Chromlech Elidy-Big-Elidy-S Used, Second hand

25pcs Elidy-Big LED Panels in 5-way flightcases from 2013
  1pc  Elidy Big Yoke
  1pc  Elidy Big Frame
  1pc  PSU
  9pcs Elidy-S LED Panels without Frame / Yoke (supplied mounted to Big Frame).

Photos on request.

More details

3.01.036
Used

59,600.00 €

59,600.00 € per Set

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About this product

Elidy-S

This LED matrix fixture is capable of projecting volumetric graphics. It combines high-output, calibrated, warm-white LEDs with custom optics to generate extremely narrow beams that far exceed the intensity of standard LED screens.
When assembled together, Elidy panels form a unique LED wall. It can be arranged into screens, columns or three-dimensional shapes and programmed to provide projection effects.
Elidy is modular in form, based around a panel of 25 (5 x 5) very high power LEDs which are driven by state-of-the-art electronics. Up to 9 Elidy panels can be run off one power supply unit and assembled to form a screen of up to 225 LEDs (1 m2). These screens can then be rigged side by side to form larger projection areas.
Due to its revolutionary LED driver design, Elidy offers perfectly smooth dimming over the complete dimming range. Its patented system implements proprietary wide-range, ultra-fine dimming that allows extremely smooth dimming over 100,000 imperceptible steps with absolutely no cut-out or stepping when fading up or down. This dimming mimics traditional tungsten sources in a way that makes it perfectly suitable for use in theatre or studio alike where such high LED dimming quality is necessary.
Elidy implements an advanced pixel-mapping interface (the Pixel Engine) that is intuitive and user-friendly, making it perfect for creating truly funky animations, from the simplest to the most complex. Data management is handled using conventional DMX daisy-chaining, but also via unique ArtNet daisy-chaining, both simpler and faster than conventional star-shape cabling. Finally, Elidy has full sACN networking capabilities, especially useful for the smooth handling of big lighting systems with complex data networks.
Elidy integrates Animation Maker, a powerful GIF sequencer which controls Elidy like a moving light, yet uses the minimum number of DMX channels. Effects such as dimming, shuttering, iris and strobe effects can be brought into play and combined with two banks of animated GIF images. The software includes 130 factory-set GIFs with room for the addition of 40 customized GIFs.
Animation Maker can be controlled independently from Pixel Engine, effectively creating two separate media engines. Control of each is via DMX or ArtNet and now sACN, each with its own network feed. Each engine can receive signals from a combination of any two of the three protocols.

Used Chromlech

Chromlech was founded in 2004 by lighting technicians and engineers. Its vocation is to design innovative light systems for big events and the entertainment industry.
Chromlech has set up its research, design department, workshop and its services, in Thorigné Fouillard, Brittany, quiet little village, 5 km east of Rennes.
This location has always been intended by the Chromlech team due to the region's dynamism, which is known for its diverse cultural activites and its technological innovations poles.
All this is surrounded with the admosphere of tranquility area that is Brittany.
Driven by the same passion, our team has only one goal: to be at the service of the light and those who create it.
Therefore, Chromlech gathers all the required abilities to the development of new products, created, developed, industrialized and validated by a team of engineers and lighting technicians and designers. This way, Chromlech is actively participating in the dynamism of the area of Rennes and managed to lean efficiently on the network of businesses and industrial recognized both on a national and international level.

