M1D
Ultra-Compact Curvilinear Array Loudspeaker
The Meyer Sound M1D ultra-compact curvilinear array loudspeaker brings the singular advantages of self-powered line arrays to sound reinforcement applications in small and mid-sized venues. The exceptionally compact enclosure enables sound designers to achieve high output, precise pattern control with very low distortion from a lightweight and unobtrusive system. The M1D provides a substantial peak SPL of 125 dB at 1 meter with an operating frequency range of 60 Hz - 18 kHz and is designed specifically for implementing vertical curvilinear arrays of up to 16 cabinets having 0- to 8-degree splay between adjacent units. This design affords the flexibility to tailor vertical coverage by varying the number and splay of cabinets in the array while maintaining a consistent 100° horizontal coverage.
The M1D loudspeaker system comprises two 5-inch cone drivers and three 0.75- inch high-frequency metal dome tweeters with neodymium magnets. To assure the smoothest response in the critical midrange, the M1D incorporates a complex crossover design similar to that pioneered in Meyer Sound?s UPM loudspeakers. At the lowest frequencies, both 5-inch drivers combine to reproduce powerful, coherent bass. In the mid frequencies, however, the crossover feeds the signal to only one driver; this technique eliminates interference between the two drivers (that would otherwise occur at shorter wavelengths) in order to maintain optimal polar and frequency response characteristics. The three vertically aligned dome drivers act as a small line array, focusing the sound into a tight vertical coverage pattern while the constant-directivity horn maintains broad horizontal coverage.
The bi-amplified M1D incorporates a complementary MOSFET power amplifier module with 500 watts total burst capability, together with active crossover and optimized frequency and phase response correction circuitry. AC power is switchable in the range of 90 to 264 V AC, at 50 or 60 Hz. Integral peak and rms limiters protect the loudspeaker components from overexcursion and over-heating.
The M1D?s vented, trapezoidal cabinet is constructed from multiply hardwood and has a textured hard shell finish. The M1D incorporates QuickFly rigging as standard, and utilizes connecting links that are secured to the steel and aluminum rigging end frames by quick release pins. An ingenious arrangement of rigging holes allows quick and easy adjustment of cabinet splay for maximum freedom in customizing vertical coverage. The optional QuickFly MG-1D multipurpose grid allows either flying or ground stacking various combinations of M1D and M1D-Sub. Up to 16 M1Ds (or the equivalent weight of M1D and M1D-Sub) with a 7:1 safety factor may be flown, or up to eight M1Ds or four M1D-Subs may be ground stacked. For flying only, the simpler optional MTG-1D will support up to 16 M1Ds (or the equivalent weight of M1D and M1DSub) with a 7:1 safety factor.
M1D comes equipped with Meyer Sound?s RMS remote monitoring system as standard. RMS allows the full range of operating parameters to be monitored over a network using a Windows computer.
Features & Benefits
- Extremely compact and lightweight; forms virtually ?invisible? PAs
- Very flat response for exceptional accuracy and imaging
- Constant-Q horn assures uniform coverage
- Unique crossover design eliminates midrange combing
- Seamless integration with other M Series models
Applications
- Compact voice reinforcement systems
- Theatrical sound reinforcement
- Portable and installed audio-visual systems
- Front and under-balcony fill
M1D-Sub
Ultra-Compact Subwoofer
The M1D-Sub ultra-compact subwoofer complements the M1D ultra-compact curvilinear array loudspeaker by extending bandwidth with its operating frequency range of 32 Hz to 180 Hz and substantially increasing overall system headroom. Because it produces a prodigious peak SPL of 130 dB at 1 meter from a compact cabinet, the M1D-Sub allows system designers to minimize array size while maximizing system response. A variety of QuickFly rigging options allows the M1D-Sub to be flown above, below or within an array, or placed at the base of a ground-stacked array. Although it is intended primarily as a companion subwoofer to the M1D, it is perfectly suited to general use where powerful low frequency augmentation is desired.
M1D-Sub contains two robust 10-inch cone drivers, each featuring a 2-inch voice coil and a lightweight neodymium magnet structure. Power rating per driver is 400 AES watts (see note 5 on back page). A fully integrated and self-powered system, the M1D-Sub also incorporates a two-channel class AB/bridged complementary MOSFET amplifier with 450 watts total burst capability. An Intelligent AC power supply selects the correct operating voltage in the range of 90 to 264 V AC at 50 or 60 Hz, allowing international use without manually setting voltage switches. The Intelligent AC supply also performs protective functions to compensate for hostile conditions on the AC mains. These functions protect both the loudspeaker and electronics from erratic AC conditions and increase the lifespan of the loudspeaker. An ultra-low-noise fan is fitted, but cooling is primarily provided by a massive external extruded aluminum heat sink.
