Videohub 288
Build your own 3 Gb/s SDI and optical fiber router!
Universal Videohub lets you build your own broadcast quality 3 Gb/s SDI and optical fiber SDI router for SD, HD, 4:4:4 and 2K video formats. Universal Videohub frames come in a choice of two sizes that let you expand your router up to either a 72 x 72 or 288 x 288 crosspoint size. Every interface module in the router is card based, with each card featuring 4 inputs and 4 outputs. Mix and match interfaces and build a router with all SDI, all optical fiber SDI or a combination of both.
Amazing Routing Options
Universal Videohub is perfect for when you need to route SDI and optical fiber connections. Get incredible 3 Gb/s SDI routing, plus the ability to send and receive video signals over long distances using optical fiber. That’s great for use in larger facilities and for large scale events. Route directly from one SDI or optical fiber device to another, from SDI to optical fiber or vice versa. Only Universal Videohub lets you upgrade to a larger rack frame and protect your investment in interface cards and power supplies!Innovative Features
Universal Videohub 72 lets you add up to 18 interface cards, and Universal Videohub 288 up to 72 cards, which is great for broadcast and post facilities with lots of equipment. You can hot swap interface cards while working live without the need to power down the router.Intelligent Design
Universal Videohub models feature a frame based design with the freedom to build a router to suit your needs. The design also integrates crosspoint and power redundancy and when you need to expand you can use the same interface cards in a larger frame.Automatic SDI Switching
3 Gb/s SDI connections automatically switch between SD, HD, 4:4:4 and 2K video formats, so you can move the highest quality video between all your editing systems, decks, monitors and more. Simultaneously route copper SDI and optical fiber SDI signals in the same router.Modular Interface Cards
Each SDI and optical fiber SDI interface card features 4 inputs and 4 outputs, plus a breakout cable port for deck control. The Universal Videohub Deck Control Cable breaks out to 4 separate RS-422 connections. SDI and optical fiber interface cards also support 16 channels of embedded SDI audio, so all the audio channels in your signal are routed together with the video. For maximum flexibility, interface cards are all the same size and fit both Universal Videohub 72 and Universal Videohub 288, which is great if you need to use an alternative frame size in the future.Universal Videohub 72 or 288
Universal Videohub 72 is a fully scalable 3 Gb/s SDI and deck control router. Add either regular copper SDI or optical fiber SDI interface cards as you need, up to a 72 x 72 SDI size router. The Universal Videohub 72 rack frame is only 5 RU and 6 inches deep and can support a single 72 x 72 crosspoint card and a single power supply card.The Universal Videohub 288 is the ultimate 3 Gb/s SDI and deck control router. With a choice of 72 x 72 or 288 x 288 crosspoint cards, the frame can be easily upgraded using hot swappable regular BNC SDI or optical fiber interface modules that also include full deck control.
If you need redundancy then simply add a second crosspoint card for true 24/7 reliability! All inputs have auto standards detection and all outputs are re-clocked. Universal Videohub 288 features an 18 rack unit frame that is less than 6 inches deep.
You also get ethernet and serial connectivity, third party control and redundant power supplies. Universal Videohub 288 lets you start small for an affordable cost and then expand its size and even add full redundancy as your needs grow!
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Used Blackmagic Design
Leading the Creative Video Revolution
Blackmagic has grown rapidly to become one of the world's leading innovators and manufacturers of creative video technology. And that's because our philosophy is refreshing and simple - to help true creativity blossom.Blackmagic Design's founders have had a long history in post-production editing and engineering. With extensive experiences in high-end telecine, film and post, harnessed with a real passion for perfection, Blackmagic set out to change the industry forever.
Dedicated to Quality and Stability
A company dedicated to quality and stability and focusing on where it's needed most; Blackmagic has created some of the most talked about products in the industry. World famous for their unbeatable codecs, Blackmagic envisioned truly affordable high-end quality editing workstations built upon Blackmagic software and hardware.What ever it takes to give creative editors and designers the very best quality tools
In November 2002, Blackmagic launched the DeckLink capture card and in doing so single handedly made working in true 10 bit uncompressed video on a Macintosh OS X™ system an affordable reality. The DeckLink card has become a market-leading product due to Blackmagic Design's philosophy of delivering "what ever it takes to give creative editors and designers the very best quality tools"
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Fade: A gradual increase in video, i.e. a fade-in, or a gradual decrease in video, i.e. a fadeout.