Anamorphic: Process that horizontally condenses (squeezes) a 16:9 image into a 4:3 space, preserving 25 percent more vertical resolution than letterboxing into the 4:3 space. For the signal to appear with correct geometry, the display must either horizontally expand or vertically squish the image. Used on about two or three promotional laser discs and many DVDs. Also called Enhanced for Widescreen or Enhanced for 16:9. Aspect Ratio: The ratio of image width to image height. Common motionpicture ratios are 1.85:1 and 2.35:1. Television screens are usually 1.33:1 (also known as 4:3), which is similar to the Academy standard for films in the '50s. HDTV is 1.78:1, or 16:9. When widescreen movies (films with aspect ratios wider than 1.33:1) are displayed on 1.33:1 televisions, the image must be letterboxed, anamorphically squeezed, or panned-andscanned to fit the screen. ATSC: Advanced Television Systems Committee. Government-directed committee that developed our digital television transmission system. Attenuate: To turn down, reduce, decrease the level of; the opposite of boost Black Level: Light level of the darker portions of a video image. A black level control sets the light level of the darkest portion of the video signal to match that of the display's black level capability. Black is, of course, the absence of light. Many displays, however, have as much difficulty shutting off the light in the black portions of an image as they do creating light in the brighter portions. CRT-based displays usually have better black levels than DLP, plasma, and LCD, which rank, generally, in that order. Brightness: For video, the overall light level of the entire image. A brightness control makes an image brighter; however, when it is combined with a contrast, or white level control, the brightness control is best used to define the black level of the image (see Black Level). For audio, something referred to as bright has too much treble or high frequency sound. B-roll: Supplementary video of scenes and interviews used to complement the primary video. Cathode Ray Tube: (CRT) Analog display device that generates an image on a layer of phosphors that are driven by an electron gun. Chrominance: (C) The color portion of a video signal. Coaxial: 1) A speaker typically with one driver in the middle of, and on the same axis as, another driver. 2) An audio or video cable with a single center pin that acts as the hot lead and an outer shield that acts as a ground. Codec: Mathematical algorithms used to compress large data signals into small spaces with minimal perceived loss of information Component Video: A signal that's recorded or transmitted in its separate components. Typically refers to Y/Pb/Pr, which consists of three 75-ohm channels: one for luminance information, and two for color. Compared with an S-video signal, a Y/Pb/Pr signal carries more color detail. HDTV, DVD, and DBS are component video sources, though most DBS material is transcoded to component from composite signals. Composite Video: A signal that contains both chrominance and luminance on the same 75-ohm cable. Used in nearly all consumer video devices. Chrominance is carried in a 3.58-mHz sideband and filtered out by the TV's notch or comb filter. Poor filtering can result in dot crawl, hanging dots, or other image artifacts. Contrast: Relative difference between the brightest and darkest parts of an image. A contrast control adjusts the peak white level of a display device DBS: Direct Broadcast Satellite. Term that replaced DSS to describe smalldish, digital satellite systems such as DirecTV and Network Digital Theater Systems: See DTS D-ILA: Direct Drive Image Light Amplifier. This Hughes/JVC technology uses a reflective LCD to create an image. A light source is then reflected off the reflective LCD and is directed through a lens to a screen Direct-View Television: Display whose image is created on the surface from which it is viewed. DLP: Digital Light Processing. A Texas Instruments process of projecting video images using a light source reflecting off of an array of tens of thousands of microscopic mirrors. Each mirror represents a pixel and reflects light toward the lens for white and away from it for black, modulating in between for various shades of gray. Three-chip versions use separate arrays for the red, green, and blue colors. Single-chip arrays use a color-filter wheel that alternates each filter color in front of the mirror array at appropriate intervals. DMD: Digital Micromirror Device. Texas Instruments engine that powers DLP projectors. Uses an array with tens of thousands of microscopic mirrors that reflect a light source toward or away from the lens, creating an image. Each mirror represents a pixel. Dot