DN9650
AES50 Network Bridge Format Converter with up to 64 Bidirectional Channels and Asynchronous Sample Rate Conversion
DN9650 provides a multichannel interface between AES50 networks and third party digital audio networks and point-to-point interfaces. The AES50 and third party interfaces operate in separate clock domains and are connected by a bidirectional asynchronous sample rate converter (ASRC). This unique KLARK TEKNIK technology allows the interfacing of up to 64 bidirectional channels between the two independently clocked domains, which can also operate at different sample rates. Currently supporting MADI and Audinate Dante via the KLARK TEKNIK KT-MADI And KT-DANTE64 network modules, DN9650 is future-proofed in the evolving world of digital audio networking technology by being able to support new and emerging protocols via its industry-standard expansion slot, which is compatible with the Cirrus CM-1 format.
The DN9650 allows MIDAS PRO Series digital consoles and MIDAS digital I/O hardware and other 96 kHz-enabled AES50 devices to interface to multichannel MADI and Dante connections, simply and reliably.
Digital Audio Networking
SuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use ? to meet the demanding requirements of live concert touring.
DN9650 is compatible with all MIDAS digital consoles, audio system engines, digital I/O units, as well as with any other AES50-equipped devices.
Asynchronous Sample Rate Converter
The multichannel bidirectional Asynchronous Sample Rate Converter (ASRC) allows the AES50 and third party domains to function independently, however in instances where the two networks need to be synchronised, the ASRC features a bypass facility so that the third party network domain can be directly clocked from the AES50 domain.
Additionally, when the two domains are operating independently, a clock failure or loss of synchronisation in one domain will not necessarily affect the operation of the other. Very often in dual-redundant systems it is desirable to propagate a clock failure in one domain across to the other, so that the failure can be recognised and switchover to the redundant network can be initiated. DN9650 features a user-configurable bidirectional output clock inhibit feature that will stop the output clock if the incoming clock synchronisation fails.
Flexible Synchronisation
DN9650 supports 24 bit audio operation at 48 kHz and 96 kHz independently in both the AES50 domain and the third party network domain. If the on-board oscillator (AES50 internal clock) is selected, then all three AES50 ports can either be set to globally operate at either 48 kHz or 96 kHz. If AES50 external clock is selected as the clock source, then each AES50 port can be set to provide 24 bidirectional channels at either 48 kHz or 96 kHz sample rate on an individual basis.
Word clock input and output connections plus a black burst horizontal video sync input are provided on BNC connectors, with the latter supporting PAL, SECAM and NTSC formats in standard defi nition and high definition 720P, 1080P and 1080i formats. The word clock output can be derived from the AES50 clock domain, the third party network clock domain or the word clock input.
DN9650 features a precision ?AES Grade 1? reference temperature-compensated clock oscillator with 1 part-per-million (ppm) stability which is used as the AES50 internal clock source. This highly accurate clock source can be used as the reference clock for digital audio systems, providing a very defi ned sound image free of jitter and other digital clocking error artefacts.
The AES50 domain can be synchronised to the incoming AES50 external clock signal, the AES50 internal clock, the word clock input or the video black burst video sync input.
The third party network domain can be synchronised to the external network clock (with or without word clock synchronisation), the network module onboard clock, the word clock input or the black burst video sync input, as well as optionally slaving to the AES50 clock domain if the ASRC is bypassed.
Internal Web Server
DN9650 features an on-board web server that allows platform-independent configuration using a web browser application. The need for separate control applications and support for multiple operating system versions is eliminated with this approach, which allows simple user selection of network module and DN9650 settings, including AES50 and third party network domain sample rates, clock synchronisation for both domains and the ASRC bypass and bidirectional output clock inhibit functions.
Front Panel Indication
DN9650 features status LED indicators for AES50 and network synchronisation, Ethernet control port activity and the ASRC bypass and bidirectional output clock inhibit functions on the front panel for ?at a glance? status display, even at wide distances and viewing angles. An alphanumeric LCD display allows individual units to be labelled, essential in large network systems where multiple DN9650 units are in use.
