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Electro-Voice Xi-1152/64 Package Used, Second hand

Ref. code: 1.04.384

Xi-1152/64

Introducing a family of advanced sound reinforcement products for everyone who desires the sound quality of Electro-Voice`s X-Array? touring systems. X-Array Install? is the ideal choice for small-to-medium array configurations and fixed installations of any size.
Inspired by the most demanded features of EV`s acclaimed X-Array touring systems, the X-Array Install? series incorporates a potent combination of very high output, medium- to long-throw "cells," and Ring-Mode Decoupling (RMD).

RMD

Ring-Mode Decoupling is the same advanced technology built into the X-Array touring series. RMD produces substantially improved tonal character and fidelity whether operated at low or extremely high sound pressure levels. RMD attacks time domain "ringing modes" at their sources. Mechanical solutions resolve mechanical issues, and acoustical solutions address acoustical modes found in all sound reinforcement systems. The combination of each RMD technique provides improved tonal character and fidelity at increasing drive levels. The result is clear, even sound quality with vastly improved intelligibility.

DH6 Large-Format Driver

All multiway systems in the series are equipped with EV`s newly developed DH6 large-format compression driver. The DH6 compression driver incorporates many RMD? techniques, including a new titanium diaphragm with increased internal mechanical damping that provides clear, intelligible upper vocal performance. The phase plug placed close to the diaphragm improves acoustic damping and boosts output in the 10-to 20-kHz range.

Magnetics

Mid-bass and high-frequency drivers in X-Array Install products use ferrite magnetics instead of the neodymium magnetics used in X-Array touring systems. While neodymium drivers provide unmatched output capabilities, the advanced RMD technology used in X-Array Install produces world class sound reinforcement at very high levels.

Applications

The Xi-1152/64 loudspeaker system is ideal for any professional touring or installation application requiring accurate, high-level sound reinforcement. Because of the unique performance capabilities featured in this system, the Xi-1152/64 offers extremely widerange music reproduction as well as accurate vocal coverage and maximized intelligibility.
The Xi-1152/64 is recommended for applications requiring full bandwidth down to 50 Hz. Where very high levels of deep bass are required, maximum performance may be achieved with the addition of the Xi-1191 (single 18-inch subwoofer). This subwoofer system features the EVX-180B 18-inch subwoofer and is designed to be used with associated processors


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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
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Used Electro-Voice


Electro-Voice (commonly referred to as EV) is an American manufacturer of audio equipment, including microphones, amplifiers, and loudspeakers, focused on pro audio applications such as sound reinforcement.
As a subdivision of Telex Communications Inc. since February 1998, Electro-Voice markets products for use by consumers as well as small or large concert venues, broadcasting, houses of worship, and in retail situations.The company merged with Telex Communications in 1998.
Prior to the merger, EV was owned by Mark IV Industries, Inc. through its subsidiary, Gulton Industries, Inc., and had manufacturing plants in Buchanan, Michigan, Newport, Tennessee, Sevierville, Tennessee and Gananoque, Ontario. Electro-Voice's headquarters were in Buchanan, Michigan until the merger with Telex Communications.
In June 2006, EV, along with all of Telex Communications, became part of Bosch Security Systems division.Today EV manufactures widely used broadcast microphones as well as loudspeakers and various other professional audio equipment.
 

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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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