The vented M1D-Sub cabinet is constructed of multi-ply hardwood with a durable finish suited to touring or installed use. A metal grille protects the drivers.
M1D-Sub features Meyer Sound?s QuickFly rigging system with rugged, reliable and deceptively simple components. All load stresses are transmitted through the rigging frames and associated hardware, not through the wooden cabinets. The optional QuickFly MG-1D multipurpose grid allows either flying or ground stacking various combinations of M1D and M1D-Sub. Up to 16 M1Ds (or the equivalent weight of M1D and M1D-Sub) with a 7:1 safety factor may be flown, or up to 8 M1Ds or 4 M1D-Subs may be ground stacked. For flying only, the simpler optional MTG-1D will support up to 16 M1Ds (or the equivalent weight of M1D and M1D-Sub) with a 7:1 safety factor.
The M1D-Sub includes Meyer Sound?s RMS monitoring system as standard. RMS allows the full range of operating parameters to be monitored in real time, remotely over a network using a Windows computer.
Features & Benefits
- Extremely compact and lightweight
- High power-to-size ratio for maximum installation flexibility
- Exceptional fidelity and peak capability assure clean, high-impact lows
- QuickFly rigging system simplifies use in flown or ground-stacked arrays
- Seamless integration with M1D loudspeakers
Applications
- Theatrical sound reinforcement
- Houses of worship
- Portable and installed audio-visual systems
- Surround playback systems
650-P
High-Power Subwoofer
The Meyer Sound 650-P is a high-powered subwoofer for sound reinforcement applications. The 650-P provides extended low-frequency power bandwidth,handling high continuous operating levels and extreme transient information with minimal distortion and response extending to 28 Hz.
The 650-P houses two Meyer Sound long-excursion 18-inch drivers in a tuned, vented cabinet. An integral two-channel class AB/H amplifier with complementary power MOSFET output stages supplies total peak output of 1240 watts (620 watts/channel). TruPower limiting technology ensures maximum driver protection, minimizing power compression and permitting high constant output.
An Intelligent AC power supply affords automatic voltage selection, EMI filtering, soft current turn-on and surge suppression. Phase-corrected, active signal processing circuits maintain excellent performance and reliability, and a laser-trimmed differential input with high common-mode rejection facilitates long line-level signal runs using shielded, twisted-pair cable.
The 650-P cabinet is constructed of multi-ply hardwood and coated with a textured, weather-resistant black finish. The 650-P is compatible with Meyer Sound?s RMS remote monitoring system, which provides comprehensive monitoring of system performance parameters over a Windows-based network.
Features & Benefits
- High peak power yields excellent transient reproduction
- Extremely low distortion for ultimate low-frequency clarity
- Exceptionally reliable and durable
- Arrayable in blocks to attain very high SPL with long throw
Applications
- Stadiums,arenas and concert halls
- Medium-to-large theatres and clubs
- Theme parks
- Cinema
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Used Meyer Sound Laboratories
Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.
The company’s emphasis on research and measurement has resulted in the issuance of dozens of patents, including for the now-standard trapezoidal loudspeaker cabinet shape. Meyer Sound has pioneered other technologies that have become standard in the audio industry, including: processor-controlled loudspeaker systems, self-powered loudspeakers,curvilinear arraying, cardioid subwoofers, and source independent measurement.
Meyer Sound has consistently involved itself with advanced research beyond that connected to immediate product development, sometimes in conjunction with arms of the University of California, Berkeley. Some of this research has resulted in unusual products such as their parabolic sound beam and sound field synthesis loudspeakers. Other projects, such as the spherical loudspeaker research underway by Meyer Sound and CNMAT (Center for New Music and Audio Technologies) at UC Berkeley are still in the stage of pure research.
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Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.
Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.
Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.
Package: A completed and fully edited audio piece.
Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.
Phase: Time relationship between signals it’s all relative.
Power Output: A measure, usually in watts, of how much energy is modulated by a component.
Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.
Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.
Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.
Pre/Pro: A combination preamp and surround processor.
Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.
Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.
Q-and-A: Question and answer session.
Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.
Reverberation: The reflections of sound within a closed space.
RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.
RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.
SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.
Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.
Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.
Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.
Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.
Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.
Sound Bite: A portion of audio of someone speaking.
Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections ratio of direct to reflected sound RT-60 time etc.
Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.
Speaker: A component that converts electrical energy into acoustical energy.
SPL: Sound-Pressure Level. Measured in dB.
Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.
THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.
THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.
User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.
Voicer: A radio report without background audio taken from a scene or otherwise.
Wrap: A radio report containing both the reporter and an actuality.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
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