FP 10000Q
The FP 10000Q is the flagship four-channel model in the FP+ Series. At the core of the FP 10000Q?s performance is the now proven technological milestone that is Lab.gruppen?s patented Class TD output stage, an amplifier topology that approaches the exceptional efficiency of Class D while retaining the sonic purity of proven Class B designs. Further contributing to the remarkable efficiency of the FP 10000Q is a Regulated Switch Mode Power Supply (R.SMPS), which gives the added benefit of stabilizing rail voltages to the output even with wide fluctuations of mains voltage. A highly refined and updated circuit layout optimizes the interaction of R.SMPS and Class TD to produce the extraordinary power density of the FP 10000Q.
Network control
The FP 10000Q is shipped with a NomadLink network interface as standard. In conjunction with DeviceControl PC software, NomadLink allows monitoring of all key amplifier parameters and remote control of power on/off, channel mutes, and channel solo functions.
NB. operation of NomadLink requires the NLB 60E NomadLink Bridge & Network Controller which must be purchased separately.
Proven ergonomics
View all key performance parameters at a glance ? in real time ? on the comprehensive front panel display. The FP+ provides the most complete and useful front panel indication on the market today. Bright, color-coded LEDs give clear status indication of all control activation, warnings and faults ? without scrolling through menus. Conditions such as blown drivers, shorted lines, and over-temperature channels are easily recognizable. You won?t waste time trying to decipher a generic ?trouble light.?
Around the back
The FP+ rear panel provides all the input and output connections you?ll need plus RJ45 in and out for NomadLink control and monitoring. With the DIP-switch matrix, you can assign a hard or soft attack to the limiter functions, set overall gain to one of seven different levels, bridge any pair of channels, and set the VPL for optimum output characteristics with the connected load. All in a matter of seconds while the amp is in the rack.
Under the hood
To achieve the extreme power-to-size ratio in the FP+ Series, Lab.gruppen engineers refined and upgraded two proprietary technologies: the regulated switch-mode power supply (R.SMPS) and the patented Class TD output stage. Both are incorporated in all four FP+ Series amplifiers. Working together, this new generation of proprietary circuits produces more power from a smaller package while at the same time maintaining Lab.gruppen?s peerless reputation for sonic excellence.
To ensure efficient, uniform cooling, the ultra-efficient Intercooler? uses thousands of tiny copper cooling fins to increase exposure of the heat sink to the cooling air flow. Twin variable-speed fans respond to temperature sensors, forcing air over the Intercooler fins in a front-to-rear flow. All output devices are mounted transverse to the airflow, so the cooling effect is uniform. There are no ?end-of-tunnel? output transistors subject to greater warming and, consequently, possible premature failure.
Tech Spec Overview
- Very high power and channel density ? The four-channel FP10000Q delivers a total of 10000 W (4 x 2500 W 2 ohms) in only 2U
- Four-channel flexibility ? Adjacent channels bridgeable for 2- or 3-channel operation
- Lab.gruppen sound quality ? impeccable sonic performance standards with durability and greater efficiency
- NomadLink network ready ? Monitoring and control of key functions accessible via the intuitive DeviceControl software
- Patented Class TD amplifier topology ? Road-proven output stage delivers Class B audio quality with Class D efficiency
- Regulated Switch Mode Power Supply (R.SMPS) ? Output power remains constant even with significant drops in the mains voltage
- Efficient cooling system - Unique, lightweight Intercoller copper cooling system dissipates more heat to allow extended peak output
- Adjustable parameters - selectable Gain, scalable Voltage Peak Limiter (VPL), and bridge-mode operation allow custom configuration for any application
- Comprehensive protection and warning ? Excessive output current, DC, high temperature, very high frequency (VHF), short circuit, open load, mains fuse protection, and soft start
- XLR input connectors
- Heavy-duty binding post or Speakon output connectors
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Used LAB.Gruppen
LAB.Gruppen is a Swedish sound equipment company, based in Kungsbacka, Sweden, dedicated to building mainly public address power amplifiers. It is owned by Music Group which also holds Midas, Behringer, Turbosound, TC Electronics and others. As of 2007 the company had 130 employees.
Kenneth Andersson and Dan Bävholm founded Lab.gruppen in 1979. They first met as schoolboys when they shared an interest in electronics.Andersson and Bävholm's first project was a hand-made mixing console. It was used as part of the Front of House equipment for a concert by Eartha Kitt. They created other mixers and a series of guitar heads and combos. Their intermittent manufacture of mixers and guitar amplifiers continued through the formal establishment of Lab.gruppen in 1979.
The company was located inside a local hi-fi store, where the duo serviced consumer equipment for additional income. It was here that the company's first professional audio power amplifier was created.
Between the LAB 4000 and FP Series 6400, Lab.gruppen engineers continued to advance and refine their products. The LAB Series was overhauled and augmented and subsequently became the FP range. FP designs were upgraded to meet the stringent new EMC standards in Europe, and adoption of UL safety standards allowed them to be sold in the United States. Standardization of internal components between models increased manufacturing efficiency to keep pricing competitive in all new markets.
In the late 1990s, the founders brought in new ownership and a managing director. In July 2000, Lab.gruppen was acquired by the TGI Group of the United Kingdom, and a few months later Tomas Lilja was chosen as managing director.
In early 2002, the TGI Group was acquired by TC Group of Denmark, the current corporate owner. In 2004, the company moved to its new location at Faktorvägen. Both Andersson and Bävholm remained with the company following the acquisitions.
In 1998, Lab.gruppen engineers undertook the long-term development of a new amplifier platform. The complete range would have four bridgeable amplifier channels and an integrated monitoring and control network. The basic technology of both the power supply and output stages was taken from the proven FP range, but with significant upgrades to reduce the number of components required.
Designated the C Series and targeted at the installation market, the first amplifiers of this design were shipped in the summer of 2005. This was followed up by the release of FP+ in 2006 and PLM Series in 2007.
The PLM Series was the first Lake processor with integrated amplification and it as it was embraced by the market Lab.gruppen acquired the exclusive rights to the Lake brand and the Lake processing for professional applications in touring and fixed installations late 2008.
The E Series was the first amplifier range with more than 200 W per channel that got the Energy Star approval when it was launched in 2011. More amplifiers with Energy Star were added with the LUCIA models in 2013.
In 2014, Lab.gruppen launched D Series for installations with audio over the network and PLM+, a successor to PLM Series.
In 2015, Lab.gruppen and the other brands of TC Group were acquired by Music Group.
In 2016, Lab.gruppen expanded the E and LUCIA product lines so that there are now 15 models with Energy Star.
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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.
Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.
Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.
Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.
Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it's out of phase.
FM: Frequency Modulated.
Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.
Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.
Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.
Gain: Increase in level or amplitude.
Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.
Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.
Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Integrated Amplifier: A combination preamp and amplifier.
Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.
KHz: Kilohertz or one thousand Hz.
Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.
Line Array: A group of speakers that have been arrayed or ” built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.
Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.
lockout: The final words of a segment used to signify the production’s conclusion.
Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.
MHz: Megahertz, or 1 million Hz.
Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.
Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.
Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.
MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.
Mono: Monophonic sound. One channel.
MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.
Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.
Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.
Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
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Second hand audio gear. | Second hand lighting.
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Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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