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Martin Audio W8LM-W8LMD-WS218X Sound Package used, second hand

Ref. code: 1.01.293

W8LM

The Martin Audio W8LM is a mini line array enclosure designed to bring line array performance benefits to a variety of small and medium scale applications. It meets the need for a versatile, scalable system that can be flown or ground stacked for corporate events, theatres and indoor venues. It is also suitable as a delay system for large scale outdoor sound reinforcement.

Features
  • Mini three-way line array element
  • Hybrid dual 8" (200mm) LF+MF configuration (-3dB@60Hz)
  • LF+MF - 100dB @1W, 1m (single cabinet)
  • Twin 1" (25mm) HF horn - 106dB @1W, 1m (single cabinet)
  • Consistent 100? (-6dB) horizontal mid and HF pattern control
  • Passive or biamp operation
  • 12 ohm system impedance, up to 4 cabinets on one amplifier channel
  • Fast, integral rigging system with variable splay angles
  • ViewPoint array optimisation software
  • Factory controller presets for a wide variety of configurations
  • Compatible with W8L Longbow and W8LC line-array elements
  • Compatible with WSXa, WLX, WMX and WS218X subwoofers
Applications
  • Theatre Sound Reinforcement
  • Live Sound Reinforcement
  • Corporate Events
  • Fixed Installations
  • Delay systems for large scale outdoor sound reinforcement

W8LMD

The Martin Audio W8LMD is a mini, wide-dispersion vertically arrayable enclosure. It can be used individually and in small quantities for short to medium throw applications (up to 30 metres) as well as a downfill element for the W8LM

Features
  • Stand alone vertically arrayable enclosure
  • Line array downfill element
  • Consistent 120? (-6dB) horizontal mid and HF pattern control
  • 20? (-6dB) vertical dispersion
  • Tripod mountable singularly or in pairs
  • Amplitude shading switch
  • Passive or Bi-Amp format
  • Compatible with WMX, WLX, WSXa, WS2A & WS218 subwoofers
Applications
  • Short to medium throw arrays of 1 to 4 cabinets
  • Vertically arrayed downfill for W8LM systems
  • Theatre sound reinforcement
  • Corporate events
  • Fixed installations

WS218X

Dual-Driver Vented Sub-Bass System

The WS218X is a high performance sub-bass system designed for use with large scale systems, in both Live and Installed applications. Featuring a 1000 Watt 18" (460mm) drive unit with magnet structure and suspension engineered for maximum linear excursion.

Features
  • Dual, direct radiating long excursion 18" (460mm) drivers
  • High temperature 4" (100mm) voice coils
  • High power ? 138dB continuous, 144dB peak
  • Fitted with handles and castors
Applications
  • Medium/large scale touring systems
  • Theatre sound systems
  • Club sound reinforcement
  • Special effects sub-bass

Featuring twin, 1000 watt 18" (460mm) drive units with magnet structure and suspension engineered for maximum linear excursion.
The birch ply cabinet is fitted with six pocket handles and four 4" (100mm) castors for easy deployment. It features large area porting to reduce air noise.
WS218X subwoofers are designed to be powered by Martin Audio MA12K or MA9.6K amplifiers.

Specification
TYPE
  • Dual-driver vented sub-bass system
FREQUENCY RESPONSE
  • 35Hz-150Hz ± 3dB,-10dB @ 28Hz
DRIVERS
  • 2 x 18" (460mm)/4" (100mm) voice coil, ultra- long excursion, water resistant cone
RATED POWER (1)
  • 2000W AES, 8000W peak
SENSITIVITY (2)
  • 105dB (half space)
MAXIMUM SPL (3)
  • 138dB continuous, 144dB peak (half space)
NOMINAL IMPEDANCE
  • 2 x 8Ω

CROSSOVER

  • 70Hz-150Hz, via DX1.5 or DX2 controller
ENCLOSURE
  • 320 litre, multi-laminate birch ply
FINISH
  • Textured black paint
PROTECTIVE GRILLE
  • Black perforated steel
CONNECTORS
  • 2 x Neutrik NL8
Pin CONNECTIONS
  • LF1: 1+,1- & 2+,2-
  • LF2: 3+,3- & 4+,4-
FITTINGS
  • 4 x 4" (100mm) castors
  • 6 x pocket handles
  • 2 x front lid fittings
DIMENSIONS
  • (W) 1066mm x (H) 561mm x (D) 780mm(911mm)
  • (W) 42ins x (H) 22.1ins x (D) 30.7ins (35.9ins)
WEIGHT
  • 89kg (196.2lbs)

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Second hand audio gear. | Second hand lighting.
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Used Martin Audio


Martin Audio is a manufacturer of loudspeakers, amplifiers and signal processing devices for rental and installed sound markets.The Martin Audio design philosophy places emphasis on the subjective sound experience as well as technical excellence.
Led by Martin Audio's R&D Director, Jason Baird, the team works to produce the ultimate product for every application, with the conviction that the correct sound characteristics should be inherent in the acoustic design, not dependent on subsequent electronic correction.
The cornerstone of Martin Audio's success has always been commitment to quality. Only the best quality materials and components are used. Martin Audio enclosures are manufactured primarily in wood with its natural acoustic qualities and good look. They are reinforced where appropriate and finished with care and attention to detail to ensure we meet customers' desire for durability, ease of handling and manoeuvrability.
 

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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