CDD-LIVE 12
The CDD-LIVE 12 is a high-performance, self-powered system designed for professional applications that require high output levels and exceptional fidelity from a very compact enclosure. With a peak output capability of 128dB at 1 metre, it is the ideal solution for a multitude of premium stand-alone and distributed sound reinforcement requirements ? from touring, theatre and portable live sound, to concert hall and HoW installations, AV events and stage monitor use.
Featuring a high-specification 12? (300mm) LF/1? (25mm) exit HF Coaxial Differential Dispersion driver, it delivers more consistent audience coverage than a conventional system with a fixed X° x Y° coverage pattern and has wide 110° horizontal coverage close-up. The innovative CDD technology also achieves ?point source? summation of the LF and HF sections ? eliminating off-axis variations in frequency response associated with non-coaxial designs.
A self-powered system, the CDD-LIVE 12 incorporates a two-channel Class D amplifier, DSP and Dante digital audio networking ? simplifying set-up, enhancing control and eliminating amplifier racks. The onboard amplifier delivers 2000W LF + 500W HF peak output to the drivers, and its switched-mode power supply auto-ranges to global mains voltages from 100 to 240V 50/60Hz.
DSP functions ? including parametric EQ, delay, muting, gain and preset selection ? can be controlled over Ethernet from a PC or Windows tablet via intuitive VU-NET proprietary software.
For simple set-ups, ?plug-and-play? presets ? as well as a user-defined preset ? can be selected on the rear panel, instead of using computer control. As an alternative to its analogue inputs, the CDD- LIVE 12 is Dante enabled for digital audio distribution and control over a single CAT5 cable to maintain audio quality however long the cable run.
The CDD-LIVE 12 is incredibly versatile. Its multi-angle enclosure can be used in either horizontal or vertical orientation, with rotation of the driver easily accomplished by removing the screw-free, protective grille. The tour-grade enclosure is constructed from multi-laminate plywood and finished in a hard-wearing polyurea coating. Integral fittings include a top-hat for pole mounting and multiple M8 inserts for attachment to a wall-bracket, yoke or universal bracket with a wide range of up and down tilt angles.
Features
- Compact, self-powered two-way system
- Coaxial Differential Dispersion? technology
- Onboard Class D amplification and DSP
- Dante Digital Audio networking
- Global mains operation with Power Factor Correction
- User-rotatable CDD driver
- Vertical and horizontal mounting options
- Tour-grade, multi-angle plywood enclosure
- IP24 rating option with rain cowl
- Comprehensive mounting accessories
Applications
- Live sound reinforcement
- Theatre sound
- Corporate AV events
- Fixed installations in concert halls, ballrooms and HoW
- Stage monitor and infill
- Bars and clubs
CSX-Live118
The CSX-LIVE 118 is a compact, high-performance subwoofer that extends the low frequency operating range of a CDD-LIVE full-range system to 40Hz ? providing exceptional low frequency impact and increasing headroom. It features a long-excursion 18? (460mm)/4? (100 mm) voice coil driver with a water-resistant cone and triple roll surround in a compact reflex enclosure. The design of the 18? driver maximises output while minimising power compression and distortion, and the four reflex ports have a large frontal area to reduce turbulent air noise at very high levels. With a maximum SPL capability of 135dB peak at 1 metre, the CSX-LIVE 118 is the ideal subwoofer for theatre and portable live sound applications, as well as premium installations that require the maximum output from a compact enclosure.
A self-powered system, the CSX-LIVE 118 incorporates a Class D amplifier, DSP and Dante digital audio networking ? simplifying set-up, enhancing control and eliminating amplifier racks. The onboard amplifier delivers 2000W peak output to the driver, and its switched-mode power supply auto-ranges to global mains voltages from 100 to 240V 50/60Hz. DSP functions ? including parametric EQ, delay, muting, gain and preset selection ? can be controlled over Ethernet from a PC or Windows tablet via intuitive VU-NET proprietary software.
For simple set-ups, ?plug-and-play? presets for operation with the CDD-LIVE 8, 12 or 15 ? as well as a user-defined preset ? can be selected on the rear panel, instead of using computer control.
Additional presets provide the appropriate settings for the rear-facing subwoofer in a cardioid pair.
As an alternative to its analogue inputs, the CSX-LIVE 118 is Dante enabled for digital audio distribution and control over a single CAT5 cable to maintain audio quality however long the cable run.
The enclosure is constructed from multi-laminate plywood with a durable polyurea coating and equipped with a perforated steel grille, twin grab handles, skids, M10 flying inserts and a threaded pole socket.
Features
- Compact, self-powered subwoofer
- 1 x 18? (460mm) driver with 4? (100mm) voice coil
- Onboard Class D amplification and DSP
- Dante Digital Audio networking
- Global mains operation with Power Factor Correction
- Tour-grade plywood enclosure with flying inserts
- IP24 rating option with rain cowl
Applications
- Live sound reinforcement
- Theatre sound
- Corporate AV events
- Fixed installations in concert halls, ballrooms and HoW
- Bars and clubs
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Used Martin Audio
Martin Audio is a manufacturer of loudspeakers, amplifiers and signal processing devices for rental and installed sound markets.The Martin Audio design philosophy places emphasis on the subjective sound experience as well as technical excellence.
Led by Martin Audio's R&D Director, Jason Baird, the team works to produce the ultimate product for every application, with the conviction that the correct sound characteristics should be inherent in the acoustic design, not dependent on subsequent electronic correction.
The cornerstone of Martin Audio's success has always been commitment to quality. Only the best quality materials and components are used. Martin Audio enclosures are manufactured primarily in wood with its natural acoustic qualities and good look. They are reinforced where appropriate and finished with care and attention to detail to ensure we meet customers' desire for durability, ease of handling and manoeuvrability.
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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.
Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.
Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.
Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.
Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.
FM: Frequency Modulated.
Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.
Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.
Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.
Gain: Increase in level or amplitude.
Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.
Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.
Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Integrated Amplifier: A combination preamp and amplifier.
Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.
KHz: Kilohertz or one thousand Hz.
Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.
Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.
Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.
lockout: The final words of a segment used to signify the production’s conclusion.
Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.
MHz: Megahertz, or 1 million Hz.
Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.
Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.
Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.
MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.
Mono: Monophonic sound. One channel.
MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.
Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.
Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.
Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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