KF730
The KF730 line array system is optimized for a wide range of touring and installation applications. With its exceptional output to size ratio, KF730 is the ideal solution for those applications where high output potential and unmatched sound quality is required in a lightweight compact package including touring sound, corporate A/V, sports arenas, houses of worship, performing arts centers, hotel ballrooms and live clubs.
The KF730 delivers premium, high output, 3-way performance in an extremely compact and easy-to-use package. Dual 1 HF compression drivers and dual 7-in horn loaded MF transducers are integrated through a common horn that occupies the entire face of the enclosure. The exceptional pattern control offered by this configuration is extended even further (down to 160 Hz) as the MF devices are transitioned to a spaced array of two 10-in woofers. The pair of LF devices integrated within the MF/HF horn combined with the pair of side-mounted devices provides as much as 18 dB of off-axis rejection. EAW FocusedTM processing delivered via UX series processors precisely transitions from one system subsection to another while maintaining nearly perfect 110 degree control.
A full KF730 array provides seamless coverage from directly below the array to hundreds of feet in front. The vertical output can be tailored to match the requirements of any space by varying the splay at the rear of the enclosures as directed by EAW ResolutionTM 2 software. The resultant configuration repeatedly produces a continuous, coherent wave front of extended-range, high resolution audio over the entire defined coverage area. The versatile KF730 can also be integrated beneath KF740 modules to extend the reach of the range to any application imaginable. When extended low frequency performance is required, KF730 seamlessly arrays with its companion SB730 subwoofer and is also perfectly matched to the renown SB1002 touring subwoofer, allowing the system to be used for even the most demanding applications. Users also have the option of the KF737 module, which offers a 75 degree horizontal pattern for narrower venues. For long-throw applications, the optional Zero Degree Adapter Bracket enables modules to be 'flat-fronted', extending array size and SPL.
SB1000
The sub bass loudspeaker systems shall incorporate 2x 18" LF transducer mounted in a vented enclosure tuned for optimum low frequency response. The drivers shall be mounted in angled internal baffles.
System frequency response shall vary no more than ±3 dB from 30 Hz to 100 Hz measured on axis with appropriate signal processing. The loudspeaker shall produce a Sound Pressure Level (SPL) of 99 dB SPL on axis at 1 meter with a power input of 1 Watt, and shall be capable of producing a peak output of 138 SPL on axis at 1 meter. The loudspeaker shall handle 2000 Watts of amplifier power (AES Standard) and shall have a nominal impedance of 4 (2x 8) Ohms.
The loudspeaker enclosure shall be rectangular in shape. It shall be constructed of 15mm thickness void-free cross-grainlaminated Baltic birch plywood and shall employ extensive internal bracing. It shall be finished in wear-resistant textured black paint. Input connectors shall be one each male and female AP4 and dual Neutrik NL4 Speakon. 4x 3-position flytracks (2 per side) shall be provided. The front of the loudspeaker shall be covered with a powder coated perforated steel grill backed with open cell foam to protect against dust.
Applications
- Concert Tours
- Corporate Events
- Large Theaters
- Arenas
- Large HOW's
- Live Music Clubs
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Used EAW-Eastern Acoustic Works
Eastern Acoustic Works (EAW) is an American manufacturer of mainly professional audio reinforcement tools, such as loudspeaker systems and processors. From 1978-1988 it was located at 59 Fountain Street in Framingham, Massachusetts, and subsequently One Main Street in Whitinsville, Massachusetts.Eastern Acoustic Works was co-founded in 1978 by partners Kenneth Berger and Kenton Forsythe, who had previously worked together at Forsythe Audio.
EAW's first single enclosure system was the CS-3 designed for Carlo Sound in Nashville, Tennessee. It combined a B-215 dual 15-in low-frequency horn, a MR102 12-in mid-frequency horn and a Community BRH90 high frequency horn into one gigantic box, and was the first commercially available horn-loaded single enclosure box system.
In 1985 EAW became famous by developing the KF850 loudspeaker system. For many years this system was the standard among loudspeakers used for professional touring shows. With this system EAW gained much of its credibility in the professional audio industry. Carlo Sound and Sun Sound were among the first regional sound rental companies to receive the KF850's.
EAW also became well known for creating custom loudspeaker designs for specific projects and applications. Technologies developed for these designs have led to the development of many of EAW's standard products, which are mainly used in professional and commercial sound reinforcement applications, such as concert venues, music and dance clubs, theaters, stadiums, theme parks, and houses of worship.
In 2000 EAW was purchased by Mackie Designs, Inc., now called LOUD Audio, LLC.
In 2018, EAW was purchased by RCF, to be run as a separate entity.
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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.
Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.
Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.
Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.
Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.
FM: Frequency Modulated.
Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.
Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.
Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.
Gain: Increase in level or amplitude.
Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.
Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.
Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Integrated Amplifier: A combination preamp and amplifier.
Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.
KHz: Kilohertz or one thousand Hz.
Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.
Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.
Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.
lockout: The final words of a segment used to signify the production’s conclusion.
Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.
MHz: Megahertz, or 1 million Hz.
Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.
Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.
Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.
MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.
Mono: Monophonic sound. One channel.
MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.
Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.
Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.
Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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