NEXO STM M28-B112-S118 Sound Package used, second hand

10pcs STM M28 line array elements with covers and dollies
  2pcs STM M28 line array elements with cover and dolly
  6pcs STM B112 bass modules
  9pcs STM S118 subwoofers version with rigging
  2pcs STM Vario Bumpers
  2pcs STM Crossbows
  2pcs STM bottom bumpers
  2pcs STM Lever Hoists 750KG
  9pcs STM Heavy Load Dollies
  2pcs NEXO Universal Amp Rack (NUAR).

Photos on request.

More details

1.01.493
Used

97,900.00 €

97,900.00 € per Set

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About this product

STM M28

Omni-Purpose Module

Injection-moulded all-purpose loudspeaker cabinet which fulfils the role of downfill, providing 90°/120° of horizontal dispersion and 0° to 15° splaying angle between modules. Same width as M46, 2/3 height, the M28 can also be used independently from M46 or B112 to create compact line array systems.
M28 features innovative CompassRigTM and REDLockTM rigging, enabling any size of system to be flown safely by one person. Compass RigTM allows pre-setting of inter-cabinet angle values. REDLockTM handle locks front rigging points from rear of cabinet. All adjustments made from one position at rear of cluster.

Key Features
  • 2 x 8 inch LF Drivers
  • 2 x HF Compression Driver
  • 141dB peak SPL
  • Frequency response: 65Hz-19kHz
  • H234mm/W575mm/D653mm
  • 37Kg/82lb

STM B112 Bass Module

Bass Module

Injection-moulded bass cabinet featuring a Neodymium high excursion 3000W 12″ bass driver with 4″ voice coil. It has the same format – dimensions, weight, gravity centre – as the M46. The hybrid horn-loaded design maximizes the efficiency of the driver, delivering 6dB more than a standard front-loaded driver in this frequency range.
B112 features innovative PistonRigTM and REDLockTM rigging, enabling any size of system to be flown safely by one person. REDLockTM handle locks front rigging points from rear of cabinet. All adjustments made from one position at rear of cluster.

Key Features
  • 1 x 3000W +/- 3cm excursion 12 inch LF Driver
  • 141dB peak SPL
  • Frequency response: 63Hz-200Hz
  • H350mm/W575mm/D715mm
  • 59Kg/130lb

STM S118

Sub Module

Sub-bass cabinet featuring a Neodymium high excursion 3000W 18″ driver. A bandpass load ensures SPL output equivalent to conventional dual 18″ sub-basses. Same width, double the height of M46 main cabinet, double height of main cabinet so the S118 can be flown in the array or ground-stacked in line. Can be run in omnidirectional or cardioid sub mode.
S118 features innovative PistonRigTM and REDLockTM rigging, enabling any size of system to be flown safely by one person. REDLockTM handle locks front rigging points from rear of cabinet. All adjustments made from one position at rear of cluster.

Key Features
  • 1x18inchLFDriver
  • 143dB peak SPL
  • Frequency response: 25Hz-85Hz
  • H700mm/W575mm/D715mm
  • 85Kg/187lb
  • Omni or cardioid modes

Used NEXO

NEXO is one of Europe's top three sound reinforcement loudspeaker manufacturers. Based in Paris, the company has been a wholly-owned strategic business unit of YAMAHA CORPORATION since 2008.
What separates NEXO from the competition is an innovative, integrated systems approach to loudspeaker research and development. Each new product/system begins with sophisticated computer simulations, executed by our highly specialised proprietary software. After the design specification stage, the entire electro-acoustic signal chain is thoroughly modeled and product performance rigorously evaluated to maximize system performance in an incredibly short time frame.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both. Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it's in phase with the input and negative when it's out of phase. Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details). Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level. Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.Gain: Increase in level or amplitude.Gooseneck: This refers to amicrophone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies; lowering sliders cuts (attenuates) the affected frequencies.High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.KHz: Kilohertz or one thousand Hz.Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.Line Array: A group of speakers that have been arrayed or “built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies. Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range. Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers. Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.Phase: Time relationship between signals; it's all relative.Power Output: A measure, usually in watts, of how much energy is modulated by a component.Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.surround processor portion of the receiver and the input of the amplifier portion of the receiver.Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television's tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal. RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square's set of values. A reasonably accurate method of describing an amplifier's power output. Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better. Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language. Sound field: The total acoustical characteristics of a space, such as ambience; number, timing, and relative level of reflections; ratio of direct to reflected sound; RT-60 time; etc. Speaker: A component that converts electrical energy into acoustical energy. SPL: Sound-Pressure Level. Measured in dB. Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX Select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman's eXperiment, after the engineer who drafted the original standard, or is named after the company's founder George Lucas' first movie, THX 1138. Nobody agrees on which.

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