Used, Second hand RCF HDL 28-A Active 2-Way Line Array Module - Used Audio, Lighting and Video Equipment

ABOUT THE PRODUCT ABOUT THE MANUFACTURER GLOSSARY

HDL 28-A : Active 2-Way Line Array Module

The RCF HDL 28-A is a compact bi-amped 2-way active touring system for a wide range of applications, both indoors and outdoors, with an emphasis on vocal intelligibility. It features two 8-inch woofers and an impressive 3-inch titanium compression driver. The time coherent waveguide is the result of in-depth research and design. Following the HDL 30-A philosophy, the HDL 28-A shares the composite material cabinet, the zero-degree phase and ultra-linear amplitude response. The built-in 2200 watt class-D amplifier delivers excellent playback clarity and up to 135 decibels SPL max. The RCF HDL28-A features state of the art RCF transducers with lightweight neodymium magnets. Considering its acoustical power, it has a remarkably low weight for easy handling and flying. The HDL 36-AS is the ideal flyable bass complement for the HDL 28-A array system.

Black & White

When in need of a particular appearance, matching the colour of interiors, or searching for a stylish, minimalistic sound system for your next DJ set, we can provide you with a full set of white speakers — a tough coating for wooden speakers or a robust white polypropylene composite material for portable systems, pole included, in perfect fashion. Purity and elegance, all available to be included in corporate gigs, weddings, and houses of worship.

The Acoustic Beauty Of The Symmetry

The symmetrical design of the cabinet produces identical left and right coverage. The component positioning and special DSP crossover filtering of the HDL 28-A take care of the constant directivity without spots of break up or attenuation. The specially-designed front baffle provides coplanar woofers, controlled LF dispersion and a central space to host the 4PATH waveguide. The heavy-duty front grille is powder coated. A special transparent-to-sound foam backing inside helps to further protect the transducers from dust. For weatherproof capabilities, a rain cover is available.

Powerful Class D Amplifier

RCF's Class-D power amplifier technology packs huge performance operating with high efficiency into a lightweight solution. HDL amplifiers deliver a ultra-fast attack, realistic transient response, and impressive audio performance. The amplifier features a solid machined aluminium structure which not only stabilises the amplifier during transportation but also helps the fan-less heat dissipation. All the HDL amplifiers present SMPS power supply section to produce maximum output and minimum weight.

First Class Transducers

The RCF HDL 28-A features state-of-the-art RCF transducers with neodymium magnets. RCF’s experienced engineering teams have specially developed and matched each component — starting from the power supply through the input board to the amplifiers and transducers right up to the complete HDL 28-A System

High Frequencies

High-performance RCF ND840
3.0" diaphragm titanium compression driver
1.4" exit throat
750 Hz Crossover Point

Low Frequencies

2 X 2.5”voice coil neodymium 8” woofers
Linear low frequencies handling down to 65 Hz
Water resistant fibre doped cone
Polycotton M-roll surround
Hypervented magnetic structure

Flying Attitude

The advanced rigging concept derives directly from its big brothers, the RCF HDL 30-A and HDL 50-A.
The integrated mechanics are both fast and reconfigurable, allowing the system engineer to create J-shaped and spiral arrays. The hardware is designed for easy and fast setup. The angle can be adjusted on the ground before the system is hung and slipped automatically into the correct position as the array is pulled up.
Up to 20 HDL 28-A modules can be fastened on a single flybar.

New Perspective On Linearity

RCF speakers are designed using a proprietary and advanced FiR filtering technology, conceived to deliver transparent sound, absolute clarity and perfect stereo images to the listener.
The special FiRPHASE filters allow to achieve coherent distribution of sound for all listeners without phase distortions, ensuring minimum latencies to the system.