Fast File: A video segment with entry and exit points but that is not interrupted by edited-in video clips.
Fiber Optic Cable: Glass, plastic, or hybrid fiber cable that transmits digital signals as light pulses.
First Person: A video told from the primary subject`s perspective. Firstperson videos most often include the word.
Front Screen Projection: This option allows an image to be projected onto a screen or sail from the front of the room. The unit itself is placed within or behind the audience.
F/Stop: A rating often applied to scrims used in the film and video industries on their ability to dim light. This rating is directly related to a camera`s ability to allow for the admittance of light.
Gray Scale: The ability for a video display to reproduce a neutral image color with a given input at various levels of intensity.
Hanging Dots: An artifact of composite video signals that appears as a stationary, zipper-like, horizontal border between colors.
High-Definition(HD, High-Def): An image that has a higher resolution and is clearer than other formats. It is widely accepted that 720p is the "bottom-end" on HD.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
HDMI: HDTV connection format using a DVI interface that transfers uncompressed digital video with HDCP copy protection and multichannel audio.
HDTV: High-Definition Television. The high-resolution subset of our DTV system. The FCC has no official definition for HDTV. The ATSC defines HDTV as a 16:9 image with twice the horizontal and vertical resolution of our existing system, accompanied by 5.1 channels of Dolby Digital audio. The CEA defines HDTV as an image with 720 progressive or 1080 interlaced active (top to bottom) scan lines. 1280:720p and 1920:1080i are typically accepted as high-definition scan rates.
High Gain Screen: Material that reflects more light than a reference material Increases a projector`s light output at the expense of uniformity.
IEEE 1394: Networking standard for PCs. Combined with 5C copy protection, is used as a two-way connection to transfer the MPEG-compressed digital bitstreams between consumer electronics items, including HDTV tuners and displays, D-VHS recorders, DVD players, and DBS receivers. Also called FireWire, iLink.
In Sync: When the picture and sound are synchronized perfectly.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Interlace: Process of alternating scan lines to create a complete image. In CRT displays, every second field/frame is scanned between the first field/frame. The first field represents the odd lines the second field represents the even lines. The fields are aligned and timed so that, with a still image, the human eye blurs the two fields together and sees them as one. Interlace scanning allows only half the lines to be transmitted and presented at any given moment. A 1080i HD signal transmits and displays only 540 lines per 60th of a second. 480i NTSC transmits and displays only 240 lines per 60th of a second. Motion in the image can make the fields noticeable. Interlaced images have motion artifacts when two fields don`t match to create the complete frame, often most noticeable in film-based material.
Keystone: A form of video image distortion in which the top of the picture is wider than the bottom, or the left is taller than the right, or vice versa. The image is shaped like a trapezoid rather than a rectangle.
Laser Disc: Now-defunct 12-inch disc format with excellent analog, FMrecorded video image, and either analog or CD-quality PCM-encoded audio. Later discs used one of the analog channels to record an RF-modulated Dolby Digital/AC3 soundtrack and/or used the PCM tracks to encoded a DTS soundtrack.
LCD: Liquid Crystal Display. A display that consists of two polarizing transparent panels and a liquid crystal surface sandwiched in between. Voltage is applied to certain areas, causing the crystal to turn dark. A light source behind the panel transmits through transparent crystals and is mostly blocked by dark crystals.
LCOS: Liquid Crystal on Silicon.
Letterbox: Format used widely on laser disc and many DVDs to fit wideaspect-ratio movies (1.85:1 and 2.35:1, for example) into a smaller frame, such as the 1.78:1 area of an anamorphic DVD or the 1.33:1 area of a laser disc or video tape. The image is shrunk to fit the screen, leaving blank space on the top and bottom. This process sacrifices some vertical detail that must be used to record the black bars.
Live Shot:Video broadcasted in real-time.
Live Special Report (LSR): A news story broadcast in real-time covering breaking news or a special event.
Luminance: The black and white (Y) portion of a composite, Y/C, or Y/Pb/Pr video signal. The luminance channel carries the detail of a video signal. The color channel is laid on top of the luminance signal when creating a picture. Having a separate luminance channel ensures compatibility with black-andwhite televisions.
Man on the Street (MOS): Clips of randomly selected people speaking.The name originates from the practice of news crews interviewing people on street sidewalks.
Matte White:Projection vinyl with a smooth white surface.
Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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