UltraStudio 4K Extreme 3
Professional Capture and Playback for Thunderbolt 3 Computers!
Now you can connect Thunderbolt 3 computers to any kind of video equipment for building high performance edit workstations, archiving from old broadcast decks, outputting broadcast graphics and even live streaming! Simply connect to the Thunderbolt 3 port to get a wide range of video and audio connections that operate in all SD, HD, Ultra HD and 4K DCI formats up to 60 frames per second! Connections include SDI, HDMI and analog video and audio with broadcast quality 10‑bit YUV and 12-bit RGB in Apple ProRes and uncompressed file formats. UltraStudio is designed to work with popular video software on Mac, Windows and Linux such as DaVinci Resolve, Avid Media Composer, Adobe Premiere Pro, Final Cut Pro and many more.
Introducing the New UltraStudio 4K Mini
The new UltraStudio 4K Mini model is a portable Thunderbolt 3 capture and playback solution packed with the latest broadcast technology, including 12G‑SDI, HDMI 2.0 and analog connections. You get broadcast quality 8 and 10‑bit high dynamic range capture in all formats up to 4K DCI at 60p, and 12‑bit high dynamic range capture in all formats up to 4K DCI at 30p. The front panel features push button controls, an LCD for monitoring signal and setup, an XLR microphone input and a ¼" headphone jack. UltraStudio 4K Mini features USB for connecting a keyboard and mouse, plus it will trickle charge your laptop computer when connected to the Thunderbolt 3 port. There’s even a built in SD card reader allowing instant access to your camera media cards!
Choose the Perfect Model for Portable or Studio
UltraStudio features a ‘breakout box’ style design that gives you virtually every connection you need to connect to professional decks, monitors and other equipment. That means they’re perfect for equipment racks or post production suites where you need to position them on a desktop or editing station. UltraStudio Mini models feature a more compact design thats more portable so it’s the perfect choice when you need to access video connectivity for live camera capture or on set color grading on location.
Professional Capture and Playback for any Workflow!
Whether you’re working on-set or in post production, UltraStudio gives you broadcast and digital cinema quality capture and playback that can be used for any workflow. UltraStudio is perfect for everything from editing, color and visual effects to live capture and on-set monitoring during production. There are even models with 12G-SDI and support for the latest HDR formats to ensure high end colorists get everything they need for monitoring to broadcast displays, HDR televisions or the latest digital cinema projectors. UltraStudio can even be used to feed SDI fill and key from RGB graphics directly from a computer to a live production switcher for amazing live broadcast graphics keying.
Built In Hardware Video Encoding
UltraStudio 4K Extreme 3 features a built in multi format hardware encoder that lets you capture to H.265. H.265 delivers amazing quality and is the compression standard for distributing Ultra HD content online. You can also use H.265 compression for SD and HD video giving you smaller files at higher quality than other compression formats. The built in hardware encoder is designed to be upgradable so you get a future proof solution that can add new formats via software updates as they become available.
World`s Highest Quality Connections
With UltraStudio you can connect to virtually any video device! All UltraStudio models include SDI in and out, HDMI out for monitoring on TVs and projectors and analog YUV/NTSC/PAL video and balanced analog input for archiving from legacy analog broadcast tape decks. Plus the dual SDI outputs can switch to fill and key! All models include video reference for sync playback to broadcast systems, plus RS-422 remote. The UltraStudio 4K Mini and Extreme models add an extra HDMI input plus a balanced analog audio out for connecting to in-studio audio monitoring. UltraStudio 4K Extreme`s larger design accommodates 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio and dedicated timecode connections.
The Power of Thunderbolt 3
Built on revolutionary Thunderbolt 3™ technology, UltraStudio uses a blazingly fast single cable connection to any computer that has the bandwidth to handle the highest resolution video formats easily! Thunderbolt ensures low latency and highly accurate time synchronization for the highest quality capture and playback. The UltraStudio HD Mini model is powered from the Thunderbolt connection so can run from a laptop battery without needing any power connection. UltraStudio 4K models also include an AC power connection, perfect when working in studios. The new UltraStudio 4K Mini model even provides 45W trickle power via Thunderbolt 3 to the connected computer so it stays charged when connected.
