Eastern Acoustic Works KF730-SB1000 Sound Package Used, Second hand

16pcs KF730 line array speakers
12pcs SB1000 2×18″ subwoofers
  2pcs KF730 fly frames
  4pcs Ampracks each containing 3 XTi 6002 and power distro
  2pcs UX3600 System processors.

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34,900.00 €

34,900.00 € per Set


About this product


    The KF730 line array system is optimized for a wide range of touring and installation applications. With its exceptional output to size ratio, KF730 is the ideal solution for those applications where high output potential and unmatched sound quality is required in a lightweight compact package including touring sound, corporate A/V, sports arenas, houses of worship, performing arts centers, hotel ballrooms and live clubs.

    The KF730 delivers premium, high output, 3-way performance in an extremely compact and easy-to-use package. Dual 1” HF compression drivers and dual 7-in horn loaded MF transducers are integrated through a common horn that occupies the entire face of the enclosure. The exceptional pattern control offered by this configuration is extended even further (down to 160 Hz) as the MF devices are transitioned to a spaced array of two 10-in woofers. The pair of LF devices integrated within the MF/HF horn combined with the pair of side-mounted devices provides as much as 18 dB of off-axis rejection. EAW FocusedTM processing delivered via UX series processors precisely transitions from one system subsection to another while maintaining nearly perfect 110 degree control.

    A full KF730 array provides seamless coverage from directly below the array to hundreds of feet in front. The vertical output can be tailored to match the requirements of any space by varying the splay at the rear of the enclosures as directed by EAW ResolutionTM 2 software. The resultant configuration repeatedly produces a continuous, coherent wave front of extended-range, high resolution audio over the entire defined coverage area. The versatile KF730 can also be integrated beneath KF740 modules to extend the reach of the range to any application imaginable. When extended low frequency performance is required, KF730 seamlessly arrays with its companion SB730 subwoofer and is also perfectly matched to the renown SB1002 touring subwoofer, allowing the system to be used for even the most demanding applications. Users also have the option of the KF737 module, which offers a 75 degree horizontal pattern for narrower venues. For long-throw applications, the optional Zero Degree Adapter Bracket enables modules to be ‘flat-fronted’, extending array size and SPL.


The sub bass loudspeaker systems shall incorporate 2x 18" LF transducer mounted in a vented enclosure tuned for optimum low frequency response. The drivers shall be mounted in angled internal baffles.
System frequency response shall vary no more than ±3 dB from 30 Hz to 100 Hz measured on axis with appropriate signal processing. The loudspeaker shall produce a Sound Pressure Level (SPL) of 99 dB SPL on axis at 1 meter with a power input of 1 Watt, and shall be capable of producing a peak output of 138 SPL on axis at 1 meter. The loudspeaker shall handle 2000 Watts of amplifier power (AES Standard) and shall have a nominal impedance of 4 (2x 8) Ohms.
The loudspeaker enclosure shall be rectangular in shape. It shall be constructed of 15mm thickness void-free cross-grainlaminated Baltic birch plywood and shall employ extensive internal bracing. It shall be finished in wear-resistant textured black paint. Input connectors shall be one each male and female AP4 and dual Neutrik NL4 Speakon. 4x 3-position flytracks (2 per side) shall be provided. The front of the loudspeaker shall be covered with a powder coated perforated steel grill backed with open cell foam to protect against dust.

  • Concert Tours
  • Corporate Events
  • Large Theaters
  • Arenas
  • Large HOW’s
  • Live Music Clubs

Used Eastern Acoustic Works

Eastern Acoustic Works (EAW) is an American manufacturer of mainly professional audio reinforcement tools, such as loudspeakers systems and processors.Eastern Acoustic Works (EAW) is the global leader in high-performance, professional loudspeaker system design and manufacture.
EAW is known for numerous breakthrough technologies including first-patented designs for digitally modeling, focusing, aiming and steering arrays.
In addition to hosting research and development, engineering, sales & marketing, support and administration, EAW manufactures and assembles all built-to-order and higher-end products at its headquarters in Whitinsville, MA, USA.
EAW exists to develop innovative products and technologies that give natural voice to artists and evangelists, enabling an experience of profound connection with every observer in any setting.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both. Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it's in phase with the input and negative when it's out of phase. Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details). Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level. Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.Gain: Increase in level or amplitude.Gooseneck: This refers to amicrophone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies; lowering sliders cuts (attenuates) the affected frequencies.High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.KHz: Kilohertz or one thousand Hz.Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.Line Array: A group of speakers that have been arrayed or “built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies. Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range. Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers. Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.Phase: Time relationship between signals; it's all relative.Power Output: A measure, usually in watts, of how much energy is modulated by a component.Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.surround processor portion of the receiver and the input of the amplifier portion of the receiver.Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television's tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal. RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square's set of values. A reasonably accurate method of describing an amplifier's power output. Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better. Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language. Sound field: The total acoustical characteristics of a space, such as ambience; number, timing, and relative level of reflections; ratio of direct to reflected sound; RT-60 time; etc. Speaker: A component that converts electrical energy into acoustical energy. SPL: Sound-Pressure Level. Measured in dB. Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX Select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman's eXperiment, after the engineer who drafted the original standard, or is named after the company's founder George Lucas' first movie, THX 1138. Nobody agrees on which.

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