Built for the Road
Featuring a rugged steel 1U rackmount enclosure, the DN9650 is designed for the rigours of live concert touring. Premium Neutrik etherCON* and BNC connectors are used to ensure reliable network and clock connections, night after night.
Auto-ranging universal switch-mode power supply
DN9650 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.
Features
- Network bridge format converter for AES50 networks with up to 64 bidirectional channels
- Compatible with KLARK TEKNIK KT-AES50, KT-DANTE64, KT-MADI and KT-USB network modules
- Asynchronous sample rate conversion on every channel with bypass facility
- Bidirectional output audio clock inhibit feature for redundant network systems
- 24 bit audio operation with 96 kHz and 48 kHz sample rates
- Video synchronisation in standard and high definition formats
- Internal "AES Grade 1" temperature-compensated word clock (1 ppm)
- Internal web server allows browser-based configuration via Ethernet control port
- Status indicator LEDs and LCD display on front panel
- Features Neutrik etherCON* network ports
- Rugged 1U rackmount chassis for durability in portable applications
- Auto-ranging universal switch-mode power supply
- 10-Year Warranty Program*
- Designed and engineered in the U.K.
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Used KLARK TEKNIK
Klark Teknik is a company that designs and develops professional signal processing and audio equipment. Located in Kidderminster, Worcestershire, UK, the company was founded in 1974 by brothers Terence and Phillip Clarke.
It developed a number of new types of equipment in the audio field, winning a Queen's Awards for Enterprise in 1986. It is now owned by Music Group.
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Active: Powered. An active crossover is electrically powered and divides the line-level signal prior to amplification. An active speaker includes an active crossover and built-in amplifier.
Actuality: Audio from an announcer speaking.
Amplifier: A component that increases the gain or level of an audio signal.
Balanced Input: A connection with three conductors: two identical signal conductors that are 180 degrees out of phase with each other, and one ground. This type of connection is very resistant to line noise.
Bandpass: A two-part filter that cuts both higher and lower frequencies around a center band. A bandpass enclosure cuts high frequencies by acoustic cancellation and low frequencies by natural physical limitations on bass response.
Bandwidth: In audio, the range of frequencies a device operates within. In video, the range of frequencies passed from the input to the output. Bandwidth can also refer to the transmission capacity of an electronic communications device or system the speed of data transfer,is very important when planning a meeting for the attendees to stay connected.
Bass: Low frequencies those below approximately 200 Hz.
Bi-Wiring: A method of connecting an amplifier or receiver to a speaker in which separate wires are run between the amp and the woofer and the amp and the tweeter.
Boost: To increase, make louder or brighter opposite of attenuate.
Bridging: Combining two channels of an amplifier to make one channel that more powerful. One channel amplifies the positive portion of an audio signal and the other channel amplifies the negative portion, which are then combined at the output.
CD: Compact Disc. Ubiquitous digital audio format. Uses 16-bit/44.1-kHz sampling rate PCM digital signal to encode roughly 74 or 80 minutes of two- channel, full-range audio onto a 5-inch disc.
CD-R: Recordable Compact Disc.
CD-RW: Rewritable Compact Disc.
Channel: In components and systems, a channel is a separate signal path. A four-channel amplifier has at least four separate inputs and four separate outputs.
Coloration: Any change in the character of sound (such as an overemphasis on certain tones) that reduces naturalness.
Crossover: A component that divides an audio signal into two or more ranges by frequency, sending, for example, low frequencies to one output and high frequencies to another. An active crossover is powered and divides the line-level audio signal prior to amplification. A passive crossover uses no external power supply and may be used either at line level or, more commonly, at speaker level to divide the signal after amplification and send the low frequencies to the woofer and the high frequencies to the tweeter.
Crossover Frequency: The frequency at which an audio signal is divided. 80 Hz is a typical subwoofer crossover point and is the recommended crossover point in theatrical and home THX systems. Frequencies below 80 Hz are sent to the subwoofer signals above 80 Hz are sent to the main speakers.
Cut: To reduce, lower opposite of boost.
