Used, Second hand Meyer Sound Acheron 80 2-Way Screen Channel Loudspeaker - Used Audio, Lighting and Video Equipment

ABOUT THE PRODUCT ABOUT THE MANUFACTURER GLOSSARY

Acheron 80 : Screen Channel Loudspeaker

At the heart of Meyer Sound’s EXP line of cinema products is the Acheron high-performance screen channel loudspeaker. Optimized for installation behind perforated screens, the two-way loudspeaker combines the advantages of self-powered technology and innovative horn design to deliver exceptional, precise coverage for the left, right, and center sound channels of cinema.
The Acheron loudspeaker is available in two full-range models: the Acheron 100, with a 100° horizontal by 50° vertical horn, which is ideal for wide theaters and the Acheron 80, with an 80° horizontal by 50° vertical horn, which is suitable for narrower theaters and re-recording stages.
The Acheron horn was specifically designed for cinema use and features a very soft roll-off outside the extremely well-behaved coverage angle. The horn is fixed within the enclosure to ensure an accurate acoustic crossover, phase response, and an incredibly consistent vertical pattern between the low and high frequencies. The Acheron’s 580 Hz crossover point places most of the dialog in the horn, which is ideal for cinema applications.
Boasting a frequency response of 38 Hz to 17 kHz at ±4 dB, as well as a linear peak SPL of 135 dB with crest factor of 18.5 dB (measured with M-noise) with very low distortion, the Acheron stands up to the most demanding of digital soundtracks, maintaining a wide dynamic range and full fidelity. Designed and manufactured at Meyer Sound’s headquarters in Berkeley, California, the Acheron’s drivers include one 15-inch low-frequency neodymium magnet cone driver and one high-frequency 4-inch diaphragm compression driver. The drivers yield uncompromising quality and full bandwidth, making the Acheron suitable for small and medium theaters, re-recording stages, and production and postproduction facilities.
The Acheron’s sophisticated onboard amplification produces consistent and predictable results in any system design. The proprietary Meyer Sound power amplifier is a two-channel, class AB/H amplifier with complementary MOSFET output stages that yields a total output of 1685 W (3370 W peak). Built-in signal processing includes an electronic crossover and correction filters—to achieve a flat phase and frequency response—along with driver protection circuitry. The self-powered design not only ensures consistent results but also simplifies installation in both new and existing rooms.
The optional RMS™ remote monitoring system allows comprehensive monitoring of system parameters from a host computer running Compass® software.
Strategically placed 3/8-inch threaded points on the side corners of the Acheron cabinet allow the unit to be fixed to floors with uptilt or downtilt using optional mounting brackets. The Acheron can also be mounted on top of the Acheron LF loudspeaker, also with uptilt or downtilt, using optional stacking brackets.

Features

Small footprint and narrow width are ideal for small venues or fill applications
Amazing power-to-size ratio
Exceptional linearity and transient reproduction at any level, high peak power output, and extremely low distortion
Self-powered to simplify setup and increase reliability
Flexible rigging for flown and ground-stacked arrays
Integrates easily with Meyer Sound’s 750-LFC, 900-LFC, and LEOPARD loudspeakers

Applications

Small to medium-sized theaters
Larger theaters with use of Acheron LF
Re-recording stages
Production and postproduction studios

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Used Meyer Sound Laboratories

Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.
The company’s emphasis on research and measurement has resulted in the issuance of dozens of patents, including for the now-standard trapezoidal loudspeaker cabinet shape. Meyer Sound has pioneered other technologies that have become standard in the audio industry, including: processor-controlled loudspeaker systems, self-powered loudspeakers,curvilinear arraying, cardioid subwoofers, and source independent measurement.
Meyer Sound has consistently involved itself with advanced research beyond that connected to immediate product development, sometimes in conjunction with arms of the University of California, Berkeley. Some of this research has resulted in unusual products such as their parabolic sound beam and sound field synthesis loudspeakers. Other projects, such as the spherical loudspeaker research underway by Meyer Sound and CNMAT (Center for New Music and Audio Technologies) at UC Berkeley are still in the stage of pure research.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.