PLM 12K44
THE PLM 12K44 COMBINES A 4-IN, 4-OUT CONFIGURATION WITH INDUSTRY-STANDARD DANTE NETWORKING, SETTING THE BENCHMARK FOR POWERED LOUDSPEAKER MANAGEMENT SYSTEMS.
Overview
The PLM 12K44 is the natural successor of the proven, road tested, and trusted Lab.gruppen touring foundation exemplified by the iconic PLM series, but with an additional new powerful feature set: the ability to rationalize power allocation between channels to optimize performance. Now packaged in an extended 4-in, 4-out configuration together with twice the processing power via the latest version 6.3 Lake Controller release, plus industry-standard Dante networking, the PLM 12K44 sets the benchmark for Powered Loudspeaker Management Systems.
The PLM 12K44 combines four channels of extremely powerful amplification with unrivalled signal processing and audio management. At the core of the system concept is the total integration of all devices including networking, audio I/O, signal processing, amplifiers, power supply and connected mains supply allowing complete control and monitoring of the entire platform, resulting in unique operational benefits.
Rational Power Management (RPM)
On top of the outstanding performance users have come to expect from a PLM, the 12K44 also features Rational Power Management (RPM), a proprietary Lab.gruppen technology that provides designers and systems techs with unprecedented freedom to allocate the available output power of each amplifier channel for optimum performance with specific load conditions. For the first time, RPM provides true flexibility in allocating available power across the four output channels. Each channel of the PLM 12K44 may be tailored to meet the requirements of the connected load, and any power not used for that channel may be allocated for use on other channels.
RPM helps to avoid amplifier over-specification, or bridging of adjacent channels in order to meet minimum demands on one power-hungry load, which would otherwise result in a loss of channel count. RPM technology also enables the user to minimize equipment costs, reduce rack space and improve long-term energy efficiency all achievable without compromising sonic performance. Rational Power Management incorporates features that safeguard the defined power output of one or more specified channels. From within the CAF, software, it allows the desired power demand to be calculated for the different loads in several different ways. RPM then analyses the desired power in relation to the channel and device constraints and guides the system designer towards the most effective way of powering the PA.
Rational Power Management results in real-world savings, both immediate and long-term. In many cases, fewer amplifiers or lower cost models may be specified while still fulfilling all power requirements. It also allows better mains management, avoiding over-specification of mains distribution, cooling, and UPS (where required). Finally, the overall gains in efficiency in larger systems will minimize current consumption and reduce operation costs a green bonus for the system owner.
The Power of Lake Processing
The PLM 12K44 features the legendary power of exclusive Lake Processing algorithms, incorporating four full-featured Lake modules with four discrete channels of audio throughput input to output. Audio signals are selectable from four channels of analog (with Iso-Float ground isolation), four channels via AES3 digital inputs and eight dual redundant Dante networked digital inputs. Input signals are individually selectable for each channel, with programmable failover to a lower prioritized input.
The full-featured, on-board Lake Processor includes group control with Raised Cosine MESA EQ asymmetric filters to match the responses of any loudspeaker system. LimiterMax peak and RMS limiters set the industry standard for loudspeaker protection and sonic transparency.
The included Lake Controller software provides a unified interface for control of Lake functions and for comprehensive monitoring of both amplifier status and connected loudspeaker loads. Optimized for a wireless tablet PC, Lake Controller is easy and intuitive to operate, with the 'feel' of real-time analog faders and controls. Lake Controller also features seamless integration with third party, real-time sound system measurement, optimization, and control software packages. Users can measure spectrum and transfer function and adjust system EQ at the same time, using the same user interface.
Lake Processing offers classical crossovers (selectable up to 48 dB per octave) as well as linear-phase crossovers capable of slopes exceeding 180 dB per octave for greater control to limit lobing and off-axis cancellation.
CAFE for Green Credentials
CAF (Configuring Amplifiers For the Environment) is a software suite that allows the PLM 12K44 to be easily configured and monitored in the most efficient manner possible.
In addition to providing comprehensive system surveillance and configuration of RPM and other amplifier features such as ISVPL and Breaker Emulation Limiter (BEL), CAF, also includes valuable help to save the environment. In combination with the RPM configuration CAF can accurately predict estimations of average mains current draw and generated heat, and utilizing the PLM+ Series, innovative power supply technologies in combination with BEL the mains draw can be safeguarded to a predicted level. The end result is precise mains management and thermal control, which allows more accurate (rather than over-specified) provision of mains distribution, cabling and cooling. This technology suite reduces lifetime running costs and minimizes environmental impact. It also reduces demands on UPS systems.