Features

2200W Two Way Amplifier
135 dB Max SPL
48 kHz, 32 bit DSP processing
RDNet Networked Management
2 x 8” Neodymium Woofers, 2.5” voice coil
1.4” Titanium Compression Driver, 3.0” voice coil
Exclusive FiRPHASE technology on-board
750 Hz Crossover Point

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Used RCF

RCF S.p.A. is a widely recognized Italian manufacturer of high performance audio products including power amplifiers, loudspeakers, digital mixers and digital signal processors (DSP).
RCF is an Italian audio products manufacturer founded in 1949. The first products sold were microphones and electroacoustic transducers (loudspeakers).
In the late ’60, concert sound was going electric, and many loudspeaker pioneers were searching for high-powered devices to use in their designs.
RCF was one of the first European OEM suppliers for international brands, thanks to the experience built on high power transducers.
After few years, thanks to the in-depth know-how in loudspeaker technology, RCF begin to develop and produce sound reinforcement systems under the same brand.
The introduction of the ART Series, in 1996, has established RCF among the few global manufacturers of active loudspeakers.
The TT+ High Definition - Touring and Theater series equipped with DSP, introduced in 2004, and the RDNet Networked Management technology, let RCF a full recognition in the professional audio market.
Since 2017, all DSP active speakers incorporate FiRPHASE technology, which allows achieving a 0° linear phase playback.
RCF is the first audio manufacturer to have a complete catalogue of 0° phase-compatible sound systems including line arrays.

Active: Powered. An active crossover is electrically powered and divides the line-level signal prior to amplification. An active speaker includes an active crossover and built-in amplifier.

Actuality: Audio from an announcer speaking.

Amplifier: A component that increases the gain or level of an audio signal.

Balanced Input: A connection with three conductors: two identical signal conductors that are 180 degrees out of phase with each other, and one ground. This type of connection is very resistant to line noise.

Bandpass: A two-part filter that cuts both higher and lower frequencies around a center band. A bandpass enclosure cuts high frequencies by acoustic cancellation and low frequencies by natural physical limitations on bass response.

Bandwidth: In audio, the range of frequencies a device operates within. In video, the range of frequencies passed from the input to the output. Bandwidth can also refer to the transmission capacity of an electronic communications device or system the speed of data transfer,is very important when planning a meeting for the attendees to stay connected.

Bass: Low frequencies those below approximately 200 Hz.

Bi-Wiring: A method of connecting an amplifier or receiver to a speaker in which separate wires are run between the amp and the woofer and the amp and the tweeter.

Boost: To increase, make louder or brighter opposite of attenuate.

Bridging: Combining two channels of an amplifier to make one channel that more powerful. One channel amplifies the positive portion of an audio signal and the other channel amplifies the negative portion, which are then combined at the output.

CD: Compact Disc. Ubiquitous digital audio format. Uses 16-bit/44.1-kHz sampling rate PCM digital signal to encode roughly 74 or 80 minutes of two- channel, full-range audio onto a 5-inch disc.

CD-R: Recordable Compact Disc.

CD-RW: Rewritable Compact Disc.

Channel: In components and systems, a channel is a separate signal path. A four-channel amplifier has at least four separate inputs and four separate outputs.

Coloration: Any change in the character of sound (such as an overemphasis on certain tones) that reduces naturalness.

Crossover: A component that divides an audio signal into two or more ranges by frequency, sending, for example, low frequencies to one output and high frequencies to another. An active crossover is powered and divides the line-level audio signal prior to amplification. A passive crossover uses no external power supply and may be used either at line level or, more commonly, at speaker level to divide the signal after amplification and send the low frequencies to the woofer and the high frequencies to the tweeter.

Crossover Frequency: The frequency at which an audio signal is divided. 80 Hz is a typical subwoofer crossover point and is the recommended crossover point in theatrical and home THX systems. Frequencies below 80 Hz are sent to the subwoofer signals above 80 Hz are sent to the main speakers.

Cut: To reduce, lower opposite of boost.

Decibel (dB): A logarithmic measurement unit that describes a sound`s relative loudness, though it can also be used to describe the relative difference between two power levels. A decibel is one tenth of a Bel. In sound, decibels generally measure a scale from 0 (the threshold of hearing) to 120-140 dB (the threshold of pain). A 3dB difference equates to a doubling of power. A 10dB difference is required to double the subjective volume. A 1dB difference over a broad frequency range is noticeable to most people, while a 0.2dB difference can affect the subjective impression of a sound.

