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Used d&b audiotechnik E12-E8-Y7P-B6 Sound Package,Second hand

Ref. code: 1.01.216

E12

The E12 and E12-D are high performance 2-way multipurpose loudspeakers, employing an integrated coaxial driver. The E12 and E12-D can be used for speech and music applications as stand-alone full range systems or incorporated into larger distributed sound reinforcement situations and, with the addition of an E15X or B4 subwoofer, can also easily reproduce high level music program. The multifaceted shape of the enclosure allows use either in an upright or horizontal orientation as well as deployment as a stage monitor. The E12 has an 80° x 50° dispersion pattern (h x v), while the E12-D has a wider 110° x 50° pattern. The horns in both loudspeakers are easily rotatable through 90° providing 50° x 80° or 50° x 110° dispersion patterns.
The E12 and E12-D cabinet is constructed from polyurethane integral hard foam with an impact resistant paint finish incorporating handles and a hidden socket to accept loudspeaker stands. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options.
Both options are supplied with metal plates in the specified colour covering the handle recesses and loudspeaker stand socket.

E8

The E8 is a high performance 2-way multipurpose loudspeaker, employing an integrated coaxial driver.The E8 can be used for speech and music applications as a stand-alone full range system, or incorporated into larger distributed sound reinforcement situations. With the addition of an E12X subwoofer in passive or active mode or any other E-Series subwoofer, it can also easily reproduce higher level music program. The multifaceted shape of the enclosure allows use either in an upright or horizontal orientation as well as deployment as a stage monitor. The 90° x 50° dispersion pattern (h x v) of the horn is easily rotatable through 90° to provide a 50° x 90° dispersion pattern.
The E8 cabinet is constructed from polyurethane integral hard foam with an impact resistant paint finish incorporating a handle and a socket to accept loudspeaker stands. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options.
Both options are supplied with metal plates in the specified colour covering the handle recesses and loudspeaker stand socket.

Y7P

The compact, 2-way passive Y7P loudspeaker features two 8? drivers in a dipole arrangement with a 1.4? compression driver mounted onto a rotatable CD horn.Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 75° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°. The horn can be rotated by 90° to enable horizontal orientation.
The Y7P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown.
The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish.
The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d&b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.

B6

The B6-SUB is a high performance subwoofer designed for ground stacked applications, housing a long excursion 18? driver built into a bass-reflex design. When three or any multiple of three B6-SUBs are used, they can be positioned in a Cardioid Subwoofer Array with one cabinet physically facing backwards and driven by an amplifier channel with CSA mode selected. This achieves exceptional directivity control in lower frequencies and significantly reduces the energy radiating towards to the rear. The cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish.
The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam, whilst the side panels incorporate two handles. Four wheels are mounted to the rear and the enclosure features two runners to protect the bottom panel from scratching. Two correspondingly shaped recesses are incorporated into the top panel of each cabinet to accept these runners, preventing cabinet movement when stacked. An M20 threaded flange in the top panel accepts the d&b Loudspeaker stand winder M20. An optional transport lid protects the front of the subwoofer during transit.

D20

The 2 RU four channel D20 amplifier is ideally suited to mobile and installation applications which require low to medium Sound Pressure Level (SPL) capabilities. The D20 features the same Digital Signal Processing (DSP) platform as the latest generation of d&b amplifiers, containing configurations for all d&b loudspeakers except the J-Series and the M2 monitor, plus a linear mode.
The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft), which can be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering.
The D20 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen are tilted up for easy operation when the amplifier is below eye level.
The equal ratio of signal input to amplifier output channels increases application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D20 amplifier electrically compensates for the properties of loudspeaker cable used.
The D20 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V - 240 V, 50 - 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector for loudspeaker multicores. Dual channel mode is driven through four individual NL4 connectors, while Mix TOP/SUB and 2-Way Active mode output configurations for applicable d&b loudspeakers are available via two central NL4 connectors. etherCON and RJ 45 connectors enable access to the d&b Remote network through OCA/AES70 via Ethernet and through CAN-Bus respectively.

R1

The R1 Remote control software presents a d&b system graphically, channel by channel, loudspeaker by loudspeaker, group by group, with faders and buttons arranged just as required. Dials and displays control equalization, delay, levels, switchable filter functions, Mute and power. Even an offline mode is available for advance preparation. R1 reads a file created by the d&b ArrayCalc simulation software to generate a project specific user interface. With this virtually defined and optimized system design, detailing the complete loudspeaker and amplifier configuration, R1 depicts everything to be controlled and monitored and transfers the settings to the d&b amplifiers. The R1 Remote control software is the virtual centre of any d&b Remote network, be it from a laptop in the control room, mix position or somewhere in the auditorium. Its intuitive user interface ensures efficient planning, unlocking the full potential of the d&b system approach.


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Used d&b audiotechnik

d&b audiotechnik is a German loudspeaker and amplifier manufacturer, founded in 1981, located in Backnang, north of Stuttgart. Although d&b is an international company with subsidiaries in Europe, America and Asia their products are engineered and produced only in Germany.
d&b loudspeakers are used in rental and installation markets for events, multimedia, musicals, concert halls, theatres, opera houses, broadcast and everything from the small conference rooms to the large-scale stadiums.
Their claimed unique sales proposition is that they augment the volume, or hearability, of a speaker or musician, but not the quality of the sound. They supposedly achieve this flat response through digital signal processing (DSP) so that profile changes introduced by loud speakers and other audio components are compensated for and thus eliminated.
 

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.

Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited audio piece.

Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.

Phase: Time relationship between signals it’s all relative.

Power Output: A measure, usually in watts, of how much energy is modulated by a component.

Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.

Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.

Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.

Pre/Pro: A combination preamp and surround processor.

Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.

Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.

Q-and-A: Question and answer session.

Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.

Reverberation: The reflections of sound within a closed space.

RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.

RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.

SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.

Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.

Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.

Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.

Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.

Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.

Sound Bite: A portion of audio of someone speaking.

Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections ratio of direct to reflected sound RT-60 time etc.

Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.

Speaker: A component that converts electrical energy into acoustical energy.

SPL: Sound-Pressure Level. Measured in dB.

Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.

THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.

THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Voicer: A radio report without background audio taken from a scene or otherwise.

Wrap: A radio report containing both the reporter and an actuality.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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