Event Master EC-210
With upgraded processing, an external input, and the option for a third external display, the EC-210 event controller, successor of the EC-200, brings faster programing to your event. Enjoy the ease-ofuse of its smaller sibling, the EC-50, with syntax-based programming methodology that accelerates Event Master’s trademark streamlined operation. The result is a vastly simplified, more powerful controller for today’s large events.Unique features
Compatible with the EX, S3-4K, and E2 Event Master Processors, the EC-210 is a purpose-built, stand-alone controller that launches directly into Event Master Toolset. You can now have source, preset, layer, user key, cue and destination selection at your fingertips. The EC-210 comes fitted with a trackball, dedicated programming and operating sections, and two touchscreen displays. Switch sources live to program, select large groups of resources at the same time, and manipulate layers with ease. The extra external input means you are now able to have both the user interface and external video on the same control surface when space is tight.Higher situational awareness
By adding an external display, you can monitor three different areas of the operating environment simultaneously, giving you the peace-of-mind and exceptional situational awareness required by intense shows. The EC-210 is a joy to run for everything from a tradeshow booth to large corporate events or music tours. *The EC-210 is an upgraded version of the EC-200. They offer the same functionality with minor differences. See the Spec section for details. Existing EC200s can be upgraded to the same spec and functionality as the EC-210.
Features
- Robust version of Event Master Toolset -same user interface used on Mac and PC
- Onboard processing section that is purpose-built to run Event Master toolset, enabling stand-alone usage. EC-210 processing section has been upgraded; the EC-200 is upgradeable to the EC-210 processor. (Users will experience faster performance with most tasks)
- Full control over the Event Master Series processors
- Simultaneous connection of multiple controllers, GUI interfaces, and processors supported on same network. (Redundant backups of control)
- 2 internal 15.6-inch wide screen full HD (1,920x1,080) touchscreens with multi touch interface
- 1 external HDMI output supporting up to 2560x1080
- External input for the left side internal screen. External HDMI video signals up to HD resolution. (Typical sources are Multi-viewer or Aux output from Event Master)
- High-resolution T-Bar for manual transitions
- 36 user-assignable instant selection buttons with customizable LCD labels and multiple pages of assignments. (3 buses assignable as presets, cues, sources, backgrounds, or user keys)
- Dedicated Background layer button and 8 dedicated Layer selection buttons with multi-page selection. (Change pages for destinations with 9 or more layers)
- Dedicated layer transition and function buttons.(Trans, Cut, Freeze, etc.)
- 12 user-definable Destination buttons with multiple pages of assignments (easily supports all the destinations available in future releases)
- Dedicated buttons for transitioning all selected destinations, live switching, modifying program, etc.
- Play/Pause and Stop button for Cues
- 5 rotary encoders with wheels for ergonomic pip control and rapid placement of resources
- 12 LCD Contextual Display Buttons to support the Syntax Programmer
- Tri-Axis backlit trackball (based on function), with a very smooth rotary encoder for the third axis and 4 buttons for cursor and position control (future software release)
- Internal, board mounted M2 SSD
- 5 USB ports for additional accessories such as mouse, keyboard, thumbdrive, etc.
- Script lights, feedback LEDs, and integrated work lights with user controlled dimming.
- Power button for soft shutdown and restart of the system
- Back up and restore of system via USB or WebUI.
- Integrated WebUI for software upgrades.
- Dust cover included
- Custom road case included
E2-4K
Raising the bar for live screen management, the E2 presentation system provides superior image quality, exceptional input and output density, great expandability and durability. Supporting native 4K input and output, it was the first screen management system to manage 4K projector blends with refresh rates up to 60Hz with full 4:4:4 color sampling and 12bit processing . A truly versatile system, it offers eight mixable PGM outputs and four scaled Aux Outputs for full show control with a single box. The E2 can be linked with multiple other E2 chassis to create extremely large pixel processing canvases, to support the largest displays available.
Native 4K input and output
With native 4K@60p input and output, the E2 provides impressive pixel processing power. Whether native or scaled inputs, single cable 4K60p, two connectors or four, this HDCPcompliant system manages it all. With up to 32 inputs and 16 outputs, the E2 system offers full screen control. The E2 can support 32 HD pips or 8 4K pips. The layers can be configured to support a mixture of HD and 4K resolutions maximizing your system flexibility. Thanks to its linkable chassis, it can easily expand beyond the capabilities of a single box without the need for additional external processing and matrix routing to distribute the signals. Currently the linking in E2 supports up to eight processors for a total of 32 4K program outputs, with the possibility of more in the future.