Crawl: An artifact of composite video signals that appears as a moving, zipper-like, vertical border between colors. DTV: Digital Television. Umbrella term used for the ATSC system that will eventually replace our NTSC system in 2006. HDTV is a subset of the DTV system. While the FCC does not recognize specific scan rates in the adopted DTV system, typically accepted rates include 480i, 480p, 720p, and 1080i. D-VHS: Digital VHS. Digital signals recorded onto magnetic tape. Greater capacity than typical VHS; can record compressed HDTV signals. See D- Theater. DVD: Officially known as the Digital Video Disc, though marketers unofficially refer to it as the Digital Versatile Disc. DVD uses a 5-inch disc with anywhere from 4.5 Gb (single layer, single-sided) to 17 Gb storage capacity (double-layer, double sided). It uses MPEG2 compression to encode 720:480p resolution, full-motion video and Dolby Digital to encode 5.1 channels of discrete audio. The disc can also contain PCM, DTS, and MPEG audio soundtracks and numerous other features. An audio-only version, DVD-A uses MLP to encode six channels of 24-bit/96-kHz audio. DVD-A: Digital Versatile Disc-Audio. Enhanced audio format with up to six channels of high-resolution, 24-bit/96-kHz audio encoded onto a DVD, usually using MLP lossless encoding. Requires a DVD-A player and a controller with 6-channel inputs (or a proprietary digital link) for full compatibility. DVD-R: A recordable DVD format similar to CD-R in that it is a write-once medium. Backed by Pioneer, Panasonic, Toshiba, and others. DVD-RW: A recordable DVD format similar to CD-RW in that it is rerecordable medium. Backed by Pioneer, Panasonic, Toshiba, and others. DVD+R: A recordable DVD format similar to CD-R in that it is a write-once medium. Backed by Sony, Philips, Yamaha, HP, and others. DVD+RW: A recordable DVD format similar to CD-RW in that it is rerecordable medium. Backed by Sony, Philips, Yamaha, HP, and others. DVD-RAM: A recordable DVD format similar to DVD-RW in that it is a rewriteable format. Unlike DVD-RW it is capable of being written to and erased over 100,000 times. Backed by Hitachi, Panasonic, Toshiba, and others. DVI: Digital Visual Interface. Connection standard developed by Intel for connecting computers to digital monitors such as flat panels and DLP projectors. A consumer electronics version, not necessarily compatible with the PC version, is used as a connection standard for HDTV tuners and displays. Transmits an uncompressed digital signal to the display. The latter version uses HDCP copy protection to prevent unauthorized copying. See also HDMI. Dynamic Range: The difference between the lowest and the highest levels; in audio, it's often expressed in decibels. In video, it's listed as the contrast ratio. Fade: A gradual increase in video, i.e. a fade-in, or a gradual decrease in video, i.e. a fadeout. Fast File: A video segment with entry and exit points but that is not interrupted by edited-in video clips. Fiber Optic Cable: Glass, plastic, or hybrid fiber cable that transmits digital signals as light pulses. First Person: A video told from the primary subject’s perspective. Firstperson videos most often include the word “I.” Front Screen Projection: This option allows an image to be projected onto a screen or sail from the front of the room. The unit itself is placed within or behind the audience. F/Stop: A rating often applied to scrims used in the film and video industries on their ability to dim light. This rating is directly related to a camera’s ability to allow for the admittance of light. Gray Scale: The ability for a video display to reproduce a neutral image color with a given input at various levels of intensity. Hanging Dots: An artifact of composite video signals that appears as a stationary, zipper-like, horizontal border between colors (HD, High-Def) High-Definition: An image that has a higher resolution and is clearer than other formats. It is widely accepted that 720p is the “bottom-end” on HD. HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals HDMI: HDTV connection format using a DVI interface that transfers uncompressed digital video with HDCP copy protection and multichannel audio. HDTV: High-Definition Television. The high-resolution subset of our DTV system. The FCC has no official definition for HDTV. The ATSC defines HDTV as a 16:9 image with twice the horizontal and vertical resolution of our existing system, accompanied by 5.1 channels of Dolby Digital audio. The CEA defines HDTV as an image with 720 progressive or 1080 interlaced active (top to bottom) scan lines. 1280:720p and 1920:1080i are typically accepted as high-definition scan rates.

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