MINA
The newest and smallest member of the most accurate and flexible family of line array products on the market, MINA brings MILO?s exceptional features to a more compact package that is strong enough to stand alone, but is also capable of integrating with its siblings M`elodie and MICA.
Exceptional fidelity and transient response offers intelligibility and high impact in installed and touring applications alike, delivering wide and even coverage, and pristine sound.
MINA's very small footprint and narrow width contribute to an ideal curvilinear array system for low-profile, high-fidelity sound reinforcements in small venues, as well as for frontfill and under-balcony applications.
MINA's compact size and wide horizontal coverage makes it a great choice for smaller theatres, theatrical touring productions, corporate AV, theme parks, and downfill or sidefill.
Self-powered technology eliminates amplifier racks, long loudspeaker cables, and any calibration of gain and crossover settings. The system can be rigged and ready in minutes.
- Very small footprint and narrow width ideal for small venues or fill applications
- Exceptional fidelity and transient response for intelligibility and high impact
- Extremely high power-to-size ratio
- Flexible mounting options
- Wide and even horizontal coverage pattern
- Seamless integration with M`elodie and MICA
- QuickFly rigging with captive GuideALinks simplifies use in flown or groundstacked arrays, alone or with M`elodie and/or 500-HP subwoofer
600-HP
Compact High-Power Subwoofer
The 600-HP is a self-powered, high-output subwoofer that may be used in both flown and ground-stacked configurations. It is designed to rig directly with MICA compact, high-power curvilinear array loudspeakers when fitted with the optional QuickFly MRF-600 rigging frame. The versatility of the 600-HP also allows it to be used with a variety of other Meyer Sound self-powered loudspeakers ? such as CQ-1, CQ-2, UPA-1P, UPA-2P and UPJ-1P ? in fixed and touring applications.
The system features two specially designed high-power 15-inch cone drivers, engineered to provide optimal performance in subwoofer applications. The high-excursion, back-vented drivers have 4-inch voice coils, and each is rated to handle 1200 watts (AES*).
The two cone drivers are housed in a rectangular, optimally tuned and vented enclosure that is the same width as MICA, and a few inches higher and deeper. The enclosure geometry makes vertical ground-stacking easy and convenient. All versions include plastic skids on the bottom of the unit to prevent damage to the enclosure or the unit below the skids align with slots on the cabinet?s top to ensure secure stacking. Operating frequency range is from 36 Hz to 150 Hz, with a peak SPL at one meter of 138 dB.
Each cone driver is driven by a channel of the integral two-channel class AB/H amplifier with complementary MOSFET output stages. Total output power is 2250 watts (4500 watts peak), providing the system with sufficient headroom to accommodate the most extreme sound reinforcement demands with ease. The circuitry includes TruPower limiting to extend the life of the drivers and hold long-term power compression to less than 1 dB. The amplifier, control electronics, and power supply are integrated into a single, field-replaceable module that is mounted into the rear of the enclosure.
The optional MRF-600 rigging frame uses captive, rigid GuideALinks contained within recessed guides in the lower front and rear corners of the enclosure. A slot and convenient pinned handle allow the link to be moved and pinned for arraying or storage. The versatility of angles achieved by using combinations of front and back positions allows a MICA array suspended under 600-HP subwoofers to be uptilted for balcony coverage up to 15 degrees, or downtilted to 6 degrees with respect to the 600-HP. The 600-HP can make use of the optional MG-MICA rigging grid to accommodate a variety of flown and stacked configurations.
The durable enclosure is constructed of premium birch plywood coated with a black, tex- tured hard-shell finish, with a powder-coated, hex-stamped steel grille lined with acoustical black mesh to protect the drivers. The exterior dimensions of the 600-HP are suitable for both European and U.S. trucks, and it can securely travel in stacks using the MCF-MICA caster frame, or MDB-600 dolly board when not fitted with rigging frames.
Options for the 600-HP include weather pro- tection and custom color finishes for fixed installations and other applications requiring specific cosmetics. The RMS remote monitor- ing system ? standard with the rigging version and optional with other configurations ? allows comprehensive monitoring of system parameters on a Windows-based network.
Features
- Efficient, high-power and high-excursion cone drivers
- Extremely low distortion for low-frequency clarity
- Very high peak power yields excellent transient reproduction
- Low-frequency complement to MICA and other Meyer Sound self-powered loudspeakers
When fitted with MRF-600 rigging frames:
- Stackable, and flyable by itself or with MICA full-range loudspeakers
- Transportable in stacks using optional MCF-MICA caster frame
Applications
- Medium to large theatres and clubs
- Houses of worship
- Portable and installed A/V systems
700-HP : Ultra High-Power Subwoofer
The Meyer Sound 700-HP ultra high-power subwoofer sets a new standard for the power-to-size equation. The 700-HP`s power and bandwidth handle high continuous operating levels and extreme transient information with minimal distortion in its operating frequency range.
