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Funktion One BR115 Used, Second hand

Ref. code: 1.03.190

BR115

This new range of Bass Reflex enclosures from Funktion-One address applications requiring deep, strong bass at close range including clubs and high performance monitoring. The unique tuning of these designs results in relatively compact size yet with more definition than is usually available from this type of enclosure. This extra definition means they can also be used for higher bass frequencies, leading to use in a wide variety of configurations, extending Funktion-One systems by delivering plush elastic bass with plenty of low frequency extension. 

BR121 / BR221 - Provides deep sub-bass extension from a single enclosure.  Well matched with products including F215Mk2, R2, R3 etc.

BR218 - Well rounded multi-purpose bass enclosure, with good sub-bass performance combined with useful upper bass capability.

BR118 - Deep near-field bass from a compact enclosure.  Well matched with products including F88, F1201, R1 etc.

BR115 - Good bass performance from a compact enclosure.  Well matched with products including F81, F101 etc. Ideal for smaller applications including studios and monitoring.

Features:
  • Extremely well braced enclosures for clean bass performance
  • Robust powder coated steel grilles
  • Integral handles
  • M20 threaded pole mount plate supplied as standard on BR115, BR118 & BR121
  • M20 threaded pole mount plate optional extra for BR218 & BR221
  • Optional wheels (exc. BR118 & BR115)
  • Compact and manageable enclosures (BR118 & BR115)
  • All 18mm Birch Plywood
  • 2 x Speakon NL4 connectors (BR221 & BR218: One driver wired pins 1+/- and one on 2 +/-)

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Used Funktion-One


Funktion-One is a British loudspeaker manufacturer based in Dorking, Surrey, England. The company was formed in 1992 by Tony Andrews and John Newsham. It is known as an "industry standard" designer and manufacturer of high quality loudspeaker systems for venues like dance clubs or festivals.
Funktion-One Systems are notably in use at Berghain (Berlin), Sisyphos (Berlin), Space (Ibiza), Jaeger (Oslo), Cocoricò (Riccione), Cielo (New York), Hot Mass (Pittsburgh), The Block (Salt Lake City), École Privée (Montreal), Smartbar (Chicago), Studio 50/80 (Trier), Colosseum (Jakarta) and De School (Amsterdam), some of the most renowned clubs worldwide.
The company was formed in 1992 by Tony Andrews and John Newsham, following their departure from Turbosound - a company focused on sound systems for music festivals they had started in 1978.
Following eight years of research and development, Funktion-One completed its first major project - designing and installing a sound system for the Millennium Dome's Central Show. Since then the company has built a reputation in audio around the world.
According to Andrews, the company's name spells "funktion" with a "k" as a reference to 1970s funk music.
Funktion-One equipment, installed by Sound Investment Audio, is in use at many music venues in the United States.
 

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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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