast Lens Change (FLC) mount
  • Power adjustable zoom, focus
  • Optional fixed lenses: 0.8:1, 1.2:1, 7.0:1
  • Optional zoom lenses: 1.1-1.5:1, 1.5-2.0:1, 1.3-1.8:1, 2.0-2.6:1, 2.6-3.5:1, 3.5-4.6:1, 4.6-6.0:1, 6.3-9.0:1 Up/down, left/right shift
  • Image elevation up to 5.7" Horizontal and vertical offset up to 120% vertical and 78% horizontal (depending on lens)
  • Power requirements 220V AV, 9.7A
  • Power consumption: 1800W max
Standard accessories
  • Line cords for US and EU operation
  • Wireless remote unit with laser pointer
  • User manual including start-up guide and CD-ROM
  • Computer cable
  • Integrated carrying handles
  • Optional accessories Input modules: HD15, DVI-I, 5-BNC, dual SDI/HD-SDI, Warping/Blending
  • Shipping case
  • Ceiling mount
  • Operating environment Temperature: 40 to 95° F (5 to 35° C)
  • Humidity: 20-80% (non-condensing)
  • Altitude: 0-8558ft (0-2700m)
  • Audible noise: 51 dBA
  • Regulatory approvals FCC Class A
  • EN5502 Class A, CE
  • RoHS compliant
  • CSA 22.2 No 950, UL 1950 cUL
  • IEC950 (EN60950)

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Used Christie Digital Systems


The Christie group of companies manufactures DLP projectors and various digital cinema devices, and offers a selection of LCD projectors, line array audio solutions, and collaboration and presentation solutions which are used in various settings. The Christie group includes Christie Digital Systems USA, Inc. Christie Digital Systems Canada Inc. Christie Digital Systems South America Ltda. (Brazil) Christie Digital Systems Mexico S. de R.L. de C.V. (Mexico) Christie Digital Systems (India) and Christie Digital Systems Australia Pty Ltd. (Queensland, Australia). They are all part of the Ushio group of companies, the ultimate parent of which is Ushio, Inc.
Christie Corporate Headquarters are located in Cypress (Orange County), California, United States, while its Research & Innovation (R&I), engineering teams are located in Kitchener, Ontario, Canada. In addition to the Kitchener facility, Christie has a second manufacturing facility in Shenzhen, China. Christie has over 1,500 employees worldwide.
Christie was founded in 1929 and began as a manufacturer of 35mm film movie projectors, lamphouses, lamp consoles and film platter systems. Later, it began importing Japanese-made Xenon bulbs before acquiring the Kitchener, Ontario-based digital projection business of Electrohome Limited in 1999.
 

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Negative Gain Screen: Material that reflects less light than a reference material. Often used for DLP and LCD projection systems.

Nonlinear Editing: Digital video systems that allow for clips to be extracted without affecting the master recording.

NTSC: National Television Standards Committee. Government-directed committee that established the U.S. color TV standard in 1953. Also known, sarcastically, as Never Twice the Same Color or Never The Same Color due to the inherent difficulty in achieving proper color calibration.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited video piece.

Phase: Time relationship between signals it`s all relative.

PIP: Picture-in-picture.

Pixel: Contraction of picture element. The smallest element of data in a video image.

Plasma: Flat-panel display technology that ignites small pockets of gas to light phosphors.

Progressive Scanning: Each frame of a video image is scanned complete, from top to bottom, not interlaced. For example, 480p means that each image frame is made of 480 horizontal lines drawn vertically. Computer images are all progressively scanned. Requires more bandwidth (twice as much vertical information) and a faster horizontal scan frequency than interlaced images of the same resolution.

Projection System: Display that projects image onto a screen.

Raw Edit/Rough Cut: Video edited together without a voiceover, oncamera announcer or text so that separate narration or audio can be added.

Rear Screen Projection: A process of projection where an image is projected on the back surface of a screen placed between the audience and the projector. This allows for a very clean front-of-the-house look in your meeting room because all production equipment is in the back-of-the-house, behind the screen.

RGB: Red, Green, Blue. Can refer to an unprocessed video signal or the color points of a display device. Together these three colors make up every color seen on a display device.

RPTV: Rear-Projection Television.

Scan Lines: The lines drawn by an electron gun in a CRT system to make up the picture. Drawn horizontally, from left to right, starting at the top left and working to the bottom right.

SDTV: Standard Definition Television. Lower-resolution subset of the ATSC`s DTV system. 480i is typically accepted as an SD signal. Digital broadcasters can offer multiple sub-programs at SDTV quality, as opposed to one or two HD programs. Digital satellite and digital cable often refer to the majority of their programs as SDTV, somewhat erroneously, as neither system has anything to do with DTV, though both, technically, consist of a digital 480i signal.

Sigout: The final words of a segment used to signify the production`s conclusion.

Source: A component from which the system`s signals originate. DVD player, AM/FM tuners, and VCRs are sources: 2 Pull-down Recognition or 3:2 Inverse Telecine: Film is usually recorded at 24 frames per second. NTSC video (North America) is 30 frames (60 fields) per second. In order to get smooth motion, the film frames are broken into video fields in a 3-2-3 sequence. 3 fields for the first film frame, 2 fields for the second film frame, and so on. If a line doubler doesn`t compensate for the extra field during playback on a progressive-scan display, the image will have noticeable motion artifacts. A line doubler with 3:2 pull-down recognition or 3:2 inverse telecine can see this sequence in the signal and correct for it by making sure the last field in the first frame isn`t mixed with the first field of the second frame.

Standup: The portion of video in which the reporter directly speaks into the camera. If a standup concludes a package, it contains a sigout. If other video precedes and follows a standup, the segment is referred to as a bridge.

Uniformity: Even distribution across a given space. In video, uniformity can refer to the distribution of light (hot spotting) or color.

Unity Gain: Output that equals the input. Unity gain screen material reflects as much light as the reference material. Has an even dispersion of light.

UHD:Ultra-high-definition television (also known Ultra HD television,Ultra HD,UHDTV,UHD and Super Hi-Vision) today includes 4K UHD and 8K UHD.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Video Mapping: A technology to "paint" multiple video sources onto a stage or building where the image can be tightly trimmed around stage or building elements without necessarily needing multiple video projectors. Used to animate a stage set, change the entire mood of an event in real-time and provide an added wow factor.

Voice-over (VO): Verbal audio played over video.

Wall-to-Wall Coverage: A continuous broadcast report of a single story with few to no interruptions, usually reserved for particularly significant stories.

Y/C: Abbreviation for luminance/ chrominance, aka S-video signal. Color and detail signals are kept separate, thus preventing composite video artifacts. Cable uses four-pin connector. Used with S-VHS VCRs, DVD players, Hi-8, and DBS receivers.

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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