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Roland V-8HD Used, Second hand

Ref. code: 1.08.195

V-8HD

HD Video Switcher

Versatile, portable, and reliable, the Roland V-8HD brings a world of creative options to live event switching. Its all-in-one hardware design eliminates computer setup hassles and software-based crashes, while the HDMI workflow and loaded professional toolset streamline production and reduce stress on the gig.

  • All HDMI workflow
  • Five-layer effects and keying engine
  • Built-in multi-viewer preview monitor
  • Aux output for a different video feed
  • execute smooth transitions using the T-bar fader
  • Technology-assisted automatic video switching
  • Version 2.0 Powerful live production automation with sequencing, macros, and preset memories
  • Version 2.0 Newly supported 23.98Hz, 24Hz, 25Hz, 29.97Hz, 30Hz of output formats
  • Eight-slot still store function supports screen capture and import of BMP, JPEG and transparent PNG images to internal non-volatile memory
  • 18-channel digital audio mixer with a wide range of effects, including sync delay on each channel
  • Remote start and stop of Atomos recorders
  • Remote control software available for iPad, macOS, and Windows
  • Ultra-mobile, lightweight, and efficient
Tap Into Deeper Control with Version 2.0

The V-8HD continues to evolve with the Version 2.0 update, adding next-generation cue management and live show automation tools that make tough production tasks simple. The update brings many new features first introduced with the flagship V-160HD, including macros, advanced sequencing, transparent PNG image support, and more. Version 2.0 is a free, user-installable update for all V-8HD owners. Get Version 2.0

Maximum Connectivity

Nearly all modern cameras and digital video devices use HDMI, the most common AV connector on the planet. The V-8HD seamlessly mixes eight HDMI sources with Full HD support, even when the sources have mismatched frame rates and color spaces. And with the built-in scalers on two of the HDMI inputs, you can easily interface with client-provided sources like computers, tablets, smartphones, gaming consoles, and legacy 4:3 devices.

The Power of More

Creative professionals need more video inputs for layered graphics and visual effects, and business professionals often need multiple backup video sources. Having the ability to meet all these needs brings satisfied clients and greater audience engagement. With the V-8HD’s generous number of HDMI inputs and outputs, you’re able to offer clients a vast amount of creative freedom—without increasing the budget.

Set Up Layers, Effects, and Keys

Video effects, layers, and graphics add polish and excitement to any production. With the V-8HD’s five composition layers, you’ll always keep audiences engaged with visually appealing content. Prepare the content according to client specifications and separate it into layers:
Layer 1 and 2: Start by creating a basic background setup for mixing between two sources.
Layer 3 and 4: drop in two picture-in-picture layers with chroma and luminance effects.
Layer 5: Add one downstream keyer layer with chroma, luminance, and Version 2.0 alpha effects or external fill and key inputs.

Ultra-Mobile, Lightweight, and Efficient

The AV production table is the last thing on an event organizer’s mind. Thanks to its compact footprint, the V-8HD fits effortlessly into any live production environment, even when you have to deal with minimal setup space. And it only weighs around 4 lb./2 kg, making it easy to carry in a backpack or luggage. With its solid T-bar fader and robust hands-on controls, eight HDMI inputs, 18-channel audio mixer, and support for external battery power, the streamlined V-8HD is the most versatile and efficient HDMI switcher available.

Instant Recall with Memories and Macros

With the V-8HD, storing and recalling unique looks requires only a few button presses.

  • The 24 preset memories and powerful composition effects engine work together to provide a completely seamless load between different looks, including synchronizing the transition of all effect layers on and off at the Program output.
  • Version 2.0 The 100 macros go even deeper, allowing you to build and trigger complex action lists that include switching, DSK on/off, audio mixing adjustments, and much more.

Our free remote control software for iPad further enhances this workflow, providing a large graphical interface for setting up and previewing actions before you take them live.

Multiviewer Output for Source Monitoring

The multiviewer output allows you to monitor the status of all input sources plus the Program and Preview outputs. The convenient HDMI connector enables the use of a readily available and affordable monitor. Use an HDMI monitor that supports HDCP and 60p signals. SDI and composite inputs are displayed at the original source frame rate. DVI-I/HDMI and RGB/Component inputs are displayed using a reduced frame rate. Changing the channel cross-point assignments changes the order of displayed sources. Still images imported from USB memory are not displayed on the source monitor.