Simple servicing and control
The E2 comes with a straightforward cross-platform user interface that provides touchscreen ergonomics. As the presets are stored on the chassis it enables easy control via third-party systems. Multiple users can control the system simultaneously, and the API allows third-party developers to create custom control programs and interfaces. Thanks to its modular design, users can simply add a new input or output card to support future signal interfaces. This modularity also ensures great serviceability, as users can easily swap a specific input or output card in the case of damage, without needing to ship or replace the entire box.
Designed for life on the road
Designed for the live event industry, the rugged E2 features a steel chassis that’s able to withstand the challenging conditions of life on the road. What’s more, it offers screen control in a compact form factor of only four rack units, which makes it easy to ship and install. And thanks to its modular cards and dual redundant power supplies, the E2 is extremely reliable and easy to service in the field.
Layers, layers, layers
The E2 offers an extremely flexible layer management system. The E2 starts with a pixel perfect, full resolution, unscaled background layer that is the same resolution as the screen destination. As an unscaled mixing background layer it does not use any of the valuable scaling layers. With up to 32 layers available in HD, the E2 can customize the layer configuration to meet the needs of your application. The layers provide either pip or key effects, and can be configured for HD, Dual Link (2560x1600 or 3840x1200 max), or 4K resolutions. Each destination gets dedicated layers, so you know exactly how many resources are available. The layers can also be configured as single layers with cut transitions, or two of the scalers can be combined to create a mixing layer. Each destination can support a combination of mixers, single layers, pips, keys, and various sizes of layers, all to create a single composited image on the screen.
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Used BARCO
Barco NV is a Belgian technology company that specializes in digital projection and imaging technology, focusing on three core markets: entertainment, enterprise, and healthcare.It employs 3600 employees located in 90 countries. The company has 400 granted patents.
Barco is headquartered in Kortrijk, Belgium, and has its own facilities for Sales & Marketing, Customer Support, R&D and Manufacturing in Europe, North America and Asia-Pacific. Shares of Barco are listed on Euronext Brussels.Barco sells its ClickShare products to enable wireless projection from sender devices to receiver displays.Barco is an acronym that originally stood for Belgian American Radio Corporation.
Barco was founded in 1934 in the town of Poperinge, in the Flemish-speaking region of Belgium. Founder Lucien de Puydt's initial business was to assemble radios from parts imported from the United States – hence the name of his company, the Belgium American Radio Corporation, or "Barco". Radio pioneer Camiel Descamps gave the company a new start in 1941 in Kortrijk after founder Lucien Depuydt died. His wife Maria-Anna Reyntjens and his brother-in-law Joseph Versavel assisted him. Later on, also Elie Timmerman joined them. Starting from their office in Kortrijk, the company started to grow and spread around 90 countries across the globe.
In 1949, Barco started developing a multi-standard television that accepted different signal standards, becoming a leader in that field. A jukebox called Barc-O-Matic was sold from 1951. In 1967, it was one of the first European companies to introduce color TV. Building on this, it then entered the professional broadcast market in the late 1960s, supplying TV monitors to broadcasters.
From the 1960s onwards, Barco branched out into numerous other activities, which included mechanical components for industrial use, and quality control monitoring for the textile and plastics industries. In 1967, Barco became the first European manufacturer to produce transistor-based portable televisions.
Barco first entered projection technology in 1979 when it pioneered the development of cathode ray tube (CRT) projection aboard airplanes. Over the following years, it gradually focused solely on professional markets. In the mid-1980s, Barco became a main projection technology supplier for computer giants IBM, Apple and Hewlett-Packard. In the late 1980s, it entered the Brussels stock market. By 1991, Barco's market share in the graphics projection market alone reached 75%, and the company had established offices across the world, including regional headquarters in the United States and East-Asia. Through the 1990s and the first decade of the new millennium, Barco developed and marketed new display technologies such as liquid crystal display (LCD), light-emitting diodes (LED), Texas Instruments' Digital Light Processing (DLP), and later, liquid crystal on silicon (LCoS). It now covers markets that include media and entertainment, security and monitoring, medical imaging, avionics, 3D and virtual reality, digital cinema, traffic control, broadcast and training and simulation.
In 2018, Barco entered into a joint venture with China Film Group Corporation (CFG), Appotronics and CITICPE to commercialize each company's products and services for the global cinema market excluding mainland China: Cinionic. In Barco's case, this involved the company's cinema projectors.
