WPM
Two-way, Passive Line Array Element
The scalable resolution of WPM offers greatly improved coverage consistency and control compared to a standard line array and provides a flexible pathway to advanced array optimisation.
WPM is incredibly versatile. Its very small footprint and light weight make it the system of choice for smaller venues which require superb fidelity, coverage consistency and control from an ultra-compact line array. With a peak SPL of 130dB peak, it is also very powerful a 12-box array will throw beyond 35 metres (115ft) and produce live music at high levels in up to 3000-seat venues. It embodies the very latest acoustic technology in an ultra-compact enclosure and is the ideal system for small-to-medium scale theatres and live music venues, AV events and installations in concert halls, ballrooms and HoW.
A passive 2-way system with an impedance of 16 ohms, it can be driven in blocks of 1, 2, 3 or 4 resolution configuration. With a complement of 2 x 6.5" (165mm) LF drivers and a vertical column of 3 x 1.4" (35mm) aluminium dome HF drivers, the acoustic design of WPM is uniquely innovative. The LF drivers are located in the side walls of the HF horn an arrangement which would introduce acoustic cavities which would degrade the horizontal dispersion if conventional cone drivers were used. WPM's drivers adopt an elegant solution by having solid moulded diaphragms which match the contours of the horn walls and maintain the continuity of the horn profile. Each LF driver also features a demodulation ring in the neodymium motor system to minimize distortion and maximise mid-band output.
In the triple-driver HF section, each individual HF wavefront is precisely coupled to the horn throat via a short waveguide for faultless 100° horizontal constant directivity coverage.
Features
- Ultra-Compact line array
- Scalable resolution for advanced array control
- External, dedicated, multi-channel Class D amplification
- Industry-leading DISPLAY software interacts with DSP for highly-accurate results
- Fast, integral 3-point flying systems for up to 16 enclosures
- Side and rear handles for ease of handling and setting splay angles
- 100° horizontal constant directivity pattern control
Benefits
- Consistent coverage achieved "straight-out-of-the-box"
- DISPLAY intelligent software reduces set-up time and eliminates trial-and-error
- Improved audience coverage with reduced sound-spill
Applications
- Touring sound reinforcement for small and medium-size venues
- Fixed installations in concert halls, theatres, ballrooms and HoW
- Sports stadium, arena installations & corporate AV events
SX218
Dual-driver, Direct Radiating Subwoofer
The SX218 delivers very high output levels and superb transient performance with minimal distortion. Please note this product has been updated since January 2019 from an earlier iteration.
With an operating range of 35Hz-150Hz ± 3dB, it houses dual 18" long-excursion (460mm)/4" (100mm) voice coil drivers with water-resistant cones and triple roll surrounds. Each driver is rated to handle 1000 watts AES, and has a magnet structure and suspension engineered for maximum linear excursion.
The enclosure is constructed from multi-laminate birch ply and finished with a durable polyurea coating. Eight reflex ports provide a large frontal area to reduce turbulent air noise, and a perforated steel grille protects the drivers from damage. SX218 features a M20 pole mount insert for added versatility in deployment.
The product is supplied as standard without cabinet wheels, but they are available as an accessory.
By adding the input board cover accessory, SX218 is fully weather resistant and suitable for permanent outdoor usage.
Features
- Dual-driver, direct radiating subwoofer
- 2 x 18" (460mm)/4" (100mm) voice coil, long excursion, ferrite magnet, waterproof cone
- Very high output capability
- Tour-grade plywood enclosure with flying inserts
Applications
- Touring sound reinforcement for small and medium-size venues
- Fixed installations in concert halls, theatres, ballrooms and HoW
- Sports stadium, arena installations & corporate AV events
- Outdoor restaurant, bar and hotel entertainment areas
- Concourses and Theme Parks
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Used Martin Audio
Martin Audio is a manufacturer of loudspeakers, amplifiers and signal processing devices for rental and installed sound markets.The Martin Audio design philosophy places emphasis on the subjective sound experience as well as technical excellence.
Led by Martin Audio's R&D Director, Jason Baird, the team works to produce the ultimate product for every application, with the conviction that the correct sound characteristics should be inherent in the acoustic design, not dependent on subsequent electronic correction.
The cornerstone of Martin Audio's success has always been commitment to quality. Only the best quality materials and components are used. Martin Audio enclosures are manufactured primarily in wood with its natural acoustic qualities and good look. They are reinforced where appropriate and finished with care and attention to detail to ensure we meet customers' desire for durability, ease of handling and manoeuvrability.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.
Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.
Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.
Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.
Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.
FM: Frequency Modulated.
Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.
Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.
Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.
Gain: Increase in level or amplitude.
Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.
Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.
Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Integrated Amplifier: A combination preamp and amplifier.
Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.
KHz: Kilohertz or one thousand Hz.
Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.
Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.
Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.
lockout: The final words of a segment used to signify the production’s conclusion.
Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.
MHz: Megahertz, or 1 million Hz.
Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.
Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.
Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.
MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.
Mono: Monophonic sound. One channel.
MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.
Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.
Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.
Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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