 

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Used Roland


Roland Corporation is a Japanese manufacturer of electronic musical instruments, electronic equipment and software. It was founded by Ikutaro Kakehashi in Osaka on April 18, 1972.
In 2005, Roland's headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Taiwan, Japan, and the USA. As of March 31, 2010, it employed 2,699 employees.
In 2014, Roland was subject to a management buyout by Roland's CEO Junichi Miki, supported by Taiyo Pacific Partners.
Roland has manufactured numerous instruments that have had lasting impacts on popular music, such as the Juno-106 synthesizer,TB-303 bass synthesizer, and TR-808 and TR-909 drum machines.
Roland was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, Fact wrote that Roland "arguably did more to shape electronic music than any other company in history".
 

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Negative Gain Screen: Material that reflects less light than a reference material. Often used for DLP and LCD projection systems.

Nonlinear Editing: Digital video systems that allow for clips to be extracted without affecting the master recording.

NTSC: National Television Standards Committee. Government-directed committee that established the U.S. color TV standard in 1953. Also known, sarcastically, as Never Twice the Same Color or Never The Same Color due to the inherent difficulty in achieving proper color calibration.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited video piece.

Phase: Time relationship between signals it`s all relative.

PIP: Picture-in-picture.

Pixel: Contraction of picture element. The smallest element of data in a video image.

Plasma: Flat-panel display technology that ignites small pockets of gas to light phosphors.

Progressive Scanning: Each frame of a video image is scanned complete, from top to bottom, not interlaced. For example, 480p means that each image frame is made of 480 horizontal lines drawn vertically. Computer images are all progressively scanned. Requires more bandwidth (twice as much vertical information) and a faster horizontal scan frequency than interlaced images of the same resolution.

Projection System: Display that projects image onto a screen.

Raw Edit/Rough Cut: Video edited together without a voiceover, oncamera announcer or text so that separate narration or audio can be added.

Rear Screen Projection: A process of projection where an image is projected on the back surface of a screen placed between the audience and the projector. This allows for a very clean front-of-the-house look in your meeting room because all production equipment is in the back-of-the-house, behind the screen.

RGB: Red, Green, Blue. Can refer to an unprocessed video signal or the color points of a display device. Together these three colors make up every color seen on a display device.

RPTV: Rear-Projection Television.

Scan Lines: The lines drawn by an electron gun in a CRT system to make up the picture. Drawn horizontally, from left to right, starting at the top left and working to the bottom right.

SDTV: Standard Definition Television. Lower-resolution subset of the ATSC`s DTV system. 480i is typically accepted as an SD signal. Digital broadcasters can offer multiple sub-programs at SDTV quality, as opposed to one or two HD programs. Digital satellite and digital cable often refer to the majority of their programs as SDTV, somewhat erroneously, as neither system has anything to do with DTV, though both, technically, consist of a digital 480i signal.

Sigout: The final words of a segment used to signify the production`s conclusion.

Source: A component from which the system`s signals originate. DVD player, AM/FM tuners, and VCRs are sources: 2 Pull-down Recognition or 3:2 Inverse Telecine: Film is usually recorded at 24 frames per second. NTSC video (North America) is 30 frames (60 fields) per second. In order to get smooth motion, the film frames are broken into video fields in a 3-2-3 sequence. 3 fields for the first film frame, 2 fields for the second film frame, and so on. If a line doubler doesn`t compensate for the extra field during playback on a progressive-scan display, the image will have noticeable motion artifacts. A line doubler with 3:2 pull-down recognition or 3:2 inverse telecine can see this sequence in the signal and correct for it by making sure the last field in the first frame isn`t mixed with the first field of the second frame.

Standup: The portion of video in which the reporter directly speaks into the camera. If a standup concludes a package, it contains a sigout. If other video precedes and follows a standup, the segment is referred to as a bridge.

Uniformity: Even distribution across a given space. In video, uniformity can refer to the distribution of light (hot spotting) or color.

Unity Gain: Output that equals the input. Unity gain screen material reflects as much light as the reference material. Has an even dispersion of light.

UHD:Ultra-high-definition television (also known Ultra HD television,Ultra HD,UHDTV,UHD and Super Hi-Vision) today includes 4K UHD and 8K UHD.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Video Mapping: A technology to "paint" multiple video sources onto a stage or building where the image can be tightly trimmed around stage or building elements without necessarily needing multiple video projectors. Used to animate a stage set, change the entire mood of an event in real-time and provide an added wow factor.

Voice-over (VO): Verbal audio played over video.

Wall-to-Wall Coverage: A continuous broadcast report of a single story with few to no interruptions, usually reserved for particularly significant stories.

Y/C: Abbreviation for luminance/ chrominance, aka S-video signal. Color and detail signals are kept separate, thus preventing composite video artifacts. Cable uses four-pin connector. Used with S-VHS VCRs, DVD players, Hi-8, and DBS receivers.

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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