Amazing Quality in Compressed or Uncompressed
UltraStudio supports popular compressed video formats such as Apple ProRes and DNxHD as well as 10-bit uncompressed video, so you’re not locked into a single file format. When working with uncompressed video all captured images are a perfect pixel‑for‑pixel clone of the source without any quality loss, so you have the confidence you’re working at the absolute highest quality possible. Get the sharpest keying with green screens, cleanest compositions, superior color correction and more! Ultra HD has 4 times the resolution of 1080HD for amazing looking images!
Incredible 12G‑SDI Technology for Ultra HD
UltraStudio 4K Extreme 3 and UltraStudio 4K Mini feature the latest 12G‑SDI, for the most powerful video capture and playback solution! The incredible speed of 12G‑SDI means UltraStudio 4K models can support both capture and playback of Ultra HD and 4K 60p over a single BNC cable! Because 12G‑SDI connections are multi rate, you can still connect to all of your existing equipment. Only 12G‑SDI gives you the compatibility to connect to all your existing SD and HD equipment but also supports the future with all Ultra HD formats up to 2160p60. Because the 12G-SDI outputs are dual link, you can do stereoscopic or simultaneous fill and key in real time up to 2160p30!
Super Tough Elegant and Portable Design
UltraStudio 4K models feature elegant front panels with integrated color LCD and fast control buttons, with the rear panel using industry standard BNC and HDMI connectors for video connections. UltraStudio Mini models are designed for portability and can be used as a stand alone on a desktop or rack mounted with other equipment. The UltraStudio HD Mini model is even more compact at only ⅓ of a rack width! That means they have very low visual impact when placed on a desktop, and you can fit up to 3 of them in a single rack unit size!
Download DaVinci Resolve
Get professional editing, visual effects, color correction and audio post!
UltraStudio models have been designed to be the perfect match for DaVinci Resolve, so you can get a complete post production solution simply by downloading the software now on Mac, Windows or Linux! You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you`ll get the best possible post production tools available. Whether you’re working on major feature films, episodic television production, music videos, TVCs or even the latest YouTube shoot, DaVinci Resolve gives you a high end workflow so the tools will never be the limit to your creativity!
Supports Macs with Thunderbolt 3
UltraStudio has been specifically designed for the Mac platform`s unique needs and is supported by a huge range of popular video software. The included drivers have been optimized for high performance video, plus the features needed for editing software such as DaVinci Resolve, Final Cut Pro X, Premiere Pro CC, and Avid Media Composer. For visual effects get full compatibility with Fusion, After Effects CC and Photoshop CC. For audio get compatibility with ProTools, Steinberg Nuendo and Cubase. For streaming use OBS, Wirecast, Livestream Producer.
Get Incredible Windows Compatibility
For Windows you get access to a massive range of software because UltraStudio supports WDM and DirectShow! For editing you can use DaVinci Resolve, Avid Media Composer, Premiere Pro CC, MAGIX Vegas Pro, Corel VideoStudio Pro, CyberLink Power Director and MAGIX Video Pro. For visual effects use Fusion, After Effects CC and Photoshop CC. Audio software supported includes Steinberg Nuendo and Cubase. When streaming you get compatibility with Flash Media Live Encoder, Xsplit Broadcaster, Wirecast and Livestream Producer.
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Used Blackmagic Design
Leading the Creative Video Revolution
Blackmagic has grown rapidly to become one of the world's leading innovators and manufacturers of creative video technology. And that's because our philosophy is refreshing and simple - to help true creativity blossom.Blackmagic Design's founders have had a long history in post-production editing and engineering. With extensive experiences in high-end telecine, film and post, harnessed with a real passion for perfection, Blackmagic set out to change the industry forever.
Dedicated to Quality and Stability
A company dedicated to quality and stability and focusing on where it's needed most; Blackmagic has created some of the most talked about products in the industry. World famous for their unbeatable codecs, Blackmagic envisioned truly affordable high-end quality editing workstations built upon Blackmagic software and hardware.What ever it takes to give creative editors and designers the very best quality tools
In November 2002, Blackmagic launched the DeckLink capture card and in doing so single handedly made working in true 10 bit uncompressed video on a Macintosh OS X™ system an affordable reality. The DeckLink card has become a market-leading product due to Blackmagic Design's philosophy of delivering "what ever it takes to give creative editors and designers the very best quality tools"
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Fade: A gradual increase in video, i.e. a fade-in, or a gradual decrease in video, i.e. a fadeout.
Fast File: A video segment with entry and exit points but that is not interrupted by edited-in video clips.