Meyer Sound?s rigorous design approach has been applied to extract the greatest efficiency from every part of the system, resulting in the 700-HP?s effortless reproduction of low frequency transient information. As a self-powered system, the transducers, amplification and control electronics of the 700-HP are created as a symbiotic system that optimizes performance and maximizes its tremendous power.
The operating frequency range of 28 Hz to 150 Hz complements other Meyer Sound loudspeakers and line and curvilinear arrays in sound reinforcement applications requiring maximum headroom at the low end of the frequency spectrum.
The 700-HP`s efficiently tuned cabinet houses two Meyer Sound-designed and -manufactured back-vented, long-excursion, 18-inch cone drivers. Each driver features a 4-inch voice coil and is rated to handle 1200 AES watts. The drivers have also been engineered for extreme efficiency, using high-gauss neodymium magnets for the most powerful magnetic field strength. High magnetic field strength increases the driver?s sensitivity, which yields greater output, while keeping heat dissipation requirements within operational tolerances.
An integral two-channel class AB/H amplifier with complementary MOSFET output stages supplies total peak power of 2250 watts (1125 watts per channel). With twice the amplifier power of the 650-P subwoofer, the 700-HP produces an average of 3 dB more overall SPL, with enormous headroom to accommodate the most extreme demands with ease. Recent tests conducted by Meyer Sound show the 700-HP producing significantly higher output than other "high-power" subwoofers.
The amplifier, control electronics and power supply are integrated into a single, field-replaceable module mounted in the rear of the cabinet. The cabinet is constructed of multiply hardwood and coated with a textured black finish. Integral metal grilles lined with acoustical black mesh protect the cone drivers. Designed mainly for stage or ground placement, the stackable 700-HP includes plastic skids on the bottom of the unit, preventing damage to the enclosure or the unit below. The skids align with slots on the cabinet?s upper surfaces ensuring secure, aligned stacking. For maximum convenience in touring situations, the 700-HP can even travel in stacks on the MCF-700 caster frame.
The 700-HP is truck-smart, with exterior cabinet dimensions suitable for both European and US truck widths. An optional QuickFly rigging kit is available, installed at the factory or as a field upgrade. Up to 10 cabinets can be suspended from the optional MTG-700 top grid in a straight hang at a 7:1 safety factor.
Options available for the 700-HP include weather protection and finishes in custom colors for fixed installations and other situations requiring specific cosmetics.
An optional RMS remote monitoring system module allows comprehensive monitoring of all key system parameters on any RMS-equipped host PC. In addition, Meyer Sound?s MAPP Online multipurpose acoustical prediction program allows quick prediction of coverage, frequency response, impulse response and maximum output of the 700-HP and other Meyer Sound loudspeakers and loudspeaker systems.
Features
- Stackable
- Flyable using optional rigging kit
- Extremely low distortion for ultimate low-frequency clarity
- Very high peak power yields excellent transient reproduction
- Ultra-efficient neodymium magnet drivers
- Transportable in blocks using optional heavy duty caster frame
Applications
- Stadiums, arenas and concert halls
- Medium-to-large theatres and clubs
- Theme parks
- Cinema
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Used Meyer Sound Laboratories
Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.
The company’s emphasis on research and measurement has resulted in the issuance of dozens of patents, including for the now-standard trapezoidal loudspeaker cabinet shape. Meyer Sound has pioneered other technologies that have become standard in the audio industry, including: processor-controlled loudspeaker systems, self-powered loudspeakers,curvilinear arraying, cardioid subwoofers, and source independent measurement.
Meyer Sound has consistently involved itself with advanced research beyond that connected to immediate product development, sometimes in conjunction with arms of the University of California, Berkeley. Some of this research has resulted in unusual products such as their parabolic sound beam and sound field synthesis loudspeakers. Other projects, such as the spherical loudspeaker research underway by Meyer Sound and CNMAT (Center for New Music and Audio Technologies) at UC Berkeley are still in the stage of pure research.
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Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.
Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.
Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.
Package: A completed and fully edited audio piece.
Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.
Phase: Time relationship between signals it’s all relative.
Power Output: A measure, usually in watts, of how much energy is modulated by a component.
Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.
Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.
Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.
Pre/Pro: A combination preamp and surround processor.
Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.
Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.
Q-and-A: Question and answer session.
Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.
Reverberation: The reflections of sound within a closed space.
RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.
RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.
SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.
Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.
Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.
Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.
Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.
Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.
Sound Bite: A portion of audio of someone speaking.
Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections ratio of direct to reflected sound RT-60 time etc.
Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.
Speaker: A component that converts electrical energy into acoustical energy.
SPL: Sound-Pressure Level. Measured in dB.
Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.
THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.
THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.
User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.
Voicer: A radio report without background audio taken from a scene or otherwise.
Wrap: A radio report containing both the reporter and an actuality.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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