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DiGiCo SD5 Core 2-SD Rack HMA-OPTO Package Used, Second hand

Ref. code: 1.06.260

SD5

The heir to an icon

Just as the iconic D5 Live once fuelled the growth of digital mixing, now the DiGiCo SD5 adds the immense power of Stealth Digital Processing and floating-point Super FPGA technology to the feature set that changed the world of professional audio.
A total of 37 faders are laid out in three easy-to-operate banks of 12 with one master fader plus three 15-inch full colour TFT touchscreens for immediate access to functions and multi-user applications. Two Interactive Dynamic Metering (IDM) displays offer the same at-a-glance operation as the SD7, while the centrally located master screen is incorporated into the meter-bridge, so the engineer's attention remains where it belongs  on the artist.
With the SD5, you define the workflow: recall or save presets on the channel strip; recall or save snapshots using the master screen or simply use the dedicated switches on the surface. Special functions can be assigned and accessed instantly via 40 Smart Key Macros, accessed via four layers of 10 RGB backlit keys.

under the hood

With up to 253 processing channels at 48kHz/96kHz, the SD5 is reassuringly powerful. Standard channel processing across inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ (eight on the outputs) with band curve selection, Dual insert points, and DiGiCo's renowned DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).
In addition, 253 Dynamic EQ processors are available on any input or output channel, delivering dynamic processing over the four standard parametric bands, plus 253 Multiband Compressors and 253 DiGiTuBes. All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 32 gangable 32 band graphic EQs, 48 stereo effects (selectable from a palette of 33), and 36 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.
In addition, the SD5's 128 configurable busses are all assignable as mono/stereo groups or auxiliary busses, while even more configurability comes courtesy of a 24 x 24 output matrix, dual solo busses, and an LR/LCR/5.1 Master Buss. Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The rear of the SD5 houses a wealth of I/O, including eight mic inputs, eight line outputs, eight mono AES I/O, four redundant MADI ports, and one Optocore loop. This equates to an incredible 1,264 I/O connections on a single optic loop with just one work surface.
Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

Features

  • Faders 37 x 100mm touch-sensitive, motorised
  • Screens 3 x 15'' LCD high  resolution touch screens
  • Meterbridge 2 x Custom Mounted LCD high-resolution TFT-LCD screens
  • Up to 253 Input Channels
  • Busses Up to 128 plus masters Aux / Group busses with full processing  LR/LCR/5.1 Master Buss
  • Matrix Up to 24 Input / 24 Outputs with full processing
  • Control Groups Up to 36, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq 32 x 32-band, Gain +/- 12dB
  • Internal FX Up to 48 stereo effects comprising up to 16 floating point reverbs and up to 24 delay/chorus/pitch/enhancer
  • Local I/O 8 x mic/line I/O, 8 x AES I/O
  • MADI interface 4 redundant interfaces, BNC connectivity
  • Standard Optics (Dual Loop  Optional)
  • Sampling rates 48kHz / 96kHz
  • GPIO: 2 x DSub25
  • Ext Sync Wordclock, AES, Video, MADI, Optics
  • SD5 Dimensions: 1465 mm (w) x 838mm (d) x 458 mm (h)
  • SD5 Weight: 116Kg /256lbs. (235Kg / 518lbs. with flightcase)
  • SD5 Flightcase: 1600 mm (w) x 600mm (d) x 1200 mm (h)
  • Power Requirements 90V-260V, 50-60Hz, 532VA (340W)

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Used DiGiCo


DiGiCo is a British company, founded in 2002, that manufactures digital mixing consoles targeted for live audio mixing applications.DiGiCo's most current console lineup comprises the SD-Series of consoles, powered by Stealth Digital Processing.
Pioneered with their flagship SD7, Stealth Digital Processing describes DiGiCo's first use of a single large scale FPGA for audio processing. Combined with Tiger SHARC DSP chips for effects processing and control, this new technology allows an entire audio engine to occupy only a single PCB.
The SD7 continues to be the flagship of the range, with consoles derived from it targeting other market areas and sizes of application. Currently the rest of the range comprises the SD5, SD10, SD8, SD9 and rack-mountable SD11, listed in order of size. T (Theatre) and B (Broadcast) software is also available for selected consoles.
The use of a flexible FPGA processing engine allows dedicated software to be written, to further refine the consoles features and operation for specific applications. The SD7, SD10 and SD9 are available with the optional theatre upgrade package, with the SD7, SD5, SD10, SD9 and SD11 having the option of a broadcast package.
Legacy DiGiCo consoles include the D1 and D5 Live platforms, as well as the D5T theatre console and DS00 studio production and broadcast console. The D-Series of consoles used a modular DSP engine, combining multiple SHARC DSP chips to form a large scale audio engine, still the method by which virtually all digital console manufacturers design their products.
 

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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it's out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or ” built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
 

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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