Yamaha Pro Audio TX5N Used, Second hand

Used TX5N 2x3000W/4Ohms power amplifier.

Photos on request.

More details

1.07.394
Used

1,600.00 €

1,600.00 € per Piece

INQUIRE ABOUT THIS

 
About this product

TX5N

High Power Touring Amp with DSP and Networking, A Brilliant Fusion of Leading Yamaha Power, DSP and Network Technologies.

For more than 30 years Yamaha has been delivering top-quality for professional audio applications. The recent Yamaha Tn series amplifiers achieved new heights in power, efficiency, sonic quality and low-impedance drive capability. And now the Yamaha TXn series amplifiers bring together several industry-leading Yamaha technologies for the ultimate in power, processing, and networking performance.The Yamaha TXn Series features three new high-power amplifiers that not only deliver extraordinary efficiency and stunning sound quality reliably into 2-ohm loads, but also offer sophisticated onboard DSP with a front-panel user interface that minimizes or eliminates the need for external equalizers, delays, and speaker processors. All Yamaha TXn models feature both analog and direct digital inputs, with automatic failsafe redundancy switching between digital and analog input. The input configuration can be changed as required using optional plug-in Yamaha mini-YGDAI interface cards. With the appropriate I/O cards these advanced amplifiers are fully compatible with CobraNet or EtherSound audio networks as well as a variety of digital audio formats. The built-in Ethernet port can be connected to a computer running Yamaha's amplifier control software for comprehensive remote control and monitoring of individual amplifiers or groups.

Features:
  • High power for tour applications.
  • Stable 2-ohm drive capability for line array speaker systems.
  • Yamaha DSP technology provides extensive monitoring, control, input/speaker processing, and protection functions built in.
  • MY card slot makes it easy to match the amplifier’s I/O configuration to the system –– analog or digital.
  • The analog and digital inputs can be used independently, or signals can be applied to both and mixed or switched automatically for redundancy.
  • Advanced remote monitoring, control, and system management capabilities via Yamaha's dedicated software.
  • Legendary Yamaha quality control for consistently superior sonic quality and reliability.
  • Dual mono configuration with independent power supplies for each channel.
  • Original Yamaha EEEngine amp drive technology achieves efficiency that matches class D amplifiers.
  • Exhaustive vibration-reduction measures have resulted in unprecedented sound quality.
  • A durable exterior, large cooling fans and fan guards, easily replaceable filters, and other reliability features deliver dependability even under demanding tour conditions.
  • A variety of I/O terminals, removable handles, and other features for maximum installation and handling versatility.
Not just an amplifier and a speaker processor put into one

The DSP enabled TXn series provides many more benefits than simply saving precious rack space or eliminating cabling.

  • Rental companies can simplify warehouse inventory – The TXn series amplifier are multi-functional amplifiers that can be used to drive various speaker systems.
  • Truly versatile: Not only is the TXn flexible in its I/O formats, but voltage gain/ sensitivity can be adjusted in 0.1dB steps. The TXn can be configured to use with any kind of system.
  • TX5n can accept multiple digital formats. Staying digital longer with the TX5n allows for better S/N structure. Cabling is also lighter with digital.
  • Precise control and monitoring of your amplifiers: Detailed control and monitoring parameters unimaginable with conventional amplifiers are now available from a remote location.
  • Failsafe security: Combination of analog inputs and card slot inputs provides failsafe signal redundancy. The ultra low latency AES/EBU card's "THRU" output is designed to send signal even in case of power failure on the amplifier.
Onboard DSP

Digital signal processing is an area in which Yamaha quality is legend. The Yamaha TX5n incorporates a sophisticated 24-bit ADDA 96-kHz DSP engine that affords an extraordinary range of control and processing capabilities. In addition to basic amplifier control and status monitoring, there is enough DSP power built in to provide extensive speaker processing capabilities that will make external processors unnecessary in most applications. The Yamaha TX5n provides separate input and output processing. The onboard DSP parameters and functions can be accessed directly through the LCD and button interface provided on the front panel of the amplifier, or via Yamaha's amplifier control software running on a computer connected via Ethernet.

Flexible Input Configuration

The Yamaha TX5n amplifier features a Yamaha mini-YGDAI standard card slot that comes fitted with an AES/EBU I/O card for digital input and throughput. The amplifier's balanced analog inputs and throughputs are permanently installed on the rear panel. The analog and digital inputs can be used independently, or signals can be applied to both and mixed or switched automatically for emergency announcements, for example. The original AES/EBU I/O card can be replaced with compatible Yamaha mini-YGDAI cards that provide other digital or analog input/output formats, or with network cards that allow full compatibility with CobraNet or EtherSound audio networks.

Intuitive, plug and play amp management software

Amp Editor is a dedicated software application for TXn amplifiers that makes amplifier management easy. Remotely control and monitor Yamaha TXn amplifiers simply by connecting your amplifiers to an Ethernet port on a computer via a standard high-speed Ethernet switch. Connection to the Amp Editor network requires no special drivers so that your system is up and running in no time. All Yamaha TXn amplifier functions and DSP parameters can be controlled using Amp Editor.

Using Amp Editor will give users much more real time information about the conditions of the amplifiers than previously possible. The software can, for example, warn you when a parameter exceeds a predefined voltage, wattage, or impedance (upper/lower) value. By monitoring these parameters, you are also notified instantly if a problem is detected in the input or output signal chain, for example a blown speaker driver on an amplifier channel. Amp Editor will keep logs of these warnings into a file so it's easy to pinpoint and troubleshoot problems.

Used Yamaha Pro Audio

Yamaha Pro Audio offers a complete line of professional audio products for the live sound and sound reinforcement markets.
It has a long history of introducing significant products for the professional audio market such as the PM-1000 modular mixing console,the REV1 and SPX90, digital signal processors and the 01, 02R, PM1D and PM5D digital mixing consoles.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both. Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it's in phase with the input and negative when it's out of phase. Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details). Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level. Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.Gain: Increase in level or amplitude.Gooseneck: This refers to amicrophone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies; lowering sliders cuts (attenuates) the affected frequencies.High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.KHz: Kilohertz or one thousand Hz.Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.Line Array: A group of speakers that have been arrayed or “built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies. Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range. Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers. Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.Phase: Time relationship between signals; it's all relative.Power Output: A measure, usually in watts, of how much energy is modulated by a component.Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.surround processor portion of the receiver and the input of the amplifier portion of the receiver.Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television's tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal. RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square's set of values. A reasonably accurate method of describing an amplifier's power output. Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better. Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language. Sound field: The total acoustical characteristics of a space, such as ambience; number, timing, and relative level of reflections; ratio of direct to reflected sound; RT-60 time; etc. Speaker: A component that converts electrical energy into acoustical energy. SPL: Sound-Pressure Level. Measured in dB. Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX Select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman's eXperiment, after the engineer who drafted the original standard, or is named after the company's founder George Lucas' first movie, THX 1138. Nobody agrees on which.

30 other products in the same category: