K10
The K10 is nothing short of power with 12,000 W from a single rack space chassis. Capable of driving subwoofers and large-scale FOH systems equally well, numerous touring sound reinforcement systems are built around racks exclusively utilizing K10?s for all frequency bands, benefitting greatly from maximum flexibility. Operation with 2Ω loads is not only safely possible but recommended, reducing the number of amplifiers required in a system.
In use worldwide by leading touring and event sound companies, K Series is preferred among the top ranking system designers, sound engineers, and system techs on the road for making their lives easier, giving them reliable premier-grade power and headroom in the smallest possible package size.
Fully digitally controlled and with a serial PC communication port as standard, the K10 is also available with KDSP board and KAESOP Ethernet/AES3 interface: the K10 DSP+AESOP amounts to a fully integrated, highly sophisticated yet easy to use power source including state-of-the-art sound shaping and system management capabilities, remotely controllable via Powersoft`s Armon?a Pro Audio Suite (Interface available for MediaMatrix, Crestron, AMX, Q-SYS control and monitoring systems).
Power supply
- Advanced switch-mode worldwide operating power supply technology for high performance and compact size
- Power Factor Correction PFC for extremely low mains consumption and extremely wide mains operating range
- Low Inrush Limiting reduces AC inrush current, removing the need for expensive power sequencers
Protections
Fully protected circuit design with:
- Ac protection: shut down power supply when AC mains voltage is outside operating range
- Clip limiter: prevents severely clipped waveforms from reaching loudspeakers, while still maintaining full peak power output
- DC protection: protects against infrasonic signal at the outputs
- VHF protections: protects the loudspeakers against non audible, strong, non musical high frequency signals
- Short circuit protection: protects the amplifier from short circuit or other stressful events for the output circuits with automatic protection reset
- Long term limiter: protects the loudspeaker against steady long term rms (non audio) signals reducing maximum output
- Thermal protection: output stages operating temperature up to 80 °C (176 °F)
- Temperature controlled continous variable speed fan, front to back airflow
- Temperature forecast with LCD traced historical behaviour
General
- Fixed frequency switchmode output stage for high grade sound accuracy
- Compact size - all models only 1 RU for reduced rack cost and space
- Light weight - for easier racking and shipping: 12 kg (26.5 lbs) according to configuration
- Combo XLR/6.3mm jack Neutrik input connectors with link capability
- AES3 digital input*
Settings
- LCD matrix interactive display
- Comprehensive-user friendly front panel display menu
- Built-in defeatable clip limiters for each channel
- Digital gain-attenuator control
- Defeatable gate selection for each channel
- User selectable gain/sensitivity
- User selectable maximum output power for each channel
- User selectable maximum mains current draw
- lockable set-up by user selectable access key code
- Built in remote control via the RS-485 interface provides full diagnostic, operational setting and system monitoring
Monitoring
- Hardware monitor available for fast local diagnostic
- Load impedance measurement / display for each channel
- Output power measurements / display for each channel
- Mains voltage and current measurements / display
- Downloadable log file of functional fault events with time related trace
- Smart Card settings, parameters and upgrades functionality
Digital Signal Processing*
- Analog Devices SHARC DSP architecture
- AD/DA converter: dual 24bit in 96 kHz Tandem architecture, 127 dB dynamic range, per channel
- Input/output independent equalizers per channel providing PEQ, raised cosine, shelving IIR filters as well as custom output FIR filters
- Delay up to 1 s for time alignment
- Active DampingControl for cable compensation
- Power limiter (TruePower, RMS voltage, RMS current) + Peak Limiter
Remote management*
- Control and monitoring through Armon?a Pro Audio Suite
- Interface available for MediaMatrix, Crestron, AMXcontrol, Q-SYS and monitoring systems
* = DSP+AESOP version
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Used Powersoft
Powersoft SpA a private Italian company that specializes in the design, production and marketing of a wide variety of proprietary professional high-end technologies for the professional audio and fleet management markets.
Powersoft Audio, which produces products such as power amplifiers, loudspeaker components, and audio software for use primarily in sound applications and installations worldwide.
Powersoft Mobility, which develops and provides products and services for vehicle fleet management. This division, which is a sister company to Powersoft Audio, distributes integrated units and related services to the public, private and commercial vehicle fleet management markets for a variety of applications.
The company's products made in Italy are available in more than 50 countries, with an extensive network of authorized distributors and service centers. Powersoft also owns a sister company in the United States, which works under contract with various agents to further expand the company's brand presence.
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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.
Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.
Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.
Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.
Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it's out of phase.
FM: Frequency Modulated.
Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.
Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.
Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.
Gain: Increase in level or amplitude.
Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.
Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.
Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Integrated Amplifier: A combination preamp and amplifier.
Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.
KHz: Kilohertz or one thousand Hz.
Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.
Line Array: A group of speakers that have been arrayed or ” built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.
Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.
lockout: The final words of a segment used to signify the production’s conclusion.
Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.
MHz: Megahertz, or 1 million Hz.
Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.
Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.
Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.
MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.
Mono: Monophonic sound. One channel.
MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.
Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.
Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.
Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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