Decibel (dB): A logarithmic measurement unit that describes a sound`s relative loudness, though it can also be used to describe the relative difference between two power levels. A decibel is one tenth of a Bel. In sound, decibels generally measure a scale from 0 (the threshold of hearing) to 120-140 dB (the threshold of pain). A 3dB difference equates to a doubling of power. A 10dB difference is required to double the subjective volume. A 1dB difference over a broad frequency range is noticeable to most people, while a 0.2dB difference can affect the subjective impression of a sound.
Delay: The time difference between a sonic event and its perception at the listening position (sound traveling through space is delayed according to the distance it travels). People perceive spaciousness by the delay between the arrival of direct and reflected sound (larger spaces cause longer delays.
Diaphragm: The part of a dynamic loudspeaker attached to the voice coil that produces sound. It usually has the shape of a cone or dome.
Diffusion: In audio, the scattering of sound waves, reducing the sense of localization. In video, the scattering of light waves, reducing hot spotting, as in a diffusion screen.
Digital Audio Server: Essentially a hard drive, a digital audio server stores compressed audio files (like MP3 or WMA). Most include the processing to make the files, and all have the ability to play them back.
Direct-Stream Digital: A format for encoding high-resolution audio signals. It uses a 1-bit encoder with a sampling rate of 2,822,400 samples per second (verses 44,100 for CD). Used to encode six high-resolution channels on SACD.
Dispersion: The spread of sound over a wide area.
Distortion: Any undesired change in an audio signal between input and the output.
DNR: Dynamic Noise Reduction. A signal-processing circuit that attempts to reduce the level of high-frequency noise. Unlike Dolby NR, DNR doesn't require preprocessing during recording.
Dolby B: A noise-reduction system that increases the level of high frequencies during recording and decreases them during playback.
Dolby C: An improvement on Dolby B that provides about twice as much noise reduction.
Dolby Digital: An encoding system that digitally compresses up to 5.1 discrete channels of audio (left front, center, right front, left surround, right surround, and LFE) into a single bitstream, which can be recorded onto a DVD, HDTV broadcast, or other form of digital media. When RF-modulated, it was included on some laser discs, which requires an RF-demodulator before the signal can be decoded. Five channels are full-range the .1 channel is a band-limited LFE track. A Dolby Digital processor (found in most new receivers, preamps, and some DVD players) can decode this signal back into the 5.1 separate channels. Most films since 1992`s Batman Returns have been recorded in a 5.1 digital format, though a number of films before that had 6-channel analog tracks that have been remastered into 5.1.
Dolby EX: An enhancement to Dolby Digital that adds a surround back channel to 5.1 soundtracks. The sixth channel is matrixed from the left and right surround channels. Often referred to as 6.1. Sometimes referred to as 7.1 if the system uses two surround back speakers, even though both speakers reproduce the same signal. Software is backwards-compatible with 5.1 systems, but requires an EX or 6.1 processor to obtain additional benefit.
Dolby Pro Logic: An enhancement of the Dolby Surround decoding process. Pro Logic decoders derive left, center, right, and a mono surround channel from two-channel Dolby Surround encoded material via matrix techniques.
Dolby Pro Logic II: An enhanced version of Pro Logic. Adds improved decoding for two-channel, non-encoded soundtracks and music.
Driver: A speaker without an enclosure also refers to the active element of a speaker system that creates compressions and rarefactions in the air.
DSP: Digital Signal Processing. Manipulating an audio signal digitally to create various possible effects at the output. Often refers to artificially generated surround effects derived from and applied to two-channel sources.
DTS: Digital Theater Systems. A digital sound recording format, originally developed for theatrical film soundtracks, starting with Jurassic Park. Records 5.1 discrete channels of audio onto a handful of laser discs, CDs, and DVDs. Requires a player with DTS output connected to a DTS processor.
DTS ES: An enhanced version of the 5.1 DTS system. Like Dolby's Surround EX, a sixth channel is added. In some cases (DTS ES Discrete), the sixth channel is discrete. Software is backwards-compatible with 5.1 systems, but requires an ES or 6.1 processor to obtain additional benefit. Neo: 6 is a subset of DTS ES that creates 6.1 from material with fewer original channels.
Dynamic Range: The difference between the lowest and the highest levels in audio, it&'s often expressed in decibels. In video, it's listed as the contrast ratio.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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