CODA AUDIO LA5A Used, Second hand

12pcs LA5A Active tops in 3 original flight cases
  6pcs LA5A-SUB Active Subs with wheels
!! The Package is fresh painted and has new foams !!

Photos on request.

More details

1.01.385
Used

22,900.00 €

22,900.00 € per Set

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About this product

LA5A

2-Way Self-Powered Full Range Line Array System
Features:
  • Ultra compact self-powered line array system
  • No need of external amplifier racks
  • Two 4" neodymium Planar wave drivers (patent pending)
  • Four 5" neodymium ultra low distortion cone speakers
  • Wide horizontal coverage of 110
  • Vertical curving 0 - 10 variable in 1 steps
  • 500 W RMS class D amplifier for the low and a 180 W RMS Mosfet amplifier for the high frequency
  • High SPL, superb quality sound
  • Optical limiters for state-of-the-art protection
  • Integrated rigging system for flown or ground stacked arrays
  • System integration with LA5A-SUB

The LA5A is an ultra compact 2-way self-powered line array system, designed for a wide range of Venues where high fidelity sound and outstanding intelligibility are required. The system contains four 5" neodymium ultra low distortion cone speakers and two 4" neodymium Plan arwave drivers.
The LA5A uses high efficiency class D amplifiers for the low and mosfet amp for the high frequency ensures small size, low weight and superb sonic performance. The integrated control electronic includes optical limiters for each channel, 24dB phase-aligned asymmetrical crossovers, all pass filters and EQs to provide a perfect match between amplifiers and loudspeakers for optimum acoustic output and reliability. The systems are designed for being used in multiples with a Minimal configuration of two. Up to 20 units can be arrayed to achieve extreme high levels needed for larger Venues.
An optional LA5A-SUB self-powered Subwoofer can be added for increased low frequency response. The integrated rigging system allows quick and easy flying or ground stacking. Arrays may be built straight or curved in various angular to obtain the desired vertical coverage. The fact that the LA5A is ultra compact and light reduces manpower and transport demand. When integrated with the LA5A-SUB the LA5A gives audio comPanies a flexible plug & play system for a wide range of applications from the smallest Venue to a concert-level sound.

LA5A-SUB

Self-Powered Subwoofer
Features:
  • Compact self-powered high output subwoofer
  • 1000W RMS class D amplifier
  • 15" neodymium ultra low distortion woofer
  • Low power compression, superb quality sound
  • Optical limiter for the state-of-art protection
  • Integrated rigging hardware for flown or ground stacked arrays
  • System integration with LA5A line arrays

The LA5A-SUB is a compact self-powered high output subwoofer incorporating a 1000 W high efficiency class D amplifier. The integrated control electronic includes optical limiter, 24 dB phase-aligned crossovers, subsonic filter and EQ to provide a perfect match between amplifier and loudspeaker for optimum acoustic output and reliability.
The use of high efficiency class D amplifier together with the newly developed neodymium loudspeaker ensure small size, low weight and superb sonic performance.
Complementing with the LA5A full range line array system, the LA5A-SUB extends the system response down to 38 Hz. An excellent transient response produces fast high impact bass that is able to reproduce detailed and accurate low frequency information.
The LA5A-SUB is equipped with a 15" neodymium ultra low distortion woofer in a ported cabinet and provides the same rigging system as the LA5A for easy flying or ground stacking in various combination. Primarily designed for integration into a LA5A line array, the LA5A-SUB is also suited to general use subwoofer giving audio companies a flexible plug & play system for a wide range of applications from the smallest venue to a concert level sound.
Applications include arenas, convention centers, houses of worship, theatres, music pavilions and auditoriums.

Used Coda Audio

Designer and manufacturer of highest quality speaker systems Coda Audio is a leading designer and manufacturer of high quality pro-audio loudspeaker systems.
Core to our products are a number of unique patented driver technology designs which provide outstanding dynamic results as well as improved precision and reliability over conventional components.
To ensure the highest quality and control over our products we have our own manufacturing facility in Europe which produces all of the driver and cabinet components. Further benefits to this approach include substantial reductions in cost and quicker times to market for new products.
We have a wide product range offering high quality solutions to satisfy the most discerning and complex professional sound reinforcement applications, ranging from portable to installation to touring.
Coda Audio is represented via a global network of experienced and technically qualified international distributors.We believe that the best way to get to know us better is by listening to our loudspeakers because:
HEARING IS BELIEVING

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both. Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it's in phase with the input and negative when it's out of phase. Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details). Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level. Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.Gain: Increase in level or amplitude.Gooseneck: This refers to amicrophone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies; lowering sliders cuts (attenuates) the affected frequencies.High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.KHz: Kilohertz or one thousand Hz.Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.Line Array: A group of speakers that have been arrayed or “built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies. Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range. Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers. Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.Phase: Time relationship between signals; it's all relative.Power Output: A measure, usually in watts, of how much energy is modulated by a component.Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.surround processor portion of the receiver and the input of the amplifier portion of the receiver.Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television's tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal. RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square's set of values. A reasonably accurate method of describing an amplifier's power output. Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better. Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language. Sound field: The total acoustical characteristics of a space, such as ambience; number, timing, and relative level of reflections; ratio of direct to reflected sound; RT-60 time; etc. Speaker: A component that converts electrical energy into acoustical energy. SPL: Sound-Pressure Level. Measured in dB. Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX Select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman's eXperiment, after the engineer who drafted the original standard, or is named after the company's founder George Lucas' first movie, THX 1138. Nobody agrees on which.

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