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Fade: A gradual increase in video, i.e. a fade-in, or a gradual decrease in video, i.e. a fadeout.
Fast File: A video segment with entry and exit points but that is not interrupted by edited-in video clips.
Fiber Optic Cable: Glass, plastic, or hybrid fiber cable that transmits digital signals as light pulses.
First Person: A video told from the primary subject`s perspective. Firstperson videos most often include the word.
Front Screen Projection: This option allows an image to be projected onto a screen or sail from the front of the room. The unit itself is placed within or behind the audience.
F/Stop: A rating often applied to scrims used in the film and video industries on their ability to dim light. This rating is directly related to a camera`s ability to allow for the admittance of light.
Gray Scale: The ability for a video display to reproduce a neutral image color with a given input at various levels of intensity.
Hanging Dots: An artifact of composite video signals that appears as a stationary, zipper-like, horizontal border between colors.
High-Definition(HD, High-Def): An image that has a higher resolution and is clearer than other formats. It is widely accepted that 720p is the "bottom-end" on HD.
HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.
HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.
HDMI: HDTV connection format using a DVI interface that transfers uncompressed digital video with HDCP copy protection and multichannel audio.
HDTV: High-Definition Television. The high-resolution subset of our DTV system. The FCC has no official definition for HDTV. The ATSC defines HDTV as a 16:9 image with twice the horizontal and vertical resolution of our existing system, accompanied by 5.1 channels of Dolby Digital audio. The CEA defines HDTV as an image with 720 progressive or 1080 interlaced active (top to bottom) scan lines. 1280:720p and 1920:1080i are typically accepted as high-definition scan rates.
High Gain Screen: Material that reflects more light than a reference material Increases a projector`s light output at the expense of uniformity.
IEEE 1394: Networking standard for PCs. Combined with 5C copy protection, is used as a two-way connection to transfer the MPEG-compressed digital bitstreams between consumer electronics items, including HDTV tuners and displays, D-VHS recorders, DVD players, and DBS receivers. Also called FireWire, iLink.
In Sync: When the picture and sound are synchronized perfectly.
Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.
Interlace: Process of alternating scan lines to create a complete image. In CRT displays, every second field/frame is scanned between the first field/frame. The first field represents the odd lines the second field represents the even lines. The fields are aligned and timed so that, with a still image, the human eye blurs the two fields together and sees them as one. Interlace scanning allows only half the lines to be transmitted and presented at any given moment. A 1080i HD signal transmits and displays only 540 lines per 60th of a second. 480i NTSC transmits and displays only 240 lines per 60th of a second. Motion in the image can make the fields noticeable. Interlaced images have motion artifacts when two fields don`t match to create the complete frame, often most noticeable in film-based material.
Keystone: A form of video image distortion in which the top of the picture is wider than the bottom, or the left is taller than the right, or vice versa. The image is shaped like a trapezoid rather than a rectangle.
Laser Disc: Now-defunct 12-inch disc format with excellent analog, FMrecorded video image, and either analog or CD-quality PCM-encoded audio. Later discs used one of the analog channels to record an RF-modulated Dolby Digital/AC3 soundtrack and/or used the PCM tracks to encoded a DTS soundtrack.
LCD: Liquid Crystal Display. A display that consists of two polarizing transparent panels and a liquid crystal surface sandwiched in between. Voltage is applied to certain areas, causing the crystal to turn dark. A light source behind the panel transmits through transparent crystals and is mostly blocked by dark crystals.
LCOS: Liquid Crystal on Silicon.
Letterbox: Format used widely on laser disc and many DVDs to fit wideaspect-ratio movies (1.85:1 and 2.35:1, for example) into a smaller frame, such as the 1.78:1 area of an anamorphic DVD or the 1.33:1 area of a laser disc or video tape. The image is shrunk to fit the screen, leaving blank space on the top and bottom. This process sacrifices some vertical detail that must be used to record the black bars.
Live Shot:Video broadcasted in real-time.
Live Special Report (LSR): A news story broadcast in real-time covering breaking news or a special event.
Luminance: The black and white (Y) portion of a composite, Y/C, or Y/Pb/Pr video signal. The luminance channel carries the detail of a video signal. The color channel is laid on top of the luminance signal when creating a picture. Having a separate luminance channel ensures compatibility with black-andwhite televisions.
Man on the Street (MOS): Clips of randomly selected people speaking.The name originates from the practice of news crews interviewing people on street sidewalks.
Matte White:Projection vinyl with a smooth white surface.
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