Used, Second hand Meyer Sound MILO 60 High-Power Curvilinear Array Loudspeaker - Used Audio, Lighting and Video Equipment

ABOUT THE PRODUCT ABOUT THE MANUFACTURER GLOSSARY

MILO 60: High-Power Narrow Coverage Curvilinear Array Loudspeaker

A variation on the popular MILO highpower curvilinear loudspeaker, the MILO 60 high-power narrow coverage curvilinear array loudspeaker excels where controlled horizontal coverage is needed. The selfpowered MILO 60 is a compact, lightweight four-way system that provides 60 degrees of horizontal coverage, and vertical coverage matching the original MILO. The coverage pattern is optimized for applications requiring tight horizontal cover age, such as at the top in mixed arrays with standard MILO or M3D line array loudspeaker systems, or for side fill hangs where keeping sound off of side walls is important.
The MILO 60 shares the same dimensions and rig ging components as the MILO and MILO 120 expanded coverage high-power curvilinear array loudspeakers to facilitate seamless integration. The flexibility of the MILO 60 allows it to be configured with other Meyer Sound loud speakers in complex systems. MILO 60 arrays and combined arrays with other M Series models are easy to deploy using the MILO QuickFly rigging accessories, such as the MG-3D/M multipurpose grid and MCF-MILO cast er frame. Because rigging connections are rigid, the array tilt is easy to adjust, often elimi nating the need for a pullback strap in flown configurations.
MILO 60 produces a peak output of 140 dB SPL with exceptionally flat phase and frequency response. Its wide operating frequency range (60 Hz to 18 kHz) is complemented by extended high-frequency headroom and a dedicated very-high-frequency section (4.2 kHz to 18 kHz) that renders delicate transient information with detailed resolution through its coverage pattern. Its acoustical charac teristics are designed to facilitate seamless integration when used with other MILO cur vilinear array elements.
A combined MILO 60/MILO/MILO 120 array with M3D-Subs affords the precise low-frequency directional control that has won widespread acclaim for M3D systems. The M3D-Sub provides a well-controlled coverage pattern to 30 Hz, assuring that very low-frequency energy does not spill onto the stage or cause excessive reverberation. In applications where directional low-frequency control is not a primary consideration, a MILO array can be flown adjacent to or ground stacked with 700-HP subwoofers. The 700-HP's power and bandwidth handle high continuous oper ating levels and extreme transient informa tion with minimal distortion in its operating frequency range.
Meyer Sound’s RMS remote monitoring system is fitted as standard, providing comprehensive monitoring of system performance parameters over a Windows-based network.
A weather-protected version with a folding rain hood that safeguards the electronics is optionally available.

Features & Benefits

Controlled horizontal coverage angle of 60 degrees
Patented REM ribbon emulation manifolds dramatically minimize distortion
Exceptional fidelity and peak capability assure clean, high-impact response
Seamless integration with other M Series models
QuickFly rigging system simplifies use in flown or ground-stacked arrays

Applications

Stadiums, arenas, concert halls and theatres
Touring sound reinforcement
Large-scale events

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Used Meyer Sound Laboratories

Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.
The company’s emphasis on research and measurement has resulted in the issuance of dozens of patents, including for the now-standard trapezoidal loudspeaker cabinet shape. Meyer Sound has pioneered other technologies that have become standard in the audio industry, including: processor-controlled loudspeaker systems, self-powered loudspeakers,curvilinear arraying, cardioid subwoofers, and source independent measurement.
Meyer Sound has consistently involved itself with advanced research beyond that connected to immediate product development, sometimes in conjunction with arms of the University of California, Berkeley. Some of this research has resulted in unusual products such as their parabolic sound beam and sound field synthesis loudspeakers. Other projects, such as the spherical loudspeaker research underway by Meyer Sound and CNMAT (Center for New Music and Audio Technologies) at UC Berkeley are still in the stage of pure research.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.