700-HP
Ultra High-Power Subwoofer
- Stackable
- Flyable using optional rigging kit
- Extremely low distortion for ultimate low-frequency clarity
- Very high peak power yields excellent transient reproduction
- Ultra-efficient neodymium magnet drivers
- Transportable in blocks using optional heavy duty caster frame
The Meyer Sound 700-HP ultra high-power subwoofer sets a new standard for the power-to-size equation. The 700-HP`s power and bandwidth handle high continuous operating levels and extreme transient information with minimal distortion in its operating frequency range.
Meyer Sound?s rigorous design approach has been applied to extract the greatest efficiency from every part of the system, resulting in the 700-HP?s effortless reproduction of low frequency transient information. As a self-powered system, the transducers, amplification and control electronics of the 700-HP are created as a symbiotic system that optimizes performance and maximizes its tremendous power.
The operating frequency range of 28 Hz to 150 Hz complements other Meyer Sound loudspeakers and line and curvilinear arrays in sound reinforcement applications requiring maximum headroom at the low end of the frequency spectrum.
The 700-HP`s efficiently tuned cabinet houses two Meyer Sound-designed and -manufactured back-vented, long-excursion, 18-inch cone drivers. Each driver features a 4-inch voice coil and is rated to handle 1200 AES watts. The drivers have also been engineered for extreme efficiency, using high-gauss neodymium magnets for the most powerful magnetic field strength. High magnetic field strength increases the driver?s sensitivity, which yields greater output, while keeping heat dissipation requirements within operational tolerances.
An integral two-channel class AB/H amplifier with complementary MOSFET output stages supplies total peak power of 2250 watts (1125 watts per channel). With twice the amplifier power of the 650-P subwoofer, the 700-HP produces an average of 3 dB more overall SPL, with enormous headroom to accommodate the most extreme demands with ease. Recent tests conducted by Meyer Sound show the 700-HP producing significantly higher output than other "high-power" subwoofers.
The amplifier, control electronics and power supply are integrated into a single, field-replaceable module mounted in the rear of the cabinet. The cabinet is constructed of multiply hardwood and coated with a textured black finish. Integral metal grilles lined with acoustical black mesh protect the cone drivers. Designed mainly for stage or ground placement, the stackable 700-HP includes plastic skids on the bottom of the unit, preventing damage to the enclosure or the unit below. The skids align with slots on the cabinet?s upper surfaces ensuring secure, aligned stacking. For maximum convenience in touring situations, the 700-HP can even travel in stacks on the MCF-700 caster frame.
The 700-HP is truck-smart, with exterior cabinet dimensions suitable for both European and US truck widths. An optional QuickFly rigging kit is available, installed at the factory or as a field upgrade. Up to 10 cabinets can be suspended from the optional MTG-700 top grid in a straight hang at a 7:1 safety factor.
Options available for the 700-HP include weather protection and finishes in custom colors for fixed installations and other situations requiring specific cosmetics.
An optional RMS remote monitoring system module allows comprehensive monitoring of all key system parameters on any RMS-equipped host PC. In addition, Meyer Sound?s MAPP Online multipurpose acoustical prediction program allows quick prediction of coverage, frequency response, impulse response and maximum output of the 700-HP and other Meyer Sound loudspeakers and loudspeaker systems.
Applications
- Stadiums, arenas and concert halls
- Medium-to-large theatres and clubs
- Theme parks
- Cinema
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Used Meyer Sound Laboratories
Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.
The company’s emphasis on research and measurement has resulted in the issuance of dozens of patents, including for the now-standard trapezoidal loudspeaker cabinet shape. Meyer Sound has pioneered other technologies that have become standard in the audio industry, including: processor-controlled loudspeaker systems, self-powered loudspeakers,curvilinear arraying, cardioid subwoofers, and source independent measurement.
Meyer Sound has consistently involved itself with advanced research beyond that connected to immediate product development, sometimes in conjunction with arms of the University of California, Berkeley. Some of this research has resulted in unusual products such as their parabolic sound beam and sound field synthesis loudspeakers. Other projects, such as the spherical loudspeaker research underway by Meyer Sound and CNMAT (Center for New Music and Audio Technologies) at UC Berkeley are still in the stage of pure research.
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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.
Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.
Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.
Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.
Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.
FM: Frequency Modulated.
Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.
Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.
Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.
Gain: Increase in level or amplitude.
Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.
Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.
Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Integrated Amplifier: A combination preamp and amplifier.
Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.
KHz: Kilohertz or one thousand Hz.
Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.
Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.
Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.
lockout: The final words of a segment used to signify the production’s conclusion.
Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.
MHz: Megahertz, or 1 million Hz.
Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.
Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.
Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.
MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.
Mono: Monophonic sound. One channel.
MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.
Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.
Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.
Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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