Delay: The time difference between a sonic event and its perception at the listening position (sound traveling through space is delayed according to the distance it travels). People perceive spaciousness by the delay between the arrival of direct and reflected sound (larger spaces cause longer delays.

Diaphragm: The part of a dynamic loudspeaker attached to the voice coil that produces sound. It usually has the shape of a cone or dome.

Diffusion: In audio, the scattering of sound waves, reducing the sense of localization. In video, the scattering of light waves, reducing hot spotting, as in a diffusion screen.

Digital Audio Server: Essentially a hard drive, a digital audio server stores compressed audio files (like MP3 or WMA). Most include the processing to make the files, and all have the ability to play them back.

Direct-Stream Digital: A format for encoding high-resolution audio signals. It uses a 1-bit encoder with a sampling rate of 2,822,400 samples per second (verses 44,100 for CD). Used to encode six high-resolution channels on SACD.

Dispersion: The spread of sound over a wide area.

Distortion: Any undesired change in an audio signal between input and the output.

DNR: Dynamic Noise Reduction. A signal-processing circuit that attempts to reduce the level of high-frequency noise. Unlike Dolby NR, DNR doesn't require preprocessing during recording.

Dolby B: A noise-reduction system that increases the level of high frequencies during recording and decreases them during playback.

Dolby C: An improvement on Dolby B that provides about twice as much noise reduction.

Dolby Digital: An encoding system that digitally compresses up to 5.1 discrete channels of audio (left front, center, right front, left surround, right surround, and LFE) into a single bitstream, which can be recorded onto a DVD, HDTV broadcast, or other form of digital media. When RF-modulated, it was included on some laser discs, which requires an RF-demodulator before the signal can be decoded. Five channels are full-range the .1 channel is a band-limited LFE track. A Dolby Digital processor (found in most new receivers, preamps, and some DVD players) can decode this signal back into the 5.1 separate channels. Most films since 1992`s Batman Returns have been recorded in a 5.1 digital format, though a number of films before that had 6-channel analog tracks that have been remastered into 5.1.

Dolby EX: An enhancement to Dolby Digital that adds a surround back channel to 5.1 soundtracks. The sixth channel is matrixed from the left and right surround channels. Often referred to as 6.1. Sometimes referred to as 7.1 if the system uses two surround back speakers, even though both speakers reproduce the same signal. Software is backwards-compatible with 5.1 systems, but requires an EX or 6.1 processor to obtain additional benefit.

Dolby Pro Logic: An enhancement of the Dolby Surround decoding process. Pro Logic decoders derive left, center, right, and a mono surround channel from two-channel Dolby Surround encoded material via matrix techniques.

Dolby Pro Logic II: An enhanced version of Pro Logic. Adds improved decoding for two-channel, non-encoded soundtracks and music.

Driver: A speaker without an enclosure also refers to the active element of a speaker system that creates compressions and rarefactions in the air.

DSP: Digital Signal Processing. Manipulating an audio signal digitally to create various possible effects at the output. Often refers to artificially generated surround effects derived from and applied to two-channel sources.

DTS: Digital Theater Systems. A digital sound recording format, originally developed for theatrical film soundtracks, starting with Jurassic Park. Records 5.1 discrete channels of audio onto a handful of laser discs, CDs, and DVDs. Requires a player with DTS output connected to a DTS processor.

DTS ES: An enhanced version of the 5.1 DTS system. Like Dolby's Surround EX, a sixth channel is added. In some cases (DTS ES Discrete), the sixth channel is discrete. Software is backwards-compatible with 5.1 systems, but requires an ES or 6.1 processor to obtain additional benefit. Neo: 6 is a subset of DTS ES that creates 6.1 from material with fewer original channels.

Dynamic Range: The difference between the lowest and the highest levels in audio, it&'s often expressed in decibels. In video, it's listed as the contrast ratio.