Fiber Optic Cable: Glass, plastic, or hybrid fiber cable that transmits digital signals as light pulses.
First Person: A video told from the primary subject`s perspective. Firstperson videos most often include the word.
Front Screen Projection: This option allows an image to be projected onto a screen or sail from the front of the room. The unit itself is placed within or behind the audience.
F/Stop: A rating often applied to scrims used in the film and video industries on their ability to dim light. This rating is directly related to a camera`s ability to allow for the admittance of light.
Gray Scale: The ability for a video display to reproduce a neutral image color with a given input at various levels of intensity.
Hanging Dots: An artifact of composite video signals that appears as a stationary, zipper-like, horizontal border between colors.
High-Definition(HD, High-Def): An image that has a higher resolution and is clearer than other formats. It is widely accepted that 720p is the "bottom-end" on HD.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
HDMI: HDTV connection format using a DVI interface that transfers uncompressed digital video with HDCP copy protection and multichannel audio.
HDTV: High-Definition Television. The high-resolution subset of our DTV system. The FCC has no official definition for HDTV. The ATSC defines HDTV as a 16:9 image with twice the horizontal and vertical resolution of our existing system, accompanied by 5.1 channels of Dolby Digital audio. The CEA defines HDTV as an image with 720 progressive or 1080 interlaced active (top to bottom) scan lines. 1280:720p and 1920:1080i are typically accepted as high-definition scan rates.
High Gain Screen: Material that reflects more light than a reference material Increases a projector`s light output at the expense of uniformity.
IEEE 1394: Networking standard for PCs. Combined with 5C copy protection, is used as a two-way connection to transfer the MPEG-compressed digital bitstreams between consumer electronics items, including HDTV tuners and displays, D-VHS recorders, DVD players, and DBS receivers. Also called FireWire, iLink.
In Sync: When the picture and sound are synchronized perfectly.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Interlace: Process of alternating scan lines to create a complete image. In CRT displays, every second field/frame is scanned between the first field/frame. The first field represents the odd lines the second field represents the even lines. The fields are aligned and timed so that, with a still image, the human eye blurs the two fields together and sees them as one. Interlace scanning allows only half the lines to be transmitted and presented at any given moment. A 1080i HD signal transmits and displays only 540 lines per 60th of a second. 480i NTSC transmits and displays only 240 lines per 60th of a second. Motion in the image can make the fields noticeable. Interlaced images have motion artifacts when two fields don`t match to create the complete frame, often most noticeable in film-based material.
Keystone: A form of video image distortion in which the top of the picture is wider than the bottom, or the left is taller than the right, or vice versa. The image is shaped like a trapezoid rather than a rectangle.
Laser Disc: Now-defunct 12-inch disc format with excellent analog, FMrecorded video image, and either analog or CD-quality PCM-encoded audio. Later discs used one of the analog channels to record an RF-modulated Dolby Digital/AC3 soundtrack and/or used the PCM tracks to encoded a DTS soundtrack.
LCD: Liquid Crystal Display. A display that consists of two polarizing transparent panels and a liquid crystal surface sandwiched in between. Voltage is applied to certain areas, causing the crystal to turn dark. A light source behind the panel transmits through transparent crystals and is mostly blocked by dark crystals.
LCOS: Liquid Crystal on Silicon.
Letterbox: Format used widely on laser disc and many DVDs to fit wideaspect-ratio movies (1.85:1 and 2.35:1, for example) into a smaller frame, such as the 1.78:1 area of an anamorphic DVD or the 1.33:1 area of a laser disc or video tape. The image is shrunk to fit the screen, leaving blank space on the top and bottom. This process sacrifices some vertical detail that must be used to record the black bars.
Live Shot:Video broadcasted in real-time.
Live Special Report (LSR): A news story broadcast in real-time covering breaking news or a special event.
Luminance: The black and white (Y) portion of a composite, Y/C, or Y/Pb/Pr video signal. The luminance channel carries the detail of a video signal. The color channel is laid on top of the luminance signal when creating a picture. Having a separate luminance channel ensures compatibility with black-andwhite televisions.
Man on the Street (MOS): Clips of randomly selected people speaking.The name originates from the practice of news crews interviewing people on street sidewalks.
Matte White:Projection vinyl with a smooth white surface.
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Second hand audio gear. | Second hand lighting.
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Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.
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