Used, Second hand RCF HDL 26-A Line Array Package of the best quality on the second hand market. With over 25 years of experience, our deals are the best around. - Used Audio, Lighting and Video Equipment

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HDL 26-A : Active 2-Way Line Array Module

The RCF HDL26-A is an ultra-compact bi-amped two-way active touring system for small and medium-sized events, both indoors and outdoors. Due to the advanced transducer design and the 2000W Class-D amplifier, among the best in its class, it is capable of an extended bottom-end and a pristine sound for a wide range of applications, alone or in RDNet managed line-array configurations. The HDL 35-AS is the ideal flyable bass complement for the HDL 26-A array system.

Black & White

When in need of a particular appearance, matching the colour of interiors, or searching for a stylish, minimalistic sound system for your next DJ set, we can provide you with a full set of white speakers — a tough coating for wooden speakers or a robust white polypropylene composite material for portable systems, pole included, in perfect fashion. Purity and elegance, all available to be included in corporate gigs, weddings, and houses of worship.

The Acoustic Beauty Of The Symmetry

The symmetrical design of the cabinet produces identical left and right coverage of 100°x10°. Component positioning and the special DSP crossover of the HDL 26-A ensures constant directivity, reducing spots of break up or attenuation.

The front baffle provides:

Coplanar woofers
Controlled LF dispersion with hybrid-bandpass design
Central space to host the HF waveguide

Advanced Design

The integrated fittings are both easy to use and reconfigurable, allowing the system engineer to create J-shaped and spiral arrays starting at 1° angle.
The hardware is designed for easy and fast setup. Up to 16 HDL 26-A modules can be fastened on a single flybar.
The heavy-duty front grille is powder coated. A special transparent-to-sound foam backing inside helps to further protect the transducers from dust. For weatherproof capabilities, a rain cover is available.

New Perspective On Linearity

RCF speakers are designed using a proprietary and advanced FiR filtering technology, conceived to deliver transparent sound, absolute clarity and perfect stereo images to the listener.
The special FiRPHASE filters allow to achieve coherent distribution of sound for all listeners without phase distortions, ensuring minimum latencies to the system.

Hybrid Bandpass Design

After many computer simulations, tests in anechoic chambers and listening sessions, the woofer arrangement in hybrid bandpass configuration results in wider and more coherent coverage, allowing a more effective frontal beam with only a few boxes. This arrangement increases the directivity of the line array, doubling the radiation points on low/mid frequencies. The shape of the baffle reduces the turbulence outside the waveguide decreasing the overall distortions.

Powerful Class D Amplifier

The amplifier is a central part of RCF’s product development. The HDL 26-A power section is tailored to the transducers and the cabinet design to reach excellent efficiency, low distortion and high signal-to-noise ratio. Class-D power amplifier technology operating at very low impedance produces extended transient response, while the high damping factor improves sound quality and detail. The amplifier module features +24 dBu input section, a solid machined aluminum structure which not only stabilizes the amplifier during transportation but also helps the fan-less heat dissipation. The low-latency DSP section deploys a remarkable amount of processing power for live performances with straight-forward control and monitoring of single parts of the module, including rigging angles and transducer performance via RDNet. An entire set of protections preserve product life and reliability.

Legendary Transducers

The RCF HDL 26-A features state-of-the-art RCF transducers with neodymium magnets. RCF’s experienced engineering teams have specially developed and matched each component — starting from the power supply through the input board to the amplifiers and transducers right up to the complete HDL 26-A System.

High Frequencies

High-performance RCF ND840
3.0" diaphragm titanium compression driver
1.4" exit throat
750 Hz Crossover Point

Low Frequencies

2 X 2.0” voice coil neodymium 6” woofers
Low frequencies handling down to 55 Hz
Water resistant fiber doped cone
Polycotton M-roll surround
Hypervented magnetic structure

Flying Attitude

The advanced rigging concept derives directly from its big brothers, the RCF HDL 30-A and HDL 50-A.
The integrated mechanics are both fast and reconfigurable, allowing the system engineer to create J-shaped and spiral arrays. The hardware is designed for easy and fast setup. The angle can be adjusted on the ground before the system is hung and slipped automatically into the correct position as the array is pulled up.
Up to 20 HDL 28-A modules can be fastened on a single flybar.

Features

133 dB Max SPL
2000W Two-Way Amplifier
Exclusive FiRPHASE technology on-board
750 Hz Crossover for best vocal reproduction
RDNet Networked Management
1.5” Titanium Compression Driver
2 x 6” High-Powered Neodymium Woofers
4 PATH waveguide

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Used RCF

RCF S.p.A. is a widely recognized Italian manufacturer of high performance audio products including power amplifiers, loudspeakers, digital mixers and digital signal processors (DSP).
RCF is an Italian audio products manufacturer founded in 1949. The first products sold were microphones and electroacoustic transducers (loudspeakers).
In the late ’60, concert sound was going electric, and many loudspeaker pioneers were searching for high-powered devices to use in their designs.
RCF was one of the first European OEM suppliers for international brands, thanks to the experience built on high power transducers.
After few years, thanks to the in-depth know-how in loudspeaker technology, RCF begin to develop and produce sound reinforcement systems under the same brand.
The introduction of the ART Series, in 1996, has established RCF among the few global manufacturers of active loudspeakers.
The TT+ High Definition - Touring and Theater series equipped with DSP, introduced in 2004, and the RDNet Networked Management technology, let RCF a full recognition in the professional audio market.
Since 2017, all DSP active speakers incorporate FiRPHASE technology, which allows achieving a 0° linear phase playback.
RCF is the first audio manufacturer to have a complete catalogue of 0° phase-compatible sound systems including line arrays.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.

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