TECH SPEC OVERVIEW
- 3000 W per channel @ 2.67 ohms
- 3000 W per channel @ 4 ohms
- 2U chassis weighing only 16.5 kg (36 lbs)
- Class TD output stage
- Universal (70 - 265 V) Regulated Switch Mode Power Supply (R.SMPS) works anywhere in the world
- Power factor correction (PFC) helps maintain full output during extended power bursts
- Copper-finned Intercooler with transverse-mounted output devices
- Comprehensive loudspeaker preset database
- LoadSmart load verification
- Dante low-latency digital network included as standard
- Compatible with Lake LM Series, and Lab.gruppen PLM and D Series
- Primary and secondary network connections
- Digitally controlled and recallable "amplifier gain" adjustable in 0.1 dB steps
- Digital output attenuation in 0.25 dB steps from -inf to 0 dB
- Binding post or Neutrik speakON output connectors
- Digitally implemented, zero-overshoot Inter-Sample
- Voltage Peak Limiting (ISVPL) adjustable in 0.1 V steps from 17.8 to 194 V
- Breaker Emulation Limiter (BEL) prevents mains tripping
- Under-Voltage Limiting (UVL) enables continued operation with mains voltage sags as low as 65 V
- High-Resolution daylight viewable LCD display
- Moisture resistant silicone touchpad
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Used LAB.Gruppen
LAB.Gruppen is a Swedish sound equipment company, based in Kungsbacka, Sweden, dedicated to building mainly public address power amplifiers. It is owned by Music Group which also holds Midas, Behringer, Turbosound, TC Electronics and others. As of 2007 the company had 130 employees.
Kenneth Andersson and Dan Bävholm founded Lab.gruppen in 1979. They first met as schoolboys when they shared an interest in electronics.Andersson and Bävholm's first project was a hand-made mixing console. It was used as part of the Front of House equipment for a concert by Eartha Kitt. They created other mixers and a series of guitar heads and combos. Their intermittent manufacture of mixers and guitar amplifiers continued through the formal establishment of Lab.gruppen in 1979.
The company was located inside a local hi-fi store, where the duo serviced consumer equipment for additional income. It was here that the company's first professional audio power amplifier was created.
Between the LAB 4000 and FP Series 6400, Lab.gruppen engineers continued to advance and refine their products. The LAB Series was overhauled and augmented and subsequently became the FP range. FP designs were upgraded to meet the stringent new EMC standards in Europe, and adoption of UL safety standards allowed them to be sold in the United States. Standardization of internal components between models increased manufacturing efficiency to keep pricing competitive in all new markets.
In the late 1990s, the founders brought in new ownership and a managing director. In July 2000, Lab.gruppen was acquired by the TGI Group of the United Kingdom, and a few months later Tomas Lilja was chosen as managing director.
In early 2002, the TGI Group was acquired by TC Group of Denmark, the current corporate owner. In 2004, the company moved to its new location at Faktorvägen. Both Andersson and Bävholm remained with the company following the acquisitions.
In 1998, Lab.gruppen engineers undertook the long-term development of a new amplifier platform. The complete range would have four bridgeable amplifier channels and an integrated monitoring and control network. The basic technology of both the power supply and output stages was taken from the proven FP range, but with significant upgrades to reduce the number of components required.
Designated the C Series and targeted at the installation market, the first amplifiers of this design were shipped in the summer of 2005. This was followed up by the release of FP+ in 2006 and PLM Series in 2007.
The PLM Series was the first Lake processor with integrated amplification and it as it was embraced by the market Lab.gruppen acquired the exclusive rights to the Lake brand and the Lake processing for professional applications in touring and fixed installations late 2008.
The E Series was the first amplifier range with more than 200 W per channel that got the Energy Star approval when it was launched in 2011. More amplifiers with Energy Star were added with the LUCIA models in 2013.
In 2014, Lab.gruppen launched D Series for installations with audio over the network and PLM+, a successor to PLM Series.
In 2015, Lab.gruppen and the other brands of TC Group were acquired by Music Group.
In 2016, Lab.gruppen expanded the E and LUCIA product lines so that there are now 15 models with Energy Star.
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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.
Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.
Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.
Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.
Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it's out of phase.
FM: Frequency Modulated.
Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.
Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.
Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.
Gain: Increase in level or amplitude.
Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.
Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.
Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Integrated Amplifier: A combination preamp and amplifier.
Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.
KHz: Kilohertz or one thousand Hz.
Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.
Line Array: A group of speakers that have been arrayed or ” built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.
Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.
lockout: The final words of a segment used to signify the production’s conclusion.
Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.
MHz: Megahertz, or 1 million Hz.
Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.
Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.
Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.
MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.
Mono: Monophonic sound. One channel.
MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.
Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.
Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.
Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
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Second hand audio gear. | Second hand lighting.
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Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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