PT-DZ21K
The Panasonic PT-DZ21K with a brightness of 20000 ANSI Lumen offers a very high light output. 20000 ANSI Lumen are plenty for projections at large conferences, expos, fairs and outdoors. The Panasonic PT-DZ21K thus plays in the `event-league` and is designed for public screenings, permanent installations and long-term usage. With its 20000 ANSI Lumen it is multiple times brighter than a `normal` home-cinema or office projector.
With a contrast ratio of 10000:1 you will experience high class images. A high contrast is important for the blackness. At this ratio black is truly black.
With nearly 2.3m active pixel this projector has a native WUXGA resolution of 1920x1200px and an aspect ratio of 16:10. It can easily play high definition multimedia content from Blu-ray, DVD, PC, or receiver. The Full HD format is particularly suited for widescreen projections.
The projector works on Texas Instruments` DLP technology. The light is reflected by thousands of micro-mirrors (one mirror for each pixel). DLP technology stands for high contrast ratios and great luminosity, as well as a compact and light design.
The projector has an optical lens shift . This is a feature of a top quality projector, which allows you to shift the image of your projection without distortions, and without moving the projector.
The Warping function allows for an undistorted image display, even on an arched concave screen surface.
Also the Panasonic PT-DZ21K has the Edge Blending feature making it suitable for multi-screen projections. Edge blending is used when the required image size can`t be covered by a single projector. Such images can be divided and displayed with multiple projectors with Edge Blending.
The Panasonic PT-DZ21K is designed for professional long continuous operation in 23/7 or 24/7 mode. Only very few projectors offer this feature since it requires a very good lamp cooling system. More information on running times, maintenance intervals, etc., you can find in the manual or spec sheet of the projector.
With a Dynamic Iris the projector has a much higher contrast ratio. In dark scenes the iris will reduce the light output, boosting the contrast to bright scenes automatically.
The projector uses interchangeable lenses, giving you extreme flexibility to equip the projector with different optional lenses. It makes no difference whether you have to project at 2 meters or 50 meters distance, there is always a suitable lens for your requirements. Please ask us directly, stating your requirements. We stock all interchangeable lenses.
The lamp lifetime is 2000 hours. This is a very high value, which will guarantee years of vivid projections, and vey low follow-up costs for you. The current lamp running time is 478 hours. At an average of 1.5h daily operation, a new lamp will run 4 years.
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Used Panasonic
The Panasonic Corporation is a Japanese multinational electronics company headquartered in Kadoma in Osaka , in Japan.
Formerly known as Matsushita Electric Industrial Co, the Panasonic name was only commercial until 2008 when the company was completely renamed Panasonic.
It produces everything from rechargeable batteries to TVs and cameras. According to her, she is No. 1 in wireless phone sales.
Panasonic offers a wide range of products and services, such as air conditioners, refrigerators, washing machines, cordless phones, compressors, luminaires, televisions, personal computers, mobile phones, audio equipment, cameras, headlights, electronic car accessories, electric batteries, lithium batteries , bicycles, electronics and photovoltaics.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
Negative Gain Screen: Material that reflects less light than a reference material. Often used for DLP and LCD projection systems.
Nonlinear Editing: Digital video systems that allow for clips to be extracted without affecting the master recording.
NTSC: National Television Standards Committee. Government-directed committee that established the U.S. color TV standard in 1953. Also known, sarcastically, as Never Twice the Same Color or Never The Same Color due to the inherent difficulty in achieving proper color calibration.
Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.
Package: A completed and fully edited video piece.
Phase: Time relationship between signals it`s all relative.
PIP: Picture-in-picture.
Pixel: Contraction of picture element. The smallest element of data in a video image.
Plasma: Flat-panel display technology that ignites small pockets of gas to light phosphors.
Progressive Scanning: Each frame of a video image is scanned complete, from top to bottom, not interlaced. For example, 480p means that each image frame is made of 480 horizontal lines drawn vertically. Computer images are all progressively scanned. Requires more bandwidth (twice as much vertical information) and a faster horizontal scan frequency than interlaced images of the same resolution.
Projection System: Display that projects image onto a screen.
Raw Edit/Rough Cut: Video edited together without a voiceover, oncamera announcer or text so that separate narration or audio can be added.
Rear Screen Projection: A process of projection where an image is projected on the back surface of a screen placed between the audience and the projector. This allows for a very clean front-of-the-house look in your meeting room because all production equipment is in the back-of-the-house, behind the screen.
RGB: Red, Green, Blue. Can refer to an unprocessed video signal or the color points of a display device. Together these three colors make up every color seen on a display device.
RPTV: Rear-Projection Television.
Scan Lines: The lines drawn by an electron gun in a CRT system to make up the picture. Drawn horizontally, from left to right, starting at the top left and working to the bottom right.
SDTV: Standard Definition Television. Lower-resolution subset of the ATSC`s DTV system. 480i is typically accepted as an SD signal. Digital broadcasters can offer multiple sub-programs at SDTV quality, as opposed to one or two HD programs. Digital satellite and digital cable often refer to the majority of their programs as SDTV, somewhat erroneously, as neither system has anything to do with DTV, though both, technically, consist of a digital 480i signal.
Sigout: The final words of a segment used to signify the production`s conclusion.
Source: A component from which the system`s signals originate. DVD player, AM/FM tuners, and VCRs are sources: 2 Pull-down Recognition or 3:2 Inverse Telecine: Film is usually recorded at 24 frames per second. NTSC video (North America) is 30 frames (60 fields) per second. In order to get smooth motion, the film frames are broken into video fields in a 3-2-3 sequence. 3 fields for the first film frame, 2 fields for the second film frame, and so on. If a line doubler doesn`t compensate for the extra field during playback on a progressive-scan display, the image will have noticeable motion artifacts. A line doubler with 3:2 pull-down recognition or 3:2 inverse telecine can see this sequence in the signal and correct for it by making sure the last field in the first frame isn`t mixed with the first field of the second frame.
Standup: The portion of video in which the reporter directly speaks into the camera. If a standup concludes a package, it contains a sigout. If other video precedes and follows a standup, the segment is referred to as a bridge.
Uniformity: Even distribution across a given space. In video, uniformity can refer to the distribution of light (hot spotting) or color.
Unity Gain: Output that equals the input. Unity gain screen material reflects as much light as the reference material. Has an even dispersion of light.
UHD:Ultra-high-definition television (also known Ultra HD television,Ultra HD,UHDTV,UHD and Super Hi-Vision) today includes 4K UHD and 8K UHD.
User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.
Video Mapping: A technology to "paint" multiple video sources onto a stage or building where the image can be tightly trimmed around stage or building elements without necessarily needing multiple video projectors. Used to animate a stage set, change the entire mood of an event in real-time and provide an added wow factor.
Voice-over (VO): Verbal audio played over video.
Wall-to-Wall Coverage: A continuous broadcast report of a single story with few to no interruptions, usually reserved for particularly significant stories.
Y/C: Abbreviation for luminance/ chrominance, aka S-video signal. Color and detail signals are kept separate, thus preventing composite video artifacts. Cable uses four-pin connector. Used with S-VHS VCRs, DVD players, Hi-8, and